Skip to main content

Review of An Officer And A Gentleman - The Musical at Milton Keynes Theatre, Milton Keynes

I had an advantage of coming to An Officer and a Gentleman unburdened by a knowledge of the film, having somehow inexplicably avoided seeing the iconic eighties Richard Gere and Debra Winger original. However, on the evidence of The Musical version, it's a heavy popcorn movie, with the emphasis on the corn(y) variety. Writers Douglas Day Stewart and Sharleen Cooper Cohen have taken the original screenplay, and shoehorned, some more successfully than others, a bagful of eighties classics to create what just about amounts to a successful musical.

The story, such as it is, revolves around a bunch of US Navy recruits attempting to survive the pipeline and get their chance at the big flying game. Under the eye of Sgt Emil Foley (played with a heavily characterised approach by Ray Shell), a few survive the training, and also get up close and personal with the young ladies of Pensacola, Florida.

Leading the story are two romantic couples, Paula (Emma Williams) and Zack (Jonny Fines), and Sid (Ian McIntosh) and Lynette (Jessica Daley). The former are the characters portrayed by Gere and Winger in the film, but it has to be said that often the relationship, more broken, between Sid and Lynette often forms the most interesting aspect, and certainly has the more compelling story arc. All performers are great in the leads, with Williams, in particular, bringing an extremely strong and tough creation to the stage, against Fines often slightly one-dimensional character. Both McIntosh and Daley spark off one another in their intense relationship. Elsewhere there is very strong support from Rachel Stanley as Paula's mother Esther, and they have a brilliantly funny scene in the Pokrifki household, offering one of the few truly comic moments of the show.

The musical numbers are a mixed collection of those that work, and those that simply don't (Material Girl for one), when it does work though, it forms some tremendous moments. The showstopper without any doubt is Emma Williams skin-tingling solo performance of Heart's Alone, when she very finally, in the second half, gets to show truly why she is a multi-Olivier nominee.

Elsewhere in the musical moments, there is a brilliant reworking of Kim Wilde's Kids In America, given a brilliantly intense and sweaty performance by Darren Bennett, as Zach's father Byron. They get the openings and closing rights, opening with a very slight reworking of Status Quo's In The Army Now becoming the Navy and creating an effective opening alongside Kate Prince's lively, and suitably regimented choreography. There is also nothing wrong with closing one act with John Parr's classic St Elmo's Fire, and going all karaoke in the bar with a meaty version of Jon Bon Jovi's Livin' On A Prayer. Added to this, a stirring version of Martika's Toy Soldiers, and it all finally ends, as expected with both the iconic moment and song Up Where We Belong, making it as much an eighties feast of musical, as much a musical.

There is a tough ruggedness to Michael Taylor's set which sits very well within the story, and there is some challenging lighting from Ben Cracknell, which mostly works extremely well, despite a couple of moments missed, and an occasionally wayward spotlight. The use of video from Douglas O'Connell, doesn't always please, as it can be a lazy staging option, however, for the best part, in this, it works.

An Officer And A Gentleman - The Musical is a tremendous distance from being the best that jukebox musicals have to offer, but despite only three rounds of applause between songs during the entire show, including one very much deserved for Alone, the audience suddenly comes alive at that final moment and it becomes clear they were almost there for just that one moment.

An Officer and a Gentleman is a by the numbers show, nothing special, but always entertaining and well performed. Feelgood entertainment at it's most simplistic, and at the end of the day, there is nothing at all wrong with that.

Just about gets off the runway.

Performance reviewed: Monday 9th July 2018 at Milton Keynes Theatre, Milton Keynes.
An Officer And A Gentleman - The Musical runs at Milton Keynes Theatre until Saturday 14th July 2018 before continuing its tour. Details at http://officerandagentlemanmusical.com/
For further details about Milton Keynes Theatre can be found at http://www.atgtickets.com/venues/milton-keynes-theatre/

Photos: Manuel Harlan

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...

Review of Operation Mincemeat at Royal & Derngate (Derngate), Northampton

Operation Mincemeat , in this musical incarnation, is the latest in the line of tellings of a true story that began back in 1943. During the Second World War, a secret operation took place, which was later revealed in print by Ewan Montagu, one of its initial instigators. Titled The Man Who Never Was , this true story then became a film of the same name. Fast forward to 2021, and a film titled Operation Mincemeat appeared. Then, taking the same title as the original operation, this musical was born and developed on either side of the film's release before hitting London in 2023, and now at the Royal & Derngate as part of an extensive tour. Operation Mincemeat's plan was to disguise the Allied invasion of Sicily. It saw two members of the British intelligence obtain a body, that of Glyndwr Michael, a homeless man who had died from eating rat poison, dress him as an officer of the Royal Marines and place personal items on him, identifying him as the fictitious Captain (Actin...