Skip to main content

Review of the University Of Northampton BA (Hons) Acting Graduate Showcase 2017 at Tristan Bates Theatre, London

For the third year running, I had the pleasure of being allowed to see another batch of talented actors strut their stuff on a London stage in front of the agents and directors of the acting world. This is always a key and very final moment of the course, and at no point will these people perform together again (although wouldn't that be neat to have performance reunions in years to come!).

There is little point in my going into too much detail again over the performers really as I have done this elsewhere in my final review (click me!). However, the show under the direction of Simon Cole was a neat "showcase" of their talents once again, whipping between scenes featuring duos or trios glued together by swift scene changes. It really was a seize the moment as the actors never got very long to prove themselves.

The format (and some of the content) was the same as last year, and a couple of my picks were Diary of a Madman featuring two superb comic moments from Karr Kennedy and Jessica Bichard, while there was tense stuff from Olivia Sarah Jayne Noyce and Benjamin Hampton in the snippet of Patrick Marber's Closer. I really enjoyed seeing a tiny moment again of Let the Right One In featuring Kundai Kanyama and Ben Barton, although for those who haven't see the full and really quite brilliant play might have struggled on the context.

Luke Mortimore and Tom Garland creeped us out with their piece from Perve and the lady trio of Jennifer Wyndham, Becky Fowler and Jessica Bridge entertained with the rather random scene from Di and Viv and Rose. There finally it all culminated with a brilliant finish of a scene from Morning, where Daniel Ambrose-Jones as his wide-eyed character got more than he bargained for from a menage-a-trois with Jennifer Etherington and Rachel Graham-Brown.

At the end of the show, there was a gathering of everyone in a nicely relaxed meeting where finally myself and fellow blogger The Real Chrisparkle finally got to speak to a few more of the students. There were sandwiches and prosecco and much frivolity from this likeable group of students. They have always mostly been very likeable over the four years I have followed them and that must surely be a strength to be such in this field. However, beyond that, they need strength and drive to move them in a crowded field. I hope like all previous ones they do have this, they were a great bunch, all of them and as always at this departing time, I wish them all tremendous success in the future. Go conquer!


Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...