Skip to main content

Review of They Came From Mars (Farndale Avenue) at The Playhouse Theatre, Northampton

"They Came From Mars and landed outside the Farndale Avenue Church in time for the townswomen's guild's coffee morning" is probably the longest play title out there and currently I reckon the strangest play that I have seen. Having said that and with no prior knowledge of what the play entailed, it turned out that it was much more familiar to me than I first thought.

Written by David McGillivray and Walter J Zerlin Jnr, They Came From Mars is part of a series of plays otherwise known as Farndale Avenue. They centre around a women's guild attempts of producing a play despite a general lack of everything including sets, props, abilities to act and men.

Not long into the play and after a gloriously entertaining audience participation introduction from Mrs Reece (Adrian Wyman) it slowly became clear to me that I had seen many of the ideas before. It is true that Mischief Theatre through their two Goes Wrong plays have refined a failed production to both timing and physical perfection but here in this play is the gestation of many of those ideas nearly thirty years before.

It is both perfect and dangerous at the same for an amateur group to take on such a playm however the Playhouse have more or less nailed it. One of my favourites was the official only gent of the evening, Graham Lee, playing the unwilling toothy vicar Gordon with relish. Channeling Dick Emery to the extreme and keeping that almost perfect voice throughout, he managed to be funny no matter what he was saying. Maggie Holland was also great fun as Norah, despite being mostly drugged up for much of the play and being pushed, carried and cajoled around the stage by the other cast members, she still managed to make the character work, even in a sparkly wig.

Di Wyman made a very successful transition from brother to sister, garnering all the ridiculousness out of the situation. Patricia Gletherow's Felicity was also great entertainment but very softly played. She did manage to be responsible for two of the biggest laughs of the night, first bent over the side board (I had no idea where to look) and then that magic incorrect phaser moment, made even the more better by some out of place audience participation. This moment was superbly fielded and ad-libed by the star of the show.

Adrian Wyman brought in at three days notice due to illness had the enviable task of being a man playing a lady playing a man. I may never write that line again. Despite script in hand he was quite brilliant as Mrs Reece playing the broken nailed Professor. Batty and bizarre doesn't cover it.


The set was suitably inept (to be clear this is good) and there was no doubt that I would be won over by the War of the Worlds music being played over the very funny space travel scene. It was all created with the right edge of bad and good as required from director Clare Brittain.

So quite clearly an utterly insane two hours of "drama" with very spirited performances from all the cast. It is not the best I have seen at the Playhouse by a long way, however somehow it still became one of the most entertaining.

Performance reviewed: Wednesday 16th March, 2016 at the Playhouse Theatre, Northampton

They Came From Mars continues at the Playhouse Theatre, Northampton until Saturday 19th March, 2016. For full details visit their website at http://www.theplayhousetheatre.net/


Popular posts from this blog

Review of Aldous Huxley's Brave New World at Royal & Derngate (Royal), Northampton

As the house lights came up at the interval of my viewing of Brave New World, an older chap in the row behind me quite audibly said to his theatre companion "that was rubbbish". I could at that moment only assume that he was wearing one of those rather stylish visual goggles that the cast wore during the show to view something else entirely as "rubbish" was far from my thoughts. It could of course be that he just didn't get it as science fiction might not be his thing. This is one of those impressive things with the constantly inventive Made In Northampton series, it boldly tries everything and maybe if you, like this chap come to all of them, they are not always going to work for you. Adapted as a new commission by Dawn King from Aldous Huxley's 1931 novel, Brave New World is the neglected compatriot of George Orwell's 1984. It is however a much different affair in substance, relating to genetically created humanity and the socially controlling Soma...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Tina: The Tina Turner Musical at Milton Keynes Theatre

Music artist Tina Turner was a staple of the music network for a remarkable time, active as an artist for eight decades; her work is, or at the very least should be, familiar to every generation. Therefore, it was little surprise that in 2018, a stage musical of her work and life arrived upon the stage. You could say that for such an artist, it actually took longer than it should have to appear. Now, as part of its first UK & Ireland tour, Tina: The Tina Turner Musical , it arrives at Milton Keynes Theatre for a two-week run. So, the question is, is it worthy of the legendary artist? For those unfamiliar with any part of Tina Turner's life, the content of this stage musical telling her life story might be a surprise to an audience that grew up just listening to her music. It is an early commendation of the show that the show does not shy away from the themes of domestic abuse, racism and parental abandonment that Turner suffered through her life. With all that rich and startlin...