Skip to main content

Flash Festival 2018: Beneath It All by Balance Theatre at St Peter's Church, Northampton

There is a brilliant scene relatively early in Beneath It All which perfectly portrays the awkwardness and discomfort of the character of Charlie played by Oliver Franks, with so-called normal life. In a crowded corridor, he shifts uncomfortably out of the way of invisible people, even crashing into one at one point. It's an extremely clever way to quickly build the character and extremely nicely performed.

Beneath It All from Balance Theatre tells us of the early life of three young people and their burgeoning relationships, and hormones, and winding back to the start, we find that Charlie has not had an easy life. The play opens with him in a wheelchair, we learn very little about why he is in this, but that doesn't matter, the thread of troubled times is enough for us to understand the story Beneath It All is telling us.

There are a number of immensely tender scenes in Beneath It All, and they all build up our understanding of these troubled, but very endearing characters. There is no hostility here from any of the characters, and the most aggressive scene between the three only really comes from a flippant comment by Cecily over Charlie's sexy dream, and "it's not as if you raped me is it?" comment. It's a powerful moment, expertly reacted to by Franks. However, that is almost it in conflict. It's unusual to find a play where you like all the characters in it, yet still has enough impact to keep the piece intriguing, and for that Balance Theatre have to be applauded.

Very occasionally though, the low impact emotional scenes fall victim of the vast church theatre space, and dialogue can be lost in the lower volume scenes. However, these are few and far between, and I appreciated the tenderness of the scenes more than anything that I might not have heard.

As already alluded to, Franks is excellent as Charlie, conveying his almost terror like reactions to life in general, and the concern in his head that he had been really bad just having a sexy dream. It's a commanding performance that glues the whole show together.

As Cecily, Elizabeth Ferreira is once again immense on stage, a captivating presence even. As part of a physical representation of Charlie's dream, they create a wonderfully lyrical movement piece, full of amazing tenderness, and she also shows some amazing strength within this performance. Her character is also growing in this world of love, but with a much more relaxed style. Ferreira has been a strong performer from the first time I saw her in her brief moment in the first year performance two years ago, and it's great to see the momentum has not ceased. Wonderful work.

Completing the trio is Alexandra Pienaru as Charlie's sister Natalie. She is the grown-up of the trio, but also with some serious issues of her own, and Pienaru gives her great depth through her scenes. It has to be said, it is a curious relationship that she has with her brother, and I did wonder whether we were meant to detect something a little "different" going on. Perhaps that is the idea hidden, or just something that I felt was happening but wasn't there. Either way, Pienaru completes an incredibly strong trio.

I really enjoyed Beneath It All, it's a tremendously emotional play which creates some brilliant ideas to tell its story. Highly effective physical theatre, well written and full of lovely tender performances.

Performance viewed: Wednesday 25th April 2018

The Flash Festival 2018 ran between Monday 23rd and Friday 27th April 2018 at three venues across the town.

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...