Skip to main content

Review of the University Of Northampton BA (Hons) Acting Graduate Showcase 2017 at Tristan Bates Theatre, London

For the third year running, I had the pleasure of being allowed to see another batch of talented actors strut their stuff on a London stage in front of the agents and directors of the acting world. This is always a key and very final moment of the course, and at no point will these people perform together again (although wouldn't that be neat to have performance reunions in years to come!).

There is little point in my going into too much detail again over the performers really as I have done this elsewhere in my final review (click me!). However, the show under the direction of Simon Cole was a neat "showcase" of their talents once again, whipping between scenes featuring duos or trios glued together by swift scene changes. It really was a seize the moment as the actors never got very long to prove themselves.

The format (and some of the content) was the same as last year, and a couple of my picks were Diary of a Madman featuring two superb comic moments from Karr Kennedy and Jessica Bichard, while there was tense stuff from Olivia Sarah Jayne Noyce and Benjamin Hampton in the snippet of Patrick Marber's Closer. I really enjoyed seeing a tiny moment again of Let the Right One In featuring Kundai Kanyama and Ben Barton, although for those who haven't see the full and really quite brilliant play might have struggled on the context.

Luke Mortimore and Tom Garland creeped us out with their piece from Perve and the lady trio of Jennifer Wyndham, Becky Fowler and Jessica Bridge entertained with the rather random scene from Di and Viv and Rose. There finally it all culminated with a brilliant finish of a scene from Morning, where Daniel Ambrose-Jones as his wide-eyed character got more than he bargained for from a menage-a-trois with Jennifer Etherington and Rachel Graham-Brown.

At the end of the show, there was a gathering of everyone in a nicely relaxed meeting where finally myself and fellow blogger The Real Chrisparkle finally got to speak to a few more of the students. There were sandwiches and prosecco and much frivolity from this likeable group of students. They have always mostly been very likeable over the four years I have followed them and that must surely be a strength to be such in this field. However, beyond that, they need strength and drive to move them in a crowded field. I hope like all previous ones they do have this, they were a great bunch, all of them and as always at this departing time, I wish them all tremendous success in the future. Go conquer!


Popular posts from this blog

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of That Face by Polly Stenham performed by The Masque Theatre at the Playhouse Theatre, Northampton

As millions were sitting down to watch the misery of EastEnders and its big reveal of Lucy's killer, A Small Mind ventured out to the theatre for some light relief. Yeah right! That Face by Polly Stenham is generally as far from light relief as you could imagine, like the aforementioned soap being unshackled by its pre-watershed needs, this was gritty family drama in the extreme. Long before the play begins those who had made their way to their seats early get the chance to see curtain up and a girl sitting bound and masked in a chair. Moments of 50 Shades fears aside, its clear that we are seeing one of the unluckiest actresses you could imagine. Destined to be in two scenes with no lines, the first of which involves her being mauled about no end, its a thankless role, which todays actress of pain Julie Hicks plays very well. Suffering for her art indeed. Doing the mauling are boarding school "buddies" Mia (Amber Mae) and mad as a box of frogs Izzy (Clare Balbi). Mia...

Review of Theft at the Castle Theatre Studio, Wellingborough

The comedy-thriller Theft by Eric Chappell tells the story of an anniversary celebrating couple returning to the devastation of their home being ransacked in a burglary. However, this ransacking pales in comparison to the ransacking of their lives that then occurs as home truths are revealed. Anyone old enough to remember the works of Theft writer Chappell ( Rising Damp and Only When I Laugh ), could be forgiven for thinking that this 1996 play might feel a little dated for a 2021 audience. However, bar a few references much of their time now (the weaker sex and female priests for instance), Theft still feels comfortable in the 2021 world, where many of us just want both a good evening of theatre and a good bit of fun. With Theft from the highly regarded Wellingborough Technical Players, they get just that. The action starts as we find the man of the house John Miles played by Graham Breeze returning, very angry, to his home. He is a rightfully boisterous character, channelling all th...