Skip to main content

Review of UoN Fringe 2019: Exposing Inequality by Unseen Truths at The Platform Club, Northampton

Performer Jessica Harding opens her Unseen Truths production Exposing Inequality with a direct monologue to the audience where she explains that this is a show about, unsurprising, inequality, much centring around that vital turning point, the Suffragette movement. In this opening piece, she says something along the lines of this isn't just another boring show about this subject, and her intention is to make it all the more different. It is a dangerous thing to promise something like this, as it sets out all sorts of hopes for an excellent show.

Sadly this genuinely entertaining opening, spirited and enthusiastic delivery from Harding, is pretty much the best part of the show. Although, Exposing Inequality is far from no merits at all, as there are some excellent ideas here which just needed a little more refining to make them work.

The bulk of this show centres around Leicester Suffragette Alice Hawkins and takes her job in a shoe factory as another idea for the play. Throughout the play, across the front of the stage are several pairs of shoes from through the ages, and these provide an inventive, but not totally successful, theme for the show.

Alice's story is fascinating, most Suffragette ones are, and Harding is excellent in the role, nicely judged, and innocent enough initially to let the boldness grow in her as she gets older (starting point of 7 years old) and her involvement grows. The shoes are the guiding light for the piece and as well as costume changes, tell us where we are within the story.

However, one particular scene where the shoes are used, while extremely clever in idea (Harding wears the shoes on her hands to represent a conversation at a socialist event), is poorly executed, causing delays when Harding is standing up and sitting down. A possible solution to this issue would maybe have been to have performed the piece on a raised table, making it both easier for the performer and audience to see.

There are a few other issues as well, there is a nice physical piece used during the play, but it becomes repetitive quite quickly and is repeated once again later to much less impact as a result. Other ideas would have provided much more depth and freshness to the show. Other issues are apparent early on when far too much detail is gone into, and too much dialogue, the statistics scene, far too early in the play as well, is both dry and sadly therefore boring, and also the addition of the BBC reporter Carrie Gracie's resignation is excellent, but we definitely didn't need the whole speech to prove this point. Also, a relatively minor observation if the show was to be performed again, during the socialist scene where the ladies are surprised by the appearance of a man at the event, a picture projected at the back is of an office full of men!

All of this sounds rather negative, and I guess it is, but Exposing Inequality has a good foundation of material, and some excellent ideas, however, sadly much of it is either underdeveloped or in need of tightening up to make it a great show. Performance wise, Harding is a good performer, personable and great to watch. It is just a shame that unfortunately there were a lot of issues with much of the material within this show, it was so close to being so much better.

Performance viewed: Friday 3rd May 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own. This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, ...