Skip to main content

Flash Festival 2017: Push & Shove by Crisis Point Theatre at Hazelrigg House, Northampton

Despite being a long term blogger, the alternative vlogging has mostly passed me by and I have rarely sat and watched many and certainly am not an avid subscriber of one, however the social revolution of them has not passed me by as I am very aware that many people make an awful lot of money nowadays as vlogging stars. In this Flash show Olly Manning plays one such vlogger and in Push & Shove, he has something very special for his subscribers.

To be perfectly frank, that something special is really quite simple to guess. I realised very early the contents of the ominous box that Olly's character Jared Howell presents to his audience at the start of the vlog, and it is clear very early on who is going to be on the end of the said contents as Jared goes through his pretty bleak piece to camera. However guessing does not change the impact of this cleverly put together play.

At the basis of this Flash is another issue play, this time mental illness, one which thankfully is gaining more and more recognition after having spent too long being ignored, most especially in the male gender. Push & Shove handles it with a nice touch, allowing the story to unfold in a believable way, Olly chipping away for the audience the emotions of Jared beneath.

There is a delightfully well-sung song during proceedings to music nicely played on guitar by Luke Mortimore, although this did get me wondering how we were meant to interpret his appearance as everything was supposedly done live. Was this chap sitting in the corner of the room observing Jared as he made his final vlog? It just felt strange as everything else was intuitive and being created very naturalistically by one person for his audience. Not a problem, just a little something I was unsure of.

There is also an issue of performing to a camera for a vlog for the audience within the room and this was slightly made more problematic by the configuration if the seating with audiences on two sides rather than the usual format, which could have meant it was presented front on, instead of often to one side.

However this was a powerful piece of theatre well performed by Olly, which while didn't hold much surprise (except for one member of the audience), was very well constructed and believable in its telling of a very real issue that the world needs to deal with.

Performance viewed: Wednesday, 24th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...