Skip to main content

Review of Richard Herring: Happy Now? at Royal & Derngate (Royal), Northampton

Long before the show started last night there was something that slightly felt wrong to me. On the stage was the quite usual projection of our star of the night, this time an apparently contented family pose. What differed from all the previous stand ups I had seen though was a quote: "At the very top of his" The Scotsman. Now I had happily used my money to purchase a ticket and was seated for the show, I needed at that point no sales pitch, in my mind it just seemed weird to have it up there on the screen.

However putting aside such wayward thoughts I was ready to see Richard Herring's stand up for the first time. Originally part of a double with Stewart Lee, Herring has become a huge success on the comedy circuit with Happy Now? his twelfth show in as many years. He must be doing something right? Sadly for me after the show, I wasn't entirely sure what it was.

Unlike the recent comedy shows I have seen, Happy Now? is a tremendously rigid performance based on his new found life as a 48 year old first time father. There is very little audience interaction which for me makes a comedian appear more confident on stage. The quick witted bouncing off the audience tells much about a stand-up and Mr Herring offered nothing of this, although while he did have some vague observation of the front row, he got involved in little exchange with them. This was basically a play masquerading as a stand-up, rehearsed and ready to go, with the only requirement from the audience being to laugh.

In absolute fairness many of them did, I myself rarely got above a rigid grin. There was an uncanny feeling with Herring's act and some of the audience that I had arrived at some sort of happy gathering of fans. There were groups of people scattered around the theatre that were happily loving every minute of proceedings. They were in on it almost like "I love this guy, I am going to laugh at everything he says". However unlike those recent shows I had seen from Ed Bynne and Katherine Ryan (and her fabulous support Stephen Bailey), there was an awful lot of us that didn't seem to be in on the joke.

There were moments I gladly enjoyed, including rather surprisingly the discussion of his self conscience informing him of ways he might end up killing his baby. This was edgy and darkly funny, but this certainly was not to everyones taste. I also enjoyed his rather clever picking apart of a welcome mat and its gramatical issues, a clever piece of work well constructed. However for every success there were many dull meandering stages where we seemed to be going nowhere. Most painful and excruciating of these was the first ten minutes or so (it seemed much more) coming out of the interval, where he tried to sell us his merchandise. If it had been funny, it might nearly have been excused. However that ten minutes was unquestionably one of the worst periods of time I have spent in my many, many hours in the theatre.

Herring also has for me a tremendously unwatchable stage presence. Pacing about is fine and many comedians do this successfully. However here coupled with that twitchy constantly endless fiddling with his hair, made the whole thing a putoff. I know we can't help mannerisms, but I have never been so distracted in my life by such a thing on stage.

There is some heart in the work and I don't think Happy Now? was ever intended to be full of belly laughs, it is a more thoughtful piece. However it still missed much of the required elements of a night of stand-up. It may well be a case of "it's me, not you", however I know others felt the same. Herring used Marmite in his one of his pieces relating that you either love it, hate it or actually just don't mind it. Sadly for me, I am much nearer the hate it. You however at the back were clearly loving every single minute.

««½


Performance reviewed: Saturday 5th March, 2016 at the Royal & Derngate (Royal), Northampton.

Richard Herring: Happy Now? was performed at the Royal & Derngate (Royal) on Saturday 5th March, 2016 only but is on a tour until June. Website for details: http://www.richardherring.com/gigs/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...