Skip to main content

Review of Broken by Motionhouse at The Castle Theatre, Wellingborough

When I first investigated Motionhouse's Broken via its vivid trailer, it felt as if it could offer some fascinating stage work familiar to that of Frantic Assembly, which I truly wanted to see more of. Therefore I found myself in the main theatre at Wellingborough for the very first time last week to see what was going to be quite a show.

The first thing to say is that Motionhouse is in reality a very different beast to the work of Frantic Assemby, happily plowing its own rich reserves of contemporary dance, where as Frantic builds a story around physical motion. What artistic director Kevin Finnan brings to the stage is a world travelling a path of early human evolution through to a potential collapse as we reach at the end a cataclysmic event. Well that is what it feels like, as much like a painting, the audience might get many feelings and emotions from the scenes depicted. In the early cave scenes we appear to have dancing amoebas as life begins. Then we progress through to cavemen and strange apparitions, including some impressive stilt work. Finally we have a domestic situation in a block of flats which carries us into a quite spectacular visual feast of a conclusion.

The performers Martina Bussi, Daniel Connor, Junior Cunningham, Alasdair Stewart, Naomi Tadevossian and Rebecca Williams are never short of stunning as they show tremendous strength and emotion through their dance. Seeing some of them after the show is quite a revelation as they are so surprisingly small in person. Dancers have quite an amazing way to appear to have such strength through apparently minimal visual effort, bringing a wonderful delicate touch. This is what makes the whole thing so tender. It is without doubt a remarkable ability.

Technically and aurally the show is an equally amazing prospect. Pumping and dynamic music from Sophy Smith and Tim Dickinson combines wonderfully with Logela Multimedia's work on the imagery. The dancers magically timing their arrival and departures in tune with the vast projections. I also loved the way the lighting during the cave scene managed to play wonderful giant shadows across the side of the theatre.

So an absolute delight of a show, which may have at times suffered from a couple of the sequences being slightly over long. However it builds with every scene adding more technical advances and finishes with a simply stunning piece. Very highly recommended.

««««½


Performance reviewed: Thursday 25th February, 2016 at the Castle Theatre, Wellingborough.

Broken by Motionhouse was performed at the Castle Theatre , Wellingborough on Thursday 25th February, 2016 only but it currently touring into April. Details can be found at http://www.motionhouse.co.uk/index.shtml

For details about The Castle see their website at http://thecastle.org.uk/


Popular posts from this blog

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...