Review of UoN Fringe 2019: Escape Route by Kyla Kares at The Platform Club, Northampton

The third show of this year's Fringe increased the really good quality of the shows so far to properly superb as solo performer Kyla Williams presented Escape Route, a quite remarkable piece of theatre from a clearly multi-talented performer.

Taking similar themes of mental health from the previous show, Escape Route centred more on suicide in both it's successful attempts, failures and what it means to be left behind. Using others and her own personal recollections, Williams creates a desperately sad at times depiction of life, yet, but makes it at resolution a most remarkably uplifting one with a truly inspired ending as well.

Williams is unquestionably an amazing performer, able to deliver the stories in clear and distinctive ways. Each of the characters from young Caitlin, to the runner escaping life by running around, the very familiar to me Racecourse, and onto the cabaret singer asking "is that all there is?", are brilliantly realised. This is such a sharp performance from Williams, and a brilliantly put together piece, it might already be the best show of the week.

While this is intelligently constructed as a piece of theatre, it could still be stale and wordy in anyone else's hands. Williams though can sing superbly, performs a beautiful contemporary dance, and creates a brilliant physical movement scene bringing about the pain of one person's life history to life thought sharp, stilted moves. Also, included is one of the most brilliant lip synced pieces I have seen, perfect in timing and mannerisms, so much so, you truly can't believe that this is being vocalised live.

It is rare that I am so impressed by a piece of theatre such as this, maybe my own personal situation helped me understand it more and appreciate it, however also this is clearly stunning work and one of the best solo pieces I have seen, and to leave uplifted from a play about a subject such as this is a tremendous achievement. Simply stunning.

Performance viewed: Monday 29th April 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Review of & Juliet at Milton Keynes Theatre

First performed in 2019, & Juliet has become quite a global success, and now, as part of a UK Tour, it has arrived at Milton Keynes Theatre for a two-week run. Featuring a book by David West Read, it tells the what-if story of the survival of Juliet at the end of Shakespeare's Romeo & Juliet . Primarily a jukebox musical, it more specifically features the works of Swedish songwriter Max Martin (and friends, as the credits describe). The question is, does & Juliet provide more than the standard of many a jukebox musical before it, and does it honour the tragic tale from which it has sprung? Our story opens with William Shakespeare presenting his latest work, Romeo & Juliet , for the first time. However, when his wife, Anne Hathaway, learns how he intends the tale to end, she is away with his quill and planning on her reworking of the story. At the core of this touring production's success is Geraldine Sacdalan's powerhouse performance as Juliet. Her Juliet ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

A Small Mind At The Theatre

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