Review of Othello at Waterside Campus (Open Air), Northampton

While one half of the University of Northampton Second Year BA Actors tackle the fun and mostly frivolous The Taming of the Shrew, the others dig deep into the unpleasant happenings of Othello, and curiously manage to plunder a little more comedy than you might expect from it.

Othello revolves around its two central characters: Othello, a Moorish general in the Venetian army, and Iago, ensign to the general, and ultimately tragically untrustworthy. It's an extremely dark play, that toys with themes of racism, love, jealousy, betrayal, revenge and repentance. It is weird it is as fun as this production manages to make it become.

Othello is played by Alena Crawford but played totally male, and as the brilliant Kate Jones did two years ago as Richard II, Crawford plays it totally convincingly, making the audience gender blind to the performer like many females actors are doing at this time. It's neat casting, and against Leonor Leite De Castro's totally tender portrayal of Desdemona, it works in a surprisingly brilliant way.

Ross Ward's Iago is a totally domineering and controlling figure, vicious in his intent, caring nowt about anyone in his plans, Ward is solid and channels a little in knowing looks that Tom Mothersdale is bringing to the current Richard III tour.

I really enjoyed Harry Sanders as Roderigo, the desperate and misguided rich man, pursuing Desdemona and used by Iago to devastating effect. Christian Zglavoci gives a crisp performance as Othello's lieutenant Michael Cassio, one of an endless number of people used and abused by Iago.

One of the worst victims of Iago's abusing is Emilia and this is given a delightful performance from Kelsey Bing, the poignant scene with Desdemona before bed is one of the highlights of the play, and Bing's portrayal of the breakdown of Emilia at the full revelation of what has happened is extremely powerful. I also enjoyed Sion Blake as all of his three characters, but most especially as the lively Montano, he has an excellent presence on stage as a performer.

Staging is much simpler than concurrently running The Taming of the Shrew, much because space is more orthodox as a theatre space. The performance I saw had an extremely good audience, and I suspect this, coupled with the second performance vibe did leave the issue that it was a little overperformed, the volume of delivery occasionally felt too high, but more especially the energy for over-enthusiasm maybe, left more lines fluffed than is perhaps normal from a University show.

However, otherwise, this was an excellent production, scenes like the safe return from battle and celebration of marriage have a brilliant modern vibe, the sort of thing that I simply relish from the University shows with the energy and dedication that the casts always have. Equally, there was some excellent use of music, the haunting background of Sweet Dreams a particularly inspired selection for the battle of Roderigo and Cassio.

I enjoyed Othello, once again, like Taming, it is packed with a great selection of performers, all, I think this time surprisingly for a Second Year selection, on an equal level. It all bodes well for the third year as the standard increases once again.

Performance reviewed: Wednesday 22nd May 2019 (matinee) at Waterside Campus (Open Air/Learning Hub), University Of Northampton.

Othello runs until Saturday 25th May 2019, tickets, free of charge, at Eventbrite
Twitter feed for the University actors is @BA_Actors

Review of & Juliet at Milton Keynes Theatre

First performed in 2019, & Juliet has become quite a global success, and now, as part of a UK Tour, it has arrived at Milton Keynes Theatre for a two-week run. Featuring a book by David West Read, it tells the what-if story of the survival of Juliet at the end of Shakespeare's Romeo & Juliet . Primarily a jukebox musical, it more specifically features the works of Swedish songwriter Max Martin (and friends, as the credits describe). The question is, does & Juliet provide more than the standard of many a jukebox musical before it, and does it honour the tragic tale from which it has sprung? Our story opens with William Shakespeare presenting his latest work, Romeo & Juliet , for the first time. However, when his wife, Anne Hathaway, learns how he intends the tale to end, she is away with his quill and planning on her reworking of the story. At the core of this touring production's success is Geraldine Sacdalan's powerhouse performance as Juliet. Her Juliet ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

A Small Mind At The Theatre

Search This Blog