Skip to main content

Review of the University Of Northampton BA (Hons) Acting Graduate Showcase 2017 at Tristan Bates Theatre, London

For the third year running, I had the pleasure of being allowed to see another batch of talented actors strut their stuff on a London stage in front of the agents and directors of the acting world. This is always a key and very final moment of the course, and at no point will these people perform together again (although wouldn't that be neat to have performance reunions in years to come!).

There is little point in my going into too much detail again over the performers really as I have done this elsewhere in my final review (click me!). However, the show under the direction of Simon Cole was a neat "showcase" of their talents once again, whipping between scenes featuring duos or trios glued together by swift scene changes. It really was a seize the moment as the actors never got very long to prove themselves.

The format (and some of the content) was the same as last year, and a couple of my picks were Diary of a Madman featuring two superb comic moments from Karr Kennedy and Jessica Bichard, while there was tense stuff from Olivia Sarah Jayne Noyce and Benjamin Hampton in the snippet of Patrick Marber's Closer. I really enjoyed seeing a tiny moment again of Let the Right One In featuring Kundai Kanyama and Ben Barton, although for those who haven't see the full and really quite brilliant play might have struggled on the context.

Luke Mortimore and Tom Garland creeped us out with their piece from Perve and the lady trio of Jennifer Wyndham, Becky Fowler and Jessica Bridge entertained with the rather random scene from Di and Viv and Rose. There finally it all culminated with a brilliant finish of a scene from Morning, where Daniel Ambrose-Jones as his wide-eyed character got more than he bargained for from a menage-a-trois with Jennifer Etherington and Rachel Graham-Brown.

At the end of the show, there was a gathering of everyone in a nicely relaxed meeting where finally myself and fellow blogger The Real Chrisparkle finally got to speak to a few more of the students. There were sandwiches and prosecco and much frivolity from this likeable group of students. They have always mostly been very likeable over the four years I have followed them and that must surely be a strength to be such in this field. However, beyond that, they need strength and drive to move them in a crowded field. I hope like all previous ones they do have this, they were a great bunch, all of them and as always at this departing time, I wish them all tremendous success in the future. Go conquer!


Popular posts from this blog

Review of Of Mice and Men at The Playhouse Theatre Northampton

John Steinbeck’s classic novella Of Mice and Men has been a staple of many young people's education, and it is relatively common in curricula; as such, it is a popular choice for theatre groups, both professional and amateur, to bring to the stage. Therefore, this week, The Playhouse Theatre Northampton has brought its own version to the stage at Christ Church Hall as its latest offering. So, after close to ninety years since the first publication, is this still worth a trip to the theatre? For those unfamiliar with the story, published in 1937, Steinbeck’s tale, here adapted for the stage by the author, chronicles a moment in the lives of George Milton and Lennie Small, an unlikely pair of migrant workers, as they move from ranch to ranch. Constantly moving due to the mentally unstable Lennies' constant leaning towards doing something bad, they find themselves at a new farm where they hope to make the coin to pursue the dream of their own piece of land. However, as always for...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...