Skip to main content

Review of UoN Fringe 2019: Mein Hodenkrebs by Light in the Dark Theatre Company at The Platform Club, Northampton

Having seen in excess of 70 University shows through Flash and this new breed, the Fringe, I have to say that I have enjoyed enough of all but one of them, to make them worthwhile, and to judge them a success, even if just one for ambition. Mein Hodenkrebs from Light in the Dark Theatre Company is a struggle though, but it does show immense promise at times, but unfortunately, that is mostly all on the big screen.

Mein Hodenkrebs means My Testicular Cancer and is a comedy set in the body of Zak, a student whose world turns upside down with the news that cancer is riddling his body. That cancer here manifests itself in this play in a series of bizarre attempts to create political satire as characters like Boris and Theresa battle it out in Zak's body. Some of it works, the rectum scene, for instance, most of it feels hard work to watch, and irrelevant to the show.

Our performers. Ben Loftus, David Wallace, Giacomo Galbiati and Kyle Lawson are good enough, throwing themselves into the material, perhaps too much. It is just that the material is so poor at times, they can't really make it interesting. Then is a ridiculous franticness to the whole piece which leaves it with no control, the voices a lot of the performers adopt become too screeching to become clear enough to hear the dialogue, especially in the acoustics of the venue (something they should have observed more perhaps). It is all a bit of a mess, even if Gollum really is rather well done.

However, that is the live action scenes, a good part of this show, maybe fifty per cent (even if it feels less at times, due to the excessive nature of some of the live scenes), is taken up by a Peep Show style video. This is where we see the world of Zak outside his body, and this material is nearly 100% better than the live action. In fact, much of it is brilliant.

The characters are well rounded, interesting, and the whole piece is brilliantly put together. It runs the full path of brilliant comedy, stylish filming and has a true heart in its story of Zak and his brother truly is brilliant. The landlord scenes, although irrelevant mostly to the plot, are also huge fun and performed with full commitment, I'm glad I wasn't in the Aldi car park or that street at the time of recording. The opening piece to the music of ELO was pretty much one of the best-pre-recorded scenes I have seen on these shows, superbly cut, and shows that these guys have tremendous talent at film making first of all, but also writing good material. It is just a shame that for the live scenes, all quality control went out the window.

I don't like writing bad reviews, and with the University shows I hate them more, and fortunately rarely have to write them. The live material here reminded me far too much of the disaster that was 2015's The Secrets of Man (also a cast of four men interestingly), however, they didn't have the video footage to save the situation. Here at least, it's cast prove that they are better than this, it is just a shame they didn't show it all the way through the hour performance.

Performance viewed: Wednesday 1st May 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of Inspector Morse: House of Ghosts at Milton Keynes Theatre

The intellectually leaning Inspector Morse first appeared in print in the works of Colin Dexter in 1975 and became even more prominent in popular culture in 1987 when John Thaw took on the role in a series that would run for fourteen years. As well as generating a couple of spin-off TV series, Melting Pot and Birmingham Rep have now finally taken the detective to the stage in Inspector Morse: House of Ghosts , an original story written by TV series contributor Alma Cullen. So, as the play arrives at Milton Keynes Theatre this week with Tom Chambers now taking the eponymous role, does the Oxford intellectual make a smooth transition to the stage? Our story opens with Morse enjoying a stage production of Hamlet with a would-be love interest, Ellen. As expected, things quickly turn towards the need for a detective in the house as one of the players mysteriously collapses and dies live on stage. House of Ghosts opens excellently, drawing the audience in as a classic Hamlet scene suddenly ...

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...