Skip to main content

Review of UoN Fringe 2019: Mein Hodenkrebs by Light in the Dark Theatre Company at The Platform Club, Northampton

Having seen in excess of 70 University shows through Flash and this new breed, the Fringe, I have to say that I have enjoyed enough of all but one of them, to make them worthwhile, and to judge them a success, even if just one for ambition. Mein Hodenkrebs from Light in the Dark Theatre Company is a struggle though, but it does show immense promise at times, but unfortunately, that is mostly all on the big screen.

Mein Hodenkrebs means My Testicular Cancer and is a comedy set in the body of Zak, a student whose world turns upside down with the news that cancer is riddling his body. That cancer here manifests itself in this play in a series of bizarre attempts to create political satire as characters like Boris and Theresa battle it out in Zak's body. Some of it works, the rectum scene, for instance, most of it feels hard work to watch, and irrelevant to the show.

Our performers. Ben Loftus, David Wallace, Giacomo Galbiati and Kyle Lawson are good enough, throwing themselves into the material, perhaps too much. It is just that the material is so poor at times, they can't really make it interesting. Then is a ridiculous franticness to the whole piece which leaves it with no control, the voices a lot of the performers adopt become too screeching to become clear enough to hear the dialogue, especially in the acoustics of the venue (something they should have observed more perhaps). It is all a bit of a mess, even if Gollum really is rather well done.

However, that is the live action scenes, a good part of this show, maybe fifty per cent (even if it feels less at times, due to the excessive nature of some of the live scenes), is taken up by a Peep Show style video. This is where we see the world of Zak outside his body, and this material is nearly 100% better than the live action. In fact, much of it is brilliant.

The characters are well rounded, interesting, and the whole piece is brilliantly put together. It runs the full path of brilliant comedy, stylish filming and has a true heart in its story of Zak and his brother truly is brilliant. The landlord scenes, although irrelevant mostly to the plot, are also huge fun and performed with full commitment, I'm glad I wasn't in the Aldi car park or that street at the time of recording. The opening piece to the music of ELO was pretty much one of the best-pre-recorded scenes I have seen on these shows, superbly cut, and shows that these guys have tremendous talent at film making first of all, but also writing good material. It is just a shame that for the live scenes, all quality control went out the window.

I don't like writing bad reviews, and with the University shows I hate them more, and fortunately rarely have to write them. The live material here reminded me far too much of the disaster that was 2015's The Secrets of Man (also a cast of four men interestingly), however, they didn't have the video footage to save the situation. Here at least, it's cast prove that they are better than this, it is just a shame they didn't show it all the way through the hour performance.

Performance viewed: Wednesday 1st May 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...