Skip to main content

Review of UoN Fringe 2019: Escape Route by Kyla Kares at The Platform Club, Northampton

The third show of this year's Fringe increased the really good quality of the shows so far to properly superb as solo performer Kyla Williams presented Escape Route, a quite remarkable piece of theatre from a clearly multi-talented performer.

Taking similar themes of mental health from the previous show, Escape Route centred more on suicide in both it's successful attempts, failures and what it means to be left behind. Using others and her own personal recollections, Williams creates a desperately sad at times depiction of life, yet, but makes it at resolution a most remarkably uplifting one with a truly inspired ending as well.

Williams is unquestionably an amazing performer, able to deliver the stories in clear and distinctive ways. Each of the characters from young Caitlin, to the runner escaping life by running around, the very familiar to me Racecourse, and onto the cabaret singer asking "is that all there is?", are brilliantly realised. This is such a sharp performance from Williams, and a brilliantly put together piece, it might already be the best show of the week.

While this is intelligently constructed as a piece of theatre, it could still be stale and wordy in anyone else's hands. Williams though can sing superbly, performs a beautiful contemporary dance, and creates a brilliant physical movement scene bringing about the pain of one person's life history to life thought sharp, stilted moves. Also, included is one of the most brilliant lip synced pieces I have seen, perfect in timing and mannerisms, so much so, you truly can't believe that this is being vocalised live.

It is rare that I am so impressed by a piece of theatre such as this, maybe my own personal situation helped me understand it more and appreciate it, however also this is clearly stunning work and one of the best solo pieces I have seen, and to leave uplifted from a play about a subject such as this is a tremendous achievement. Simply stunning.

Performance viewed: Monday 29th April 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of The Jolly Christmas Postman at Royal & Derngate (Royal), Northampton

The Northampton Royal and Derngate have a tradition of producing a family play in the Royal Theatre alongside a spectacular pantomime in the Derngate, offering a more subtle Christmas treat for a family audience. However, this calendar staple has been missing since 2019, when the fine Pippi Longstocking graced the Royal stage and an unmentionable virus reared its head. Based on this triumphant return this year in the guise of The Jolly Christmas Postman , it has been heartily missed. Adam Peck has truly lovingly adapted  The Jolly Christmas Postman  for the stage from the original story by Janet and Allan Ahlberg. From the beginning, this is a proper cracker of theatre entertainment that captivates an occasionally distractable audience of all ages. The story follows the adventures of a friendly postman beset by an influx of mail on Christmas Eve and his adventures with an assortment of Fairy-Tale characters. What is, in essence, a kid's show aimed primarily at young children ...

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella . So, does the magic dust fall once again successfully on the stage of the Derngate? The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present). Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...