Skip to main content

Review of Broken by Motionhouse at The Castle Theatre, Wellingborough

When I first investigated Motionhouse's Broken via its vivid trailer, it felt as if it could offer some fascinating stage work familiar to that of Frantic Assembly, which I truly wanted to see more of. Therefore I found myself in the main theatre at Wellingborough for the very first time last week to see what was going to be quite a show.

The first thing to say is that Motionhouse is in reality a very different beast to the work of Frantic Assemby, happily plowing its own rich reserves of contemporary dance, where as Frantic builds a story around physical motion. What artistic director Kevin Finnan brings to the stage is a world travelling a path of early human evolution through to a potential collapse as we reach at the end a cataclysmic event. Well that is what it feels like, as much like a painting, the audience might get many feelings and emotions from the scenes depicted. In the early cave scenes we appear to have dancing amoebas as life begins. Then we progress through to cavemen and strange apparitions, including some impressive stilt work. Finally we have a domestic situation in a block of flats which carries us into a quite spectacular visual feast of a conclusion.

The performers Martina Bussi, Daniel Connor, Junior Cunningham, Alasdair Stewart, Naomi Tadevossian and Rebecca Williams are never short of stunning as they show tremendous strength and emotion through their dance. Seeing some of them after the show is quite a revelation as they are so surprisingly small in person. Dancers have quite an amazing way to appear to have such strength through apparently minimal visual effort, bringing a wonderful delicate touch. This is what makes the whole thing so tender. It is without doubt a remarkable ability.

Technically and aurally the show is an equally amazing prospect. Pumping and dynamic music from Sophy Smith and Tim Dickinson combines wonderfully with Logela Multimedia's work on the imagery. The dancers magically timing their arrival and departures in tune with the vast projections. I also loved the way the lighting during the cave scene managed to play wonderful giant shadows across the side of the theatre.

So an absolute delight of a show, which may have at times suffered from a couple of the sequences being slightly over long. However it builds with every scene adding more technical advances and finishes with a simply stunning piece. Very highly recommended.

««««½


Performance reviewed: Thursday 25th February, 2016 at the Castle Theatre, Wellingborough.

Broken by Motionhouse was performed at the Castle Theatre , Wellingborough on Thursday 25th February, 2016 only but it currently touring into April. Details can be found at http://www.motionhouse.co.uk/index.shtml

For details about The Castle see their website at http://thecastle.org.uk/


Popular posts from this blog

Review of The Bodyguard at Milton Keynes Theatre

The 1992 film The Bodyguard , starring Kevin Costner and marking the acting debut of singing megastar Whitney Houston, was a standard romantic thriller, greatly enhanced by Houston's presence and a cascade of big musical numbers. Surprisingly, it took twenty years to make the transition to the stage. Premiering in London in December 2012, just ten months after Houston's death, the show has since become a massive global success. Now it arrives at Milton Keynes Theatre again as part of its fourth UK tour in just thirteen years. The Bodyguard sees former Secret Service agent turned bodyguard, Frank Farmer, hired to protect an Academy Award-nominated actress and music superstar, Rachel Marron, from a stalker. Between Farmer's duties and Marron's career, something inevitably builds between the two amid music and dancing aplenty. Taking the leads on this tour are Sidonie Smith as Rachel and Adam Garcia as Frank. Smith has appeared in The Bodyguard before, as a walk-in in a p...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...