The story, such as it is, revolves around a bunch of US Navy recruits attempting to survive the pipeline and get their chance at the big flying game. Under the eye of Sgt Emil Foley (played with a heavily characterised approach by Ray Shell), a few survive the training, and also get up close and personal with the young ladies of Pensacola, Florida.
Leading the story are two romantic couples, Paula (Emma Williams) and Zack (Jonny Fines), and Sid (Ian McIntosh) and Lynette (Jessica Daley). The former are the characters portrayed by Gere and Winger in the film, but it has to be said that often the relationship, more broken, between Sid and Lynette often forms the most interesting aspect, and certainly has the more compelling story arc. All performers are great in the leads, with Williams, in particular, bringing an extremely strong and tough creation to the stage, against Fines often slightly one-dimensional character. Both McIntosh and Daley spark off one another in their intense relationship. Elsewhere there is very strong support from Rachel Stanley as Paula's mother Esther, and they have a brilliantly funny scene in the Pokrifki household, offering one of the few truly comic moments of the show.
Elsewhere in the musical moments, there is a brilliant reworking of Kim Wilde's Kids In America, given a brilliantly intense and sweaty performance by Darren Bennett, as Zach's father Byron. They get the openings and closing rights, opening with a very slight reworking of Status Quo's In The Army Now becoming the Navy and creating an effective opening alongside Kate Prince's lively, and suitably regimented choreography. There is also nothing wrong with closing one act with John Parr's classic St Elmo's Fire, and going all karaoke in the bar with a meaty version of Jon Bon Jovi's Livin' On A Prayer. Added to this, a stirring version of Martika's Toy Soldiers, and it all finally ends, as expected with both the iconic moment and song Up Where We Belong, making it as much an eighties feast of musical, as much a musical.
An Officer And A Gentleman - The Musical is a tremendous distance from being the best that jukebox musicals have to offer, but despite only three rounds of applause between songs during the entire show, including one very much deserved for Alone, the audience suddenly comes alive at that final moment and it becomes clear they were almost there for just that one moment.
Just about gets off the runway.
Performance reviewed: Monday 9th July 2018 at Milton Keynes Theatre, Milton Keynes.
An Officer And A Gentleman - The Musical runs at Milton Keynes Theatre until Saturday 14th July 2018 before continuing its tour. Details at http://officerandagentlemanmusical.com/
For further details about Milton Keynes Theatre can be found at http://www.atgtickets.com/venues/milton-keynes-theatre/
Photos: Manuel Harlan