Skip to main content

Review of Much Ado About Nothing at Isham Dark (Avenue Campus), Northampton

Aficionados of Shakespeare would probably recoil at "The Story" on the back of the programme for the BA Acting & Creative Practice second-year students production of the Bard's comedy Much Ado About Nothing. In short, it refers to Don Pedro returning with his regiment from the Falklands, and stopping off at Leonato's hotel in Greenland on the way. Elsewhere Don Pedro's brother Don Jon is on the lookout for juicy stories for the tabloid newspaper he edits. Claudia has fallen in love with Hero, Benedict says he never will fall in love. Meanwhile, the Sirius Arctic Dog Patrol keeps things in line and Balthasar with her trusty guitar keeps the music rolling.

Yes, this is 1982, and we are in a world of a very different Much Ado About Nothing, and oddly it mostly seems to work.

As expected there are some great performances, even at this second-year stage. There is great style and much more period feel to the ladies in the play than the gents, so Beatrice (Libby Homer-Doyle) and Hero (Lois Gold) have a very eighties feel, both being excellent characterisations.

The gents are a little more traditional, even if their look is not. Keon McDermott is an excellent Benedict, filling the hugely comical role with his own enthusiasm. The scene where he overhears proceedings is buoyant with energy from McDermott, bouncing around the back of all the seated areas and very literally throwing himself into the performance.

I enjoyed also the stately like performance from Jonathan Mansfield as Don Pedro, authoritative as only the leader should be. Leanne Avery was a sharp and stylish Antonia, and Amy Crighton brought superb presence and weight to the role of Leonato.

Elsewhere, Sasha Russell was an intense firecracker performer as Dogberry, and styled magnificently and more than a little scary with a horsewhip (even managing to break part of it with her passion). Lindsay Crawford was superb as her two very different characters of Friar, all refined, and Verges, all wacky and awkward, two brilliantly distinctive roles sharply played.

Finally, Emily Ashberry as Baltazar, transformed into Adam Ant and with guitar, bringing some superb reworked versions of many eighties tracks (how brilliant was Let's Dance!). Her little interludes were one of the best parts of the show, brilliantly performed and cleverly conceived. Fab stuff!

Director Dan McGarry has made the perhaps unbelievable work with this version of the Shakespeare comedy. He gets great energy from all his performers and by the very end as Walking On Sunshine fades away, you feel you have had an extremely fun afternoon.

Performance viewed: Saturday 18th May, 2019 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

Much Ado About Nothing ran until Saturday 18th May, 2019
Twitter feed for the University actors is @BA_Actors

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...