Skip to main content

Review of UoN Fringe 2019: Exposing Inequality by Unseen Truths at The Platform Club, Northampton

Performer Jessica Harding opens her Unseen Truths production Exposing Inequality with a direct monologue to the audience where she explains that this is a show about, unsurprising, inequality, much centring around that vital turning point, the Suffragette movement. In this opening piece, she says something along the lines of this isn't just another boring show about this subject, and her intention is to make it all the more different. It is a dangerous thing to promise something like this, as it sets out all sorts of hopes for an excellent show.

Sadly this genuinely entertaining opening, spirited and enthusiastic delivery from Harding, is pretty much the best part of the show. Although, Exposing Inequality is far from no merits at all, as there are some excellent ideas here which just needed a little more refining to make them work.

The bulk of this show centres around Leicester Suffragette Alice Hawkins and takes her job in a shoe factory as another idea for the play. Throughout the play, across the front of the stage are several pairs of shoes from through the ages, and these provide an inventive, but not totally successful, theme for the show.

Alice's story is fascinating, most Suffragette ones are, and Harding is excellent in the role, nicely judged, and innocent enough initially to let the boldness grow in her as she gets older (starting point of 7 years old) and her involvement grows. The shoes are the guiding light for the piece and as well as costume changes, tell us where we are within the story.

However, one particular scene where the shoes are used, while extremely clever in idea (Harding wears the shoes on her hands to represent a conversation at a socialist event), is poorly executed, causing delays when Harding is standing up and sitting down. A possible solution to this issue would maybe have been to have performed the piece on a raised table, making it both easier for the performer and audience to see.

There are a few other issues as well, there is a nice physical piece used during the play, but it becomes repetitive quite quickly and is repeated once again later to much less impact as a result. Other ideas would have provided much more depth and freshness to the show. Other issues are apparent early on when far too much detail is gone into, and too much dialogue, the statistics scene, far too early in the play as well, is both dry and sadly therefore boring, and also the addition of the BBC reporter Carrie Gracie's resignation is excellent, but we definitely didn't need the whole speech to prove this point. Also, a relatively minor observation if the show was to be performed again, during the socialist scene where the ladies are surprised by the appearance of a man at the event, a picture projected at the back is of an office full of men!

All of this sounds rather negative, and I guess it is, but Exposing Inequality has a good foundation of material, and some excellent ideas, however, sadly much of it is either underdeveloped or in need of tightening up to make it a great show. Performance wise, Harding is a good performer, personable and great to watch. It is just a shame that unfortunately there were a lot of issues with much of the material within this show, it was so close to being so much better.

Performance viewed: Friday 3rd May 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...