Skip to main content

Flash Festival 2018: Drained by Open Eye Theatre at Hazelrigg House, Northampton

Back in 2015 when I was attending my second year at the Flash Festival, I had the pleasure of seeing a show called I Forget What I’ve Forgotten, a solo show performed by the superb Catherine Garlick, it was very much based on personal experiences, and it was one of very few Flash shows that I have made time to see a second time. That second time, it became the only Flash that I stood at the end of (to date), and it was the first that emotionally hit me hard.

While I didn't stand at the end of Open Eye Theatre's Drained (I was incredibly close), it left me a spent force of emotion. My fellow blogger and companion of the week The Real Chrisparkle, witnessed my tears, and I was actually perhaps as emotional as I have ever been at the end of any theatre show.

Drained was a slow burner of emotion, which I guess just gently took hold like no other before. Our three characters, Laura (Bryony Ditchburn) and her two brothers, Will (Robert Charles) and Jamie (Jake Wyatt) gather at the wake of their father. Laura is the sensible one, the one who tries to keep it all together. Will tries to help, but is more concerned about his boyfriend, than his sister. Then there is Jamie, never about, didn't go to the funeral and just turns up for drinks at the wake.

It's a powerful trio of characters, and Drained doesn't rush to let you in on the story that is going to develop. An ingenious scene structure takes us through the period of a year (simply created with changing posters), all in the same bar, from the wake, through Christmas, Valentine's Day, Easter etc, until we end up a year later, broken and devastated by what has played out through the scenes.

We learn two things during this year, which are most vital to the storytelling, first is that Jamie harbours a hidden hatred of the fact that his brother is gay. This comes out via the most vitriolic outburst you could wish to witness, stunningly played by Wyatt, and coupled with one amazing performance from Charles as well on the receiving end. It's an uncomfortable scene to watch, of course, it should be, but the admiration of the two actors to make it work is sky high from me.

The second, and even more devastating story though, it that of Laura. Quietly observing how her brothers are being ripped apart, and herself being desperate for a relationship, and being so alone, the seeds of development of her mental breakdown are sown. As Laura, Ditchburn gives one of the very best performances at Flash that I have seen (and at the point, I saw Drained, it was my 63rd show). The scene where she desperately tries to get an answer on the telephone is just so incredibly well played. The proximity, the closeness of the performance truly helping as well. A privilege to witness a performance so good, so close and this was pretty much I think the point when my own strength failed and the emotion began to flow.

It's difficult for me to say much more about Drained, there is some light relief in a wonderful scene where Charles plays Steve, Jamie's workmate, it's a brilliant comic scene, with some really big laughs, and helps create the light and dark, that many plays miss.

As already mentioned, this was my 63rd Flash when I watched, it was an emotional rollercoaster, and I have no hesitation in putting it in the top three of the shows I have seen in my five years. Just staggeringly brilliant in every way.

Performance viewed: Wednesday 25th April 2018

The Flash Festival 2018 ran between Monday 23rd and Friday 27th April 2018 at three venues across the town.


Photos: Looking Glass Theatre

Popular posts from this blog

Review of Elf the Musical (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

Christmas has come early this year thanks to the Northampton Musical Theatre Company and their annual performance at Royal & Derngate; this year, they bring Elf the Musical to the stage. First staged in 2010, this musical version of the 2003 Will Ferrell comedy features music by Matthew Sklar and Chad Beguelin and is based on the book by Bob Martin and Thomas Meehan, from David Berenbaum's original screenplay. Elf tells the tale of Buddy, a human raised by Santa's elves, who eventually learns that his origins are less North Pole and more the skyscraper streets of New York City. So, for Buddy, it’s time to travel to the Big Apple and finally meet his biological father. Matt Clarke's lead performance in Elf is strong. Clarke brings Buddy to life with all the childish manners and silly behaviour that make the character an endearing lead. He also has the vocal ability and movement to match, and he effortlessly entertains, especially the young kids, with his zany antics. Han...

Review of Matilda at Milton Keynes Theatre

Roald Dahl is perhaps one of the most famous children’s authors of any generation, and his work has inspired an exceptional number of film, television, and theatre adaptations. Fifteen years ago, this musical of Matilda , one of his most fondly remembered stories, took to the stage and has not looked back since. Adapted from the original book by Dennis Kelly, with lyrics and music by Tim Minchin, the show has been a fixture at the Cambridge Theatre in London since 2011, has performed on Broadway, and is now reaching Milton Keynes Theatre as part of its second UK and Ireland Tour. Inspired by the Roald Dahl book of the same name, this Royal Shakespeare Company’s multi-award-winning musical tells the story of an extraordinary little girl with a vivid imagination and the courage to change her own destiny. Matilda is of course the centre of attention in this production, and on this extensive tour, the role is shared by Felicity Brown, Petra Hutchings, Mollie Hutton, and Caroline Ravansari ...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...