Flash Festival 2018: Out Of Shot by Periscope Theatre at Castle Hill, Northampton

In April this year, the first woman was convicted following a new domestic violence law introduction, and it couldn't, therefore, have been more timely to have seen this devastating performance from Periscope Theatre. As although at first, preconceptions suggest we are watching a man's abuse of a woman, it quickly transpires that Out Of Shot has tipped the scales in the opposite direction.

What flagged it up for me, and probably for many in the audience, was a burn from an iron. Innocent enough, but enough to bring to my mind that we were to see the less acknowledged side of domestic abuse. From this moment, Out Of Shot began to turn into an extremely intimidating piece of drama, tense and disturbing. At the helm was a tremendous and extremely scary performance from Grace Stewart Hogg as Siena. Hogg was simply incredible spinning the innocence and sweet nature with a heavy suggestion of being the victim in the police interview scenes, and turning that on the head with the private home scenes of violence towards her partner Andrew (Robert Barnes).

These scenes are so well created, lurching from a calm to a destructive nature, the scene that creates the definitive switch where Siena strikes Andrew to the ground is an amazing moment. The tables are thoroughly turned at this point, and the whole piece disguises nothing more from its audience, as we see everything that Siena controls, from who he sees, to where he goes and to what he spends. This whole piece becomes an increasingly tense journey with every moment.

The secrets are still hidden in some brilliant scenes of calm, alongside the interview sequences, a scene between Hogg and Zoe Elizabeth as her neighbour (one of three characters she plays extremely well in the play, including Andrew's sister Emily), is so finely balanced. Believable and calm in every way and beautifully, but frighteningly played.

The Out Of Shot of the title comes from a clever idea where Andrew sets up a camera to record what is happening to him. It's curious you might think that this should happen if he is so much into the fact that he is being abused, that he would set out to film it, why would he even stay? These are the questions that only victims could attempt to answer perhaps, but Barnes plays Andrew with a definite edge of believability, he loves Siena, and no matter what, he believes that that love can get him through this.

The key sequence of the film towards the end of the play, while not quite perfectly timed, really is a fabulous piece of theatre, the two worlds of film and live action merging together, to allow us to view the "out of shot" crucial action. It's brilliantly created and prepared, and most importantly, extremely believable.

Out of Shot is superb, there is no question on that. All the cast are excellent, although Hogg stands out for the menace of her performance. After a week of admittedly being the downtrodden sex in the Flash Festival (which I guess, is fair enough), it was nice to just get one tilt the other way. Quality theatre, excellently performed.

Performance viewed: Thursday 26th April 2018

The Flash Festival 2018 ran between Monday 23rd and Friday 27th April 2018 at three venues across the town.

Review of A Christmas Carol - A Ghost Story at Birmingham Rep

Charles Dickens's novella A Christmas Carol is a perennial favourite and over the years has been adapted countless times for television, film and here, with this adaptation by Mark Gatiss, subtitled A Ghost Story , a further stage version. Originally performed at the Nottingham Playhouse in 2022 before moving to London at the Alexandra Palace, and the same venues repeated the following year, its past success serves well for a further revival. Therefore for 2024, The Birmingham Rep has taken to staging their own production, with a mostly new cast including Matthew Cottle and Rufus Hound leading an excellent cast. Cottle as Ebenezer Scrooge is excellent, often exhibiting a much more sprightly Scrooge that we would remember, and also, much funnier at times. Despite Gatiss remaining remarkably faithful to the original, the show, directed with excellent pace by Adam Penford mines more comedy than you might expect. Cottle's Scrooge remains without question evil, but in his delivery

Review of Here You Come Again at Milton Keynes Theatre

Four years down the round from a global pandemic the time has come finally for a comedy musical of the trying times and much like Kevin's experience in the show, who better to get you through it than... Dolly Parton. Arriving at Milton Keynes Theatre this week as part of a UK tour before landing in the West End, Here You Come Again is billed very much as a feel-good musical, so, do you feel good after watching it? The quick and easy answer is yes, however, much of the time during this incredibly quirky musical, you do wonder why and indeed what you are watching. Here You Come Again sees Kevin, back trapped in his parents home isolating himself from them, the world and his failing relationship with Jeremy during the 2020 pandemic. He seeks solace, trapped in his attic, in memories of his constant love of Dolly Parton, and then at his most down moment, she comes alive and guides him as only Dolly and her back catalogue of songs can. Originally written by Bruce Vilanch, Gabriel Barr

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005 Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dragging, 140 minu

A Small Mind At The Theatre

Search This Blog