Review of Othello at Waterside Campus (Open Air), Northampton

While one half of the University of Northampton Second Year BA Actors tackle the fun and mostly frivolous The Taming of the Shrew, the others dig deep into the unpleasant happenings of Othello, and curiously manage to plunder a little more comedy than you might expect from it.

Othello revolves around its two central characters: Othello, a Moorish general in the Venetian army, and Iago, ensign to the general, and ultimately tragically untrustworthy. It's an extremely dark play, that toys with themes of racism, love, jealousy, betrayal, revenge and repentance. It is weird it is as fun as this production manages to make it become.

Othello is played by Alena Crawford but played totally male, and as the brilliant Kate Jones did two years ago as Richard II, Crawford plays it totally convincingly, making the audience gender blind to the performer like many females actors are doing at this time. It's neat casting, and against Leonor Leite De Castro's totally tender portrayal of Desdemona, it works in a surprisingly brilliant way.

Ross Ward's Iago is a totally domineering and controlling figure, vicious in his intent, caring nowt about anyone in his plans, Ward is solid and channels a little in knowing looks that Tom Mothersdale is bringing to the current Richard III tour.

I really enjoyed Harry Sanders as Roderigo, the desperate and misguided rich man, pursuing Desdemona and used by Iago to devastating effect. Christian Zglavoci gives a crisp performance as Othello's lieutenant Michael Cassio, one of an endless number of people used and abused by Iago.

One of the worst victims of Iago's abusing is Emilia and this is given a delightful performance from Kelsey Bing, the poignant scene with Desdemona before bed is one of the highlights of the play, and Bing's portrayal of the breakdown of Emilia at the full revelation of what has happened is extremely powerful. I also enjoyed Sion Blake as all of his three characters, but most especially as the lively Montano, he has an excellent presence on stage as a performer.

Staging is much simpler than concurrently running The Taming of the Shrew, much because space is more orthodox as a theatre space. The performance I saw had an extremely good audience, and I suspect this, coupled with the second performance vibe did leave the issue that it was a little overperformed, the volume of delivery occasionally felt too high, but more especially the energy for over-enthusiasm maybe, left more lines fluffed than is perhaps normal from a University show.

However, otherwise, this was an excellent production, scenes like the safe return from battle and celebration of marriage have a brilliant modern vibe, the sort of thing that I simply relish from the University shows with the energy and dedication that the casts always have. Equally, there was some excellent use of music, the haunting background of Sweet Dreams a particularly inspired selection for the battle of Roderigo and Cassio.

I enjoyed Othello, once again, like Taming, it is packed with a great selection of performers, all, I think this time surprisingly for a Second Year selection, on an equal level. It all bodes well for the third year as the standard increases once again.

Performance reviewed: Wednesday 22nd May 2019 (matinee) at Waterside Campus (Open Air/Learning Hub), University Of Northampton.

Othello runs until Saturday 25th May 2019, tickets, free of charge, at Eventbrite
Twitter feed for the University actors is @BA_Actors

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...

A Small Mind At The Theatre

Search This Blog