Skip to main content

Review of Richard Herring: Happy Now? at Royal & Derngate (Royal), Northampton

Long before the show started last night there was something that slightly felt wrong to me. On the stage was the quite usual projection of our star of the night, this time an apparently contented family pose. What differed from all the previous stand ups I had seen though was a quote: "At the very top of his" The Scotsman. Now I had happily used my money to purchase a ticket and was seated for the show, I needed at that point no sales pitch, in my mind it just seemed weird to have it up there on the screen.

However putting aside such wayward thoughts I was ready to see Richard Herring's stand up for the first time. Originally part of a double with Stewart Lee, Herring has become a huge success on the comedy circuit with Happy Now? his twelfth show in as many years. He must be doing something right? Sadly for me after the show, I wasn't entirely sure what it was.

Unlike the recent comedy shows I have seen, Happy Now? is a tremendously rigid performance based on his new found life as a 48 year old first time father. There is very little audience interaction which for me makes a comedian appear more confident on stage. The quick witted bouncing off the audience tells much about a stand-up and Mr Herring offered nothing of this, although while he did have some vague observation of the front row, he got involved in little exchange with them. This was basically a play masquerading as a stand-up, rehearsed and ready to go, with the only requirement from the audience being to laugh.

In absolute fairness many of them did, I myself rarely got above a rigid grin. There was an uncanny feeling with Herring's act and some of the audience that I had arrived at some sort of happy gathering of fans. There were groups of people scattered around the theatre that were happily loving every minute of proceedings. They were in on it almost like "I love this guy, I am going to laugh at everything he says". However unlike those recent shows I had seen from Ed Bynne and Katherine Ryan (and her fabulous support Stephen Bailey), there was an awful lot of us that didn't seem to be in on the joke.

There were moments I gladly enjoyed, including rather surprisingly the discussion of his self conscience informing him of ways he might end up killing his baby. This was edgy and darkly funny, but this certainly was not to everyones taste. I also enjoyed his rather clever picking apart of a welcome mat and its gramatical issues, a clever piece of work well constructed. However for every success there were many dull meandering stages where we seemed to be going nowhere. Most painful and excruciating of these was the first ten minutes or so (it seemed much more) coming out of the interval, where he tried to sell us his merchandise. If it had been funny, it might nearly have been excused. However that ten minutes was unquestionably one of the worst periods of time I have spent in my many, many hours in the theatre.

Herring also has for me a tremendously unwatchable stage presence. Pacing about is fine and many comedians do this successfully. However here coupled with that twitchy constantly endless fiddling with his hair, made the whole thing a putoff. I know we can't help mannerisms, but I have never been so distracted in my life by such a thing on stage.

There is some heart in the work and I don't think Happy Now? was ever intended to be full of belly laughs, it is a more thoughtful piece. However it still missed much of the required elements of a night of stand-up. It may well be a case of "it's me, not you", however I know others felt the same. Herring used Marmite in his one of his pieces relating that you either love it, hate it or actually just don't mind it. Sadly for me, I am much nearer the hate it. You however at the back were clearly loving every single minute.

««½


Performance reviewed: Saturday 5th March, 2016 at the Royal & Derngate (Royal), Northampton.

Richard Herring: Happy Now? was performed at the Royal & Derngate (Royal) on Saturday 5th March, 2016 only but is on a tour until June. Website for details: http://www.richardherring.com/gigs/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of Fawlty Towers at Royal & Derngate (Derngate), Northampton

The seventies comedy series Fawlty Towers , written by John Cleese and Connie Booth, remains one of the most enduring shows of all time. While some now frown on some of the content as being politically incorrect, it is impossible to see the antics of Basil Fawlty, his wife Sybil, and his staff as anything other than stunningly clever TV comedy of the highest standard. So, when news broke that Cleese was adapting three of his most famous episodes for the stage, there was a mix of naysayers predicting failure and jubilators ready for success. As the show now rolls into Royal & Derngate as part of an extensive tour following a hugely successful London run, the naysayers have gone quiet, and the audiences are packed. For those unfamiliar with the show,  Fawlty Towers  featured inept hotel manager Basil Fawlty battling everything from corpses and rats to Germans in his campaign to create the very best hotel, despite his constant annoyance with humanity, including the guests....

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...