Skip to main content

Flash Festival 2018: Something Human by Incubus Theatre at St Peter's Church, Northampton

While Something Human from Incubus Theatre wasn't the best of the shows during the Flash Festival 2018 (but it wasn't anywhere near the worst), it had perhaps the award of the most discussion between myself and companion of the week, fellow blogger The Real Chrisparkle.

Something Human weaves a confusing web of a story, that often offers questions in the head rather than answers. Centred around a mundane office, a cleaner (Lori Heather) cleans, a manager (Jason Pile) manages, and a newly appointed PA (Anya Gallagher) PA's. Wandering into the mix is a mother (Emilia Owen), not mothering at present, as she is seeking her lost daughter.

What slowly then becomes exposed is the possibility that all of these people are criminals, the cleaner cleans up bodies of those she has slaughtered, the manager has interesting bedroom activities, the PA we discover is a paedophile, and could that mother have truly killed her daughter?
I won't pretend that I fully understood the story Something Human was trying to tell us, hence the post-show discussion. What we are "told" though, is that the cleaner, who spends much of her time when not cleaning, on the phone to men and threatening them, has killed three of these men, and at capture, tried to off two more. We also learn that she has Munchausen Syndrome (definition: a factitious disorder, a mental disorder in which a person repeatedly and deliberately acts as if he or she has a physical or mental illness when he or she is not really sick). Now could this explain away that the other crimes of the characters are within her mind, or does this office have a surprisingly high level of criminals?

It perhaps doesn't matter fully that Something Human has threads that might not be connectable in the head, as it entertains, and stimulates conversation. If you didn't fully understand it, it doesn't matter, as you will have mostly enjoyed the ride.

The performances especially are excellent, Heather offers an often scarily believable lunatic, full on in many scenes and a nice style of talking down to people. She makes the character very much inhuman, and extremely believable in what we are told she has done. Emilia Owen presents the opposite, a very human character, desperate to find her child, exhibiting the emotion you could truly imagine someone in that terrible position would. She couldn't possibly have killed her daughter, could she?

Perhaps the best performances though come from Pile and Gallagher, and also at their very best working together. Pile is slimy as the manager, but you can't help but like him, he has that thing that oddballs in movies have, he is personable. He is clearly a serious creep, and we know absolutely why he wants to keep his newly found, young and attractive PA close to him when transfers are hinted.

As the PA, Gallagher is once again superb, a reliable presence throughout the BA Actors shows, here she is a lovely, and sweet presence, and again there is no way she could be a criminal of any kind, is there? Her flat scene with Pile is expertly played, moving through the emotion, building to the genuinely scary and dramatic and bloody culmination.

I don't pretend to fully understand everything that Something Human represents, and perhaps there are more questions left at the end, than answers. However, I didn't feel shortchanged because of this, like I have with some other shows. It suits the play that it ends itself on a bit of a potential mystery, and for that reason, Something Human remained an extremely entertaining hour of theatre.

Performance viewed: Wednesday 25th April 2018

The Flash Festival 2018 ran between Monday 23rd and Friday 27th April 2018 at three venues across the town.


Photos: Looking Glass Theatre

Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...