Skip to main content

Review of Richard Herring: Happy Now? at Royal & Derngate (Royal), Northampton

Long before the show started last night there was something that slightly felt wrong to me. On the stage was the quite usual projection of our star of the night, this time an apparently contented family pose. What differed from all the previous stand ups I had seen though was a quote: "At the very top of his" The Scotsman. Now I had happily used my money to purchase a ticket and was seated for the show, I needed at that point no sales pitch, in my mind it just seemed weird to have it up there on the screen.

However putting aside such wayward thoughts I was ready to see Richard Herring's stand up for the first time. Originally part of a double with Stewart Lee, Herring has become a huge success on the comedy circuit with Happy Now? his twelfth show in as many years. He must be doing something right? Sadly for me after the show, I wasn't entirely sure what it was.

Unlike the recent comedy shows I have seen, Happy Now? is a tremendously rigid performance based on his new found life as a 48 year old first time father. There is very little audience interaction which for me makes a comedian appear more confident on stage. The quick witted bouncing off the audience tells much about a stand-up and Mr Herring offered nothing of this, although while he did have some vague observation of the front row, he got involved in little exchange with them. This was basically a play masquerading as a stand-up, rehearsed and ready to go, with the only requirement from the audience being to laugh.

In absolute fairness many of them did, I myself rarely got above a rigid grin. There was an uncanny feeling with Herring's act and some of the audience that I had arrived at some sort of happy gathering of fans. There were groups of people scattered around the theatre that were happily loving every minute of proceedings. They were in on it almost like "I love this guy, I am going to laugh at everything he says". However unlike those recent shows I had seen from Ed Bynne and Katherine Ryan (and her fabulous support Stephen Bailey), there was an awful lot of us that didn't seem to be in on the joke.

There were moments I gladly enjoyed, including rather surprisingly the discussion of his self conscience informing him of ways he might end up killing his baby. This was edgy and darkly funny, but this certainly was not to everyones taste. I also enjoyed his rather clever picking apart of a welcome mat and its gramatical issues, a clever piece of work well constructed. However for every success there were many dull meandering stages where we seemed to be going nowhere. Most painful and excruciating of these was the first ten minutes or so (it seemed much more) coming out of the interval, where he tried to sell us his merchandise. If it had been funny, it might nearly have been excused. However that ten minutes was unquestionably one of the worst periods of time I have spent in my many, many hours in the theatre.

Herring also has for me a tremendously unwatchable stage presence. Pacing about is fine and many comedians do this successfully. However here coupled with that twitchy constantly endless fiddling with his hair, made the whole thing a putoff. I know we can't help mannerisms, but I have never been so distracted in my life by such a thing on stage.

There is some heart in the work and I don't think Happy Now? was ever intended to be full of belly laughs, it is a more thoughtful piece. However it still missed much of the required elements of a night of stand-up. It may well be a case of "it's me, not you", however I know others felt the same. Herring used Marmite in his one of his pieces relating that you either love it, hate it or actually just don't mind it. Sadly for me, I am much nearer the hate it. You however at the back were clearly loving every single minute.

««½


Performance reviewed: Saturday 5th March, 2016 at the Royal & Derngate (Royal), Northampton.

Richard Herring: Happy Now? was performed at the Royal & Derngate (Royal) on Saturday 5th March, 2016 only but is on a tour until June. Website for details: http://www.richardherring.com/gigs/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of That Face by Polly Stenham performed by The Masque Theatre at the Playhouse Theatre, Northampton

As millions were sitting down to watch the misery of EastEnders and its big reveal of Lucy's killer, A Small Mind ventured out to the theatre for some light relief. Yeah right! That Face by Polly Stenham is generally as far from light relief as you could imagine, like the aforementioned soap being unshackled by its pre-watershed needs, this was gritty family drama in the extreme. Long before the play begins those who had made their way to their seats early get the chance to see curtain up and a girl sitting bound and masked in a chair. Moments of 50 Shades fears aside, its clear that we are seeing one of the unluckiest actresses you could imagine. Destined to be in two scenes with no lines, the first of which involves her being mauled about no end, its a thankless role, which todays actress of pain Julie Hicks plays very well. Suffering for her art indeed. Doing the mauling are boarding school "buddies" Mia (Amber Mae) and mad as a box of frogs Izzy (Clare Balbi). Mia...

Review of Theft at the Castle Theatre Studio, Wellingborough

The comedy-thriller Theft by Eric Chappell tells the story of an anniversary celebrating couple returning to the devastation of their home being ransacked in a burglary. However, this ransacking pales in comparison to the ransacking of their lives that then occurs as home truths are revealed. Anyone old enough to remember the works of Theft writer Chappell ( Rising Damp and Only When I Laugh ), could be forgiven for thinking that this 1996 play might feel a little dated for a 2021 audience. However, bar a few references much of their time now (the weaker sex and female priests for instance), Theft still feels comfortable in the 2021 world, where many of us just want both a good evening of theatre and a good bit of fun. With Theft from the highly regarded Wellingborough Technical Players, they get just that. The action starts as we find the man of the house John Miles played by Graham Breeze returning, very angry, to his home. He is a rightfully boisterous character, channelling all th...