Skip to main content

Review of The Perfect Murder at Royal & Derngate (Derngate), Northampton

I first saw Peter James' The Perfect Murder about two years ago at Milton Keynes Theatre and for some unknown reason, despite enjoy its dark comedy quite a bit, I never committed a review to page. So I felt having now seen it again with a near brand new cast at my home theatre, I thought I better write a few words.

Based upon James' novella of the same name, adaptor Shaun McKenna has created a funny, frivolous and divertingly entertaining two hour comedy thriller. It is never going to challenge the cerebral matter much, but it offers plenty of fun and just a small amount of intrigue.

When I first saw the play two years ago, Les Dennis and Claire Goose took on the roles and very much made them their own. Dennis was a revelation to me and Goose was everything I wanted (the reason I was there to be honest, as I am a big fan). Filling these roles this time are Shane Ritchie and Jessie Wallace, an all too familiar pairing if you are an Eastenders viewer. They fill the roles well creating slightly different versions of the ones I was familiar with, they do however never wuite match the performances set by Dennis and Goose in appeal.

Personally despite the fact that Ritchie has clearly been made up to appear older. I couldn't help but think that there is not a big enough age gap between the two lead actors like there was between Dennis and Goose. Ritchie however plays the miserable Victor Smiley with evil intent very well, while Wallace maintains her obvious hate of him from the outset. Wallace herself mostly maintains the whiny Sybil Fawlty-esq voice perfected by Goose, only a few times slipping out of it.

It was more unexpected seeing someone in the Roy Grace role than the leads to me and although he was very watchable, Benjamin Wilkin didn't quite work for me in the role, never quite having the presence that you would expect of the character. Stephen Fletcher however as Don though was I felt a much better performance than his predecessor, and highly entertaining as the very fake cockney drawn unwittingly perhaps into the events, despite his dropping of pants being an initially foolish move into the situation. Finally Simona Armstrong remains in the role of prostitute Kamila and two years down the line appears to have made this role fit like a perfect glove.

It was wonderful to see Michael Holt's genuinely excellent set again, made up of extremely clever compartments, revealing different parts of the Smiley household and one section portraying Kamila's bedroom.

The play itself is one to place quite firmly in the sit back and be entertained and don't think too much about it. There are quite frankly a few moments that don't or logically can't work. However if you just sit back and enjoy the often witty dialogue and fighting of the unhappily married couple, you can't help but come away entertained. Quite frankly also, we all need a bit of frivolous entertainment in our lives and The Perfect Murder is well up their in the frivolous stakes, and that on this occasion is very much a compliment.

«««½

Performance reviewed: Monday 14th March, 2016 at the Royal & Derngate (Derngate), Northampton.

The Perfect Murder is on at the Royal & Derngate until Saturday 19th March, 2016 before continuing its tour. Details can be found at http://theperfectmurder.co.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of The Jolly Christmas Postman at Royal & Derngate (Royal), Northampton

The Northampton Royal and Derngate have a tradition of producing a family play in the Royal Theatre alongside a spectacular pantomime in the Derngate, offering a more subtle Christmas treat for a family audience. However, this calendar staple has been missing since 2019, when the fine Pippi Longstocking graced the Royal stage and an unmentionable virus reared its head. Based on this triumphant return this year in the guise of The Jolly Christmas Postman , it has been heartily missed. Adam Peck has truly lovingly adapted  The Jolly Christmas Postman  for the stage from the original story by Janet and Allan Ahlberg. From the beginning, this is a proper cracker of theatre entertainment that captivates an occasionally distractable audience of all ages. The story follows the adventures of a friendly postman beset by an influx of mail on Christmas Eve and his adventures with an assortment of Fairy-Tale characters. What is, in essence, a kid's show aimed primarily at young children ...

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella . So, does the magic dust fall once again successfully on the stage of the Derngate? The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present). Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...