Skip to main content

Review of the University Of Northampton BA (Hons) Acting Graduate Showcase at Leicester Square Theatre, London

The Graduate Showcase was pretty exciting even for me, so heaven knows how it was for the actors actually taking part. Here I was in a gathering of around twenty people (all others infinitely more important than me) at a special closed event at a West End theatre, complete with free drinks and buffet. Fortunately I had Mr Jim aka @mudbeast76 to keep me on the straight and narrow of juices after the one alcoholic one went straight to the head drink. Then as if it wasn't a surreal world as it was, there only goes and walks in Lukewarm himself, Christopher Biggins!

However, this isn't about me, this is about the thirty six ultra talented individuals who after I have followed them for a bit over a year are about to venture forth into the big competitive world of the acting community. They have though the double advantage of not only coming through the excellent three years University Of Northampton training and also being rather talented to help them in this.

This being my first showcase, I knew only a little of what to expect, mostly grilled out of Mr Jim. What I saw though was a seamless transition of pieces derived from small segments of plays interspersed with snippets of their own Flash Festival performances. These Flash moments were excellently selected considering the totally out of context nature of many of them and it was wonderful to see them again, even if they were only about ninety seconds.

The new groups of twos and threes that had been formed for each segment were also a revelation, almost all perfect in every way including the pairing up of my favourite man and woman performers from Flash. They were all seemingly perfectly selected even those that were actually a surprise at first worked.

Director Simon Cole certainly also kept a very busy seventy to eighty minute show flowing and somehow still managed to get all thirty six their equal moment of stage time, which was vital for this performance unlike their previous pieces in the course which greatly varied with performance time.

So the role call of honours are due, so to (in order of appearance) Samantha Colden, Dale Endacott, Sarah Kirk, Riley Stephen, Kate Fenwick, Ashlee Sopher, Ben Stacey, Joseph Clift, Jamie Park, Hannah Mitchell, Jenny Styles, Leanne Dallman, Rachel Sherborne, Sam Skinner, Jessica Kay, Julia-Louise Nolan, Samantha Ahweyevu, Sophie Poyntz-Lloyd, Matt Larsson, Catherine Garlick, Ryan Manning, Chloe Emery, Nikki Murray, Rochelle Halsall, Matt Hirst, Antonia Underwood, Zoe Davey, John Shelly, Mellissa Michelle, Michael Whelbourne, Abigail Benson-Ross, Tara Lawrence, Lydia Rose Blagg, Jack Smith, Steve Banks and Sam Billy Behan congratulations. The three years are over, the big world is open to you. Go and conquer it in anyway that you wish to. I await to see you on stage again soon.

A final thanks to Simon Cole, and Dr Ross Prior to making this stray out of place person feel like he was very welcome at this event. With thanks also to Dr Sally Cook and Chris Burdett and to any other people who are busy behind the scenes making this course, event and star making happen.

It is with pain that I let these thirty six leave me, but with the thought that I am certain that I shall be seeing them again. Onward and upward!

Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of DNA by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

The final year performances of BA Actors this year upped sticks and headed away from their Northampton Royal territory and gathered to show their skills in London. The first of the three shows being performed was Dennis Kelly's DNA, a play which I saw performed on the Royal stage itself four years ago. I enjoyed it for its dark mysterious nature and was looking forward to seeing a different interpretation of the show. It tells the tale of a group of youngsters who do something really bad, and proceed to attempt to cover it up, resulting in the real bad, well, getting more bad. It's dark yes, but also, very funny at times. It opens with a looming movement piece of theatre, which I always love and this was no different for me, brooding and sinister. It's quite a long opening, which perhaps, in the end, becomes too long, but it's a fabulous piece of theatre for me. It set's the scene very well for Kelly's dark piece to unfold and in the hands of these, about ...