Skip to main content

Review of Welcome To Thebes - University Of Northampton BA Actors at Royal & Derngate (Royal), Northampton

Following the rather poor play in the form of Days Of Significance (and a little bit of minor social media storm), I am happy to say that the third and final outing from this years third year uni shows was a much greater success. This despite the fact that Greek themed plays are well down in my own personal favourites.

Written by Moira Buffini, Welcome To Thebes is an exploration of an encounter between the wealthy state of Athens under leadership of Theseus (Vandreas Marc) and the substantially poorer Thebes of the title under command of Eurydice (Sharni Tapako-Brown). Lurking in the background are Prince Tydeus (Charlie Clee) and lover Pargeia (Kathryn McKerrow) seeking to snatch power through their own stirred up anarchy.

The direction from Eva Sampson is for me the best of the three plays, superbly whipping the audience into the world of Thebes with opening tension in the stalls of the Royal. Three soldiers; Megaera (Madeleine Hagerty), Scud (Daniel Gray) and Sergeant Miletus (Patrick Morgan) sweep into the Royal threatening the audience and wielding guns. It is a tremendous scene of impact and well performed by the three performers, including Daniel Gray eye starring and threatening me with shampoo I believe, or I may have been mistaken.

Right at the start of the play the all seeing blind beggar Tiresias (Megan Burda) takes her place at the front of the stage and then virtually never leaves. A magically writhing performance of great physicality is superbly done. Her lines when they occasionally occurred, were invariably vital and delivered quite perfectly. There is no doubt that this must have been a tremendously challenging role, however Megan dealt with it with style.

Vandreas Marc as Theseus is quite perfectly cast, looking every inch the leader of men coupled with the most perfect voice for the part. It was also wonderful to hear Amber Mae a little more after being rather quiet in recent Uni shows. Certainly the gentlest performance of the play as Ismene and tremendous in the scene when the moment comes that she has lost her love. Suzannah Cassels brings in another tremendously strong but unshowy performance as Antigone.

Kathryn McKerrow (Pargeia) and Charlie Cree (Prince Tydeus) work stunningly well together. Kathryn is really quite scary as the domineering character that even in the fifth row, I was quite frightened of being so near to. Charlie, I have no shame in admitting is one of my favourites and is the one of the group I have seen perform the most via a couple of Masque plays. He is just a tremendously watchable performer, full of that physical impact performance especially. As Tydeus he is as powerful as ever and really a horrifying character. The scene with Ismene in particular is a truly unpleasant, but brilliant one.

The final individual mention has to go to Sharni Tapako-Brown in the most breakthrough performance of the three shows. Yes, while brilliant in previous performances, here as Eurydice, this was something else. Poised perfect and strong in every sense, this was quite simply one of the best performances I have yet seen from the University shows. I don't think I have seen a female Uni actor command the stage in quite this way before. Magnificent!

Away from the actors another fine addition to this play which was generally absent in the other two was a couple of scenes of choreographed movement to music. I can be won over quite easily by quality ones of these, and the two in this play were excellently done and as the best do for me, raised the hairs on my arms. I really do love them!

The play itself can at times feel somewhat chewy and lulls develop at times, especially through some of the very long first half. It is a somewhat unbalanced play time wise with the second half barely a third of the first. However through the effort of the skilled performers and the director, enough momentum keeps the play on the move.

Despite my Greek reservations, Welcome To Thebes for me was an excellent production with some really clever directorial decisions and a great deal of excellent acting.

With the three plays now done, I am truly ready for Flash. Roll on May!


Performance reviewed: Saturday 18th March, 2016 at the Royal & Derngate (Royal), Northampton.

Welcome To Thebes was one of three show  performed at the Royal by the University Of Northampton BA (Hons) Actors between Wednesday 16th to Saturday 19th March, 2016.
Details of each are below.

Blue Stockings: http://www.royalandderngate.co.uk/whatson/2016-2017/Royal/uonBS
Days Of Significance: http://www.royalandderngate.co.uk/whatson/2016-2017/Royal/uonDOS
Welcome To Thebes: http://www.royalandderngate.co.uk/Productions/290220/282506/UONwtt

Details of Royal & Derngate can be found by visiting their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...