Skip to main content

Review of The Mikado performed at Royal & Derngate (Royal), Northampton by the Northampton Gilbert & Sullivan Group

Never having seen a complete production of any Gilbert & Sullivan show before and with mostly my only experience of their music coming from The Two Ronnies, the Northampton Gilbert & Sullivan Group's production was always going to come as a surprise. Opera has also never been on my list and I listened in a certain amount of trepidation to the opening "If You Want To Know Who We Are" and remained unsure to its end despite its impressive quality.

However with the arrival of "A Wand'ring Mistrel" in the form of Nanki-Poo (Tom Rushton), things all of a sudden became clearer and the comedy that I was expecting slowly began to emerge. It built from those opening few moments in my mind of not being sure if this was for me, to nearly three hours later my not wanting it to end.

We are presented at the start with a simple oriental set, stylish and clean which remains unchanged throughout the entire production. Against this backdrop the performers, bedecked in wonderful colourful costumes from the Costume Store, tell their tale of self-execution, love, false death and suicide. All the markings of lovely comedy!

Once again from an amateur production, the cast are superb (one single prompt all show on opening night is fine by me) and show a devilish amount of skill. Top of the honours have to be Charles Mills as Ko-Ko and Simon Crask as Pooh-Bah. Between them they crank the comedy levels to one hundred percent. Crask carrying his terrible burden at his waistband for tremendous comedy effect, as well as projecting his booming, pompous voice I am very sure to the distant edges of the upper circle. Mills though is the star through the whole production, a jovial but put upon presence and "smooth" dance moves during "Here's a how-de-do!". Also his little list performance during "As Some Day It May Happen" is just magnificently perfect. The rest of the cast are also all superb, including the wonderful sour-faced Katisha played by Ann Whittaker with her groping techniques (poor Ko-Ko). Rosie Kalve is also wonderful as Pitti-Sing and from my own ear, the best singer of the production.

The modern and local alterations to the show are excellent also, with many lovely new things "put on the list". Indeed after a minor few of last nights crowd, I have a few myself I might be putting on my own list. Kudos also for getting Weston Favell and London Midland into Gilbert & Sullivan. Also worth special, special mention are the fans (of the waving variety). There was a lot of my fans bigger than yours going on, and the actual fan work of the cast was superb, just stunning.

So once again I have yet another genre to be putting on my list (in a good way this time), it was an absolute hoot of a show, wonderfully put together by director Tim Hurst-Brown and featuring a superb fourteen group band directed by David Chambers. Go and put your botty-pooh in a sitipu position and see the wonderful Town Of Titipu!

««««½


Performance reviewed: Monday 16th March, 2015 at the Royal & Derngate (Royal), Northampton.

The Mikado is on at the Royal & Derngate until Saturday 21st March, 2015, details here: 
http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/165951/?view=Standard

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Of Mice And Men at Royal & Derngate (Royal), Northampton

Other than, randomly, Charlie and the Chocolate Factory and The War of the Worlds , John Steinbeck's classic Of Mice and Men is perhaps one of the most familiar of stories to me. I have seen it several times before, and while at school, we studied it, and dissected it like the work of Mr Shakespeare, but with Steinbeck, I got out the other side still liking it. This brand new version from Selladoor Productions, which opened in Canterbury last week, brings a by-the-book presentation of the trials of George and his slow, but incredibly strong friend, Lennie, to the stage. Perhaps, this is its first issue blocking a huge success from this production, in that it rarely does anything brave or different. It's clearly been expertly cast visually, with the hulking form of Matthew Wynn as Lennie, and the diminutive (in comparison) Richard Keightley and Kamran Darabi-Ford as George and Curley respectively. Darabi-Ford especially perfect in his tremendously awkward scenes wit...

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...