Skip to main content

Review of UoN Fringe 2019: Godspeed by Far From Home at The Platform Club, Northampton

I have always been a fan of a little science fiction. Not those sprawling space operas, or complicated detailed tales though, that you feel the need for a science degree to battle through. I am more about a simple tale, well told, not packed with scientific lingo, just well told. With Godspeed from performer Fox Neal and his Far From Home company, he ticks all the boxes on the good tale, well told, checklist.

Ishmael Constant is humanity's last hope and following a comprehensive training, and having survived a troubling childhood, he is ready to embark on a twelve-year journey to a hole in spacetime to see if beyond it there is any hope for the people of Earth.

Godspeed is an extremely well-written tale, told through Ismael's initial agreement and through his journey and told in chapters, and most impressively interspersed with some brilliant flashbacks, indicated via the screen in brilliantly realised video flashing between Space/War/Home, it's an incredibly good idea and forms just one part of what is a technically brilliant beast.

As well as this video, Neal performs expertly with rafts of pre-recorded audio sequences, perfectly timed, brilliantly edited, including muffled conversation and ill-fainted messages. It is a sublimely technically perfect piece and kudos to the tech team running the show as well, as timing and accuracy are key.

However, this is, of course, Neal's show, and as Ishmael he is superb, capturing the full life history of his creation, from an innocently confused youngster to one in love and then finally the journeyman of space, seeking humanities saviour, and perhaps more importantly for him, answers of his own. It's a brilliant performance, and his interaction with all the other invisible characters are immensely believable from Shay and to the HAL 2000 style ship computer "Virgil".

Godspeed is a classy show, clear, concise, effortlessly entertaining, and perhaps the very best show from this year's Fringe to take to the big proper Fringe up there in Scotland. Brilliantly written and perfectly performed.

Performance viewed: Sunday 5th May 2019

The Fringe Festival 2019 ran from Monday 29th April to Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...