Skip to main content

Review of Flash Festival 2019: A Splice Of Life by Ripple Ensemble at Castle Hill URC

Ripple Ensemble's A Splice of Life opens very traditionally and innocently, a couple coming together, moving in, setting out on their life adventure. It's all very cosy, and of course, we know this isn't destined to continue like this. Our couple Kate and Mark are struggling to have children, so much so they end up on rounds of IVF. With this failing to work before the money runs out, a rather intriguing proposition is put to them via a medical trial into genetics.

This results in Kate and Mark building a baby, years later to become the grown-up Sophie. Added to the family is adopted Luke, and the slightly less nimble Kate with creaking bones, and the now greyed Mark now appear to have the perfect family. Sophie is heading towards the Olympics, and Luke has followed the artistic nature of Kate. All is well until a chance discovery changes events dramatically.

A Splice of Life's brilliant theatre, always intriguing, with never a dull moment. Kit Wiles and Ryan Greendale are exceptional as Kate and Mark, this is a real relationship depicted, believable and heartbreaking at times. It is just so brilliantly conceived and written, with some stunning silent moments of just physical interaction.

The children at times take a backseat, and Tim Medcalf's Luke is never really given enough to do other than to be wisecracking. However, his sparring with sister Sophie (Meredith Barnett) is always great fun.

However, there is one single scene that sets A Splice Of Life apart from many a Flash show, and that is the confrontation between Sophie and her father. Here, Greendale and Barnett are at their very best, performing an almost perfectly scripted piece. A bitterness running through them both, but still, love showing the most. This is a cruel scene of emotions that is truly affecting, I know I was, some tremendous power of acting here on show. It also is dissipated in an incredibly brilliant moment of comedy. A rollercoaster scene indeed, and here Barnett is particularly stunning.

There is a lot of moral stuff going on in A Splice of Life, again as always with a Flash show, much to think about. However, most important of all, while it was happening, it was just tremendously entertaining. A real cracker!

Performance viewed: Thursday 4th April 2019

The Flash Festival 2019 ran until Sunday 7th April 2019 at venues across the town.
Details here: 
Flash Festival 2019

Popular posts from this blog

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of That Face by Polly Stenham performed by The Masque Theatre at the Playhouse Theatre, Northampton

As millions were sitting down to watch the misery of EastEnders and its big reveal of Lucy's killer, A Small Mind ventured out to the theatre for some light relief. Yeah right! That Face by Polly Stenham is generally as far from light relief as you could imagine, like the aforementioned soap being unshackled by its pre-watershed needs, this was gritty family drama in the extreme. Long before the play begins those who had made their way to their seats early get the chance to see curtain up and a girl sitting bound and masked in a chair. Moments of 50 Shades fears aside, its clear that we are seeing one of the unluckiest actresses you could imagine. Destined to be in two scenes with no lines, the first of which involves her being mauled about no end, its a thankless role, which todays actress of pain Julie Hicks plays very well. Suffering for her art indeed. Doing the mauling are boarding school "buddies" Mia (Amber Mae) and mad as a box of frogs Izzy (Clare Balbi). Mia...

Review of Theft at the Castle Theatre Studio, Wellingborough

The comedy-thriller Theft by Eric Chappell tells the story of an anniversary celebrating couple returning to the devastation of their home being ransacked in a burglary. However, this ransacking pales in comparison to the ransacking of their lives that then occurs as home truths are revealed. Anyone old enough to remember the works of Theft writer Chappell ( Rising Damp and Only When I Laugh ), could be forgiven for thinking that this 1996 play might feel a little dated for a 2021 audience. However, bar a few references much of their time now (the weaker sex and female priests for instance), Theft still feels comfortable in the 2021 world, where many of us just want both a good evening of theatre and a good bit of fun. With Theft from the highly regarded Wellingborough Technical Players, they get just that. The action starts as we find the man of the house John Miles played by Graham Breeze returning, very angry, to his home. He is a rightfully boisterous character, channelling all th...