Yasmina Reza's script (translated from the original French by Christopher Hampton) is razor sharp, a joyous rollercoaster of pace, wit and verbal hostility, showing no signs of ageing after 20 years. This is a sparring match, where words are the punches, with just one moment of physical blows in the swift 80 minutes runtime. It's a tale about friendship, which uses a "white" painting as it's backdrop, and the way friendships can collapse over the most ridiculous reasons.
Not to say, someone spending £200,000 on a white painting isn't slightly ridiculous, and enough to fire up an argument, however, this is the touchpaper, nothing more to ignite things that have clearly been repressed for some time. How these three became friends is not clear, but we quickly see this friendship decline over Serge's painting purchase and then Yvan (Stephen Tompkinson) is turned on by both Serge and Marc (Denis Lawson) for his over-sharing of his personal problems.
Denis Lawson's Marc gains slightly less sympathy, although perhaps many of us might be onboard with his opinion as we squint to see the colours hidden within the painting. I have always been an immense fan of Lawson on screen, and to finally get to see him live, is something very special, and as Marc, he is viciously wicked in his full-on opinions, and while we might squirm a little as he holds the felt pen late in the play, a lot of us may well have a little of "go on, my son" going on in our heads.
The set from Mark Thompson is simple, clean lines, but towering in presence, rising into the top reaches of the stage, it creates each of the three homes with the simple spin of one wall and a different painting. Three different chairs and a sturdy table, often acting as a perch for the characters, adorn the room. It is stark, clinical, and perfect for the show, and absolutely no place for Yvan's missing felt pen lid to hide.
There is some brilliant and perfect music from Gary Yeshon bridging the scenes, with sharp notes switching perfectly timed with Hugh Vanstone's quality lighting. Wafting into the building crisp sunbeams, very likely indeed to water down the prized painting.
Director Ellie Jones has kept everything simple, creating scenes like little works of art in themselves. As Yvan spills his personal problems, Serge and Marc become no distraction. Then later as they consume olives, it's all perfectly timed and placed. The three actors are at the top of their game here. The moments where they switch from ranting through the fourth wall and back into the conversation they just left are stunningly timed.
Art is funny, really funny in fact and while it is relatively short at 80 minutes, you don't feel shortchanged. An amazingly observant script, delivered with panache and brilliant pace by three superb actors. It's almost a privilege to witness it.
A fine and exquisite piece of Art in itself.
Performance reviewed: Monday 14th May 2018 at the Royal & Derngate (Derngate), Northampton.
Art runs at the Royal & Derngate until Saturday 19th May 2018 before continuing its tour. Details at http://arttheplay.com/
For further details about the Royal & Derngate see their website at royalandderngate.co.uk
Photos: Matt Crockett