Skip to main content

Review of UoN Fringe 2019: Mein Hodenkrebs by Light in the Dark Theatre Company at The Platform Club, Northampton

Having seen in excess of 70 University shows through Flash and this new breed, the Fringe, I have to say that I have enjoyed enough of all but one of them, to make them worthwhile, and to judge them a success, even if just one for ambition. Mein Hodenkrebs from Light in the Dark Theatre Company is a struggle though, but it does show immense promise at times, but unfortunately, that is mostly all on the big screen.

Mein Hodenkrebs means My Testicular Cancer and is a comedy set in the body of Zak, a student whose world turns upside down with the news that cancer is riddling his body. That cancer here manifests itself in this play in a series of bizarre attempts to create political satire as characters like Boris and Theresa battle it out in Zak's body. Some of it works, the rectum scene, for instance, most of it feels hard work to watch, and irrelevant to the show.

Our performers. Ben Loftus, David Wallace, Giacomo Galbiati and Kyle Lawson are good enough, throwing themselves into the material, perhaps too much. It is just that the material is so poor at times, they can't really make it interesting. Then is a ridiculous franticness to the whole piece which leaves it with no control, the voices a lot of the performers adopt become too screeching to become clear enough to hear the dialogue, especially in the acoustics of the venue (something they should have observed more perhaps). It is all a bit of a mess, even if Gollum really is rather well done.

However, that is the live action scenes, a good part of this show, maybe fifty per cent (even if it feels less at times, due to the excessive nature of some of the live scenes), is taken up by a Peep Show style video. This is where we see the world of Zak outside his body, and this material is nearly 100% better than the live action. In fact, much of it is brilliant.

The characters are well rounded, interesting, and the whole piece is brilliantly put together. It runs the full path of brilliant comedy, stylish filming and has a true heart in its story of Zak and his brother truly is brilliant. The landlord scenes, although irrelevant mostly to the plot, are also huge fun and performed with full commitment, I'm glad I wasn't in the Aldi car park or that street at the time of recording. The opening piece to the music of ELO was pretty much one of the best-pre-recorded scenes I have seen on these shows, superbly cut, and shows that these guys have tremendous talent at film making first of all, but also writing good material. It is just a shame that for the live scenes, all quality control went out the window.

I don't like writing bad reviews, and with the University shows I hate them more, and fortunately rarely have to write them. The live material here reminded me far too much of the disaster that was 2015's The Secrets of Man (also a cast of four men interestingly), however, they didn't have the video footage to save the situation. Here at least, it's cast prove that they are better than this, it is just a shame they didn't show it all the way through the hour performance.

Performance viewed: Wednesday 1st May 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of Here & Now at Milton Keynes Theatre

During the late 90s and early 2000s, the dance-pop group Steps was a mighty presence in the British charts. They accumulated two number-one albums in the UK and 14 consecutive UK top-5 singles, including two number ones. They were juggernauts of lightweight pop. It is perhaps a surprise that it took until 2024 for a musical to be based on their hits. Now, writer Shaun Kitchener brings enough campness to keep Alan Carr and Julian Clary in work for decades. Here & Now , the show everyone was waiting for, is at Milton Keynes Theatre as part of a UK tour. So, the question is: has it been worth the wait? Here & Now is, fundamentally, a ridiculous concept that should not work. Set in a supermarket, yes, a supermarket, our eclectic cast of characters go through the typical dramas of many a musical as love and drama unfold against a backdrop of jukebox music. It should never work, but it does, extremely well in fact. A huge amount of the success here has to go to writer Shaun Kitchene...

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...