Skip to main content

Flash Festival 2017: The Powers That Be by Tangled Spines Theatre Company at St Peter's Church, Northampton

Perhaps of all the Flash Festival shows this year, Tangled Spines' The Powers That Be was the one that I was most looking forward to seeing. I had read Luke Rhinehart's intriguing novel The Dice Man (on which this is based) some years ago and while the main plot had long departed my mind, the truly fascinating premise that permeates the story is genuinely very clever. Our protagonist lives life by the throw of a die where his every action is decided by the number that the dice scattered at his feet portray.

Steven Croydon
A quick google of The Dice Man offers a rather bizarre fact that for some reason this story and idea hasn't been developed to any great degree over the years with just one minor mini-series and a couple of plays taking on the idea, therefore Tangled Spines are very much onto something and their nippy and clever performance brings to life the story to fascinating effect and doesn't hold back on the controversy and power of the original novel either.

After a quite brilliant repeated, but slowly altering physical routine, we are immediately presented with our lead Luke Rhinehart (Steven Croydon) throwing a die to decide if he rapes his mistress (Jen Wyndham). We do not see, but quickly learn that the answer is yes and he matter of factly presents this information to her and in this world that this story lives within, it is accepted by her.
Jen Wyndham

I love the fact that this play doesn't shy away at all from this power and repulsiveness of the original. When I read it originally I felt that although it told obviously a very different story, its morals were very much like that of A Clockwork Orange. This is crime and evilness often of the highest order, but you can't help but for the duration almost be on the depraves side.

Jack James
Steven Croydon given the meaty lead character also offers the best of the performances, however, that doesn't detract from the others. Jack James is excellent as a close colleague, while even better as Rhinehart's son, again showing skill at creating both a believable but never silly youngster seen successfully more than a few times at Flash.

Jen Wyndham is once again her captivating best as both woman in Rhinehart's life, the aforementioned mistress and his wife (it is worth noting that beyond this performance, a pair of crutches were her "friend" and this demanding performance truly showed her dedication to her chosen profession).

I truly loved The Powers That Be for bringing that wonderful novel to life in physical form. Tremendously well chosen, brilliantly created within both the altar space and within a neat and sensible running time. Thank you Tangled Spines for reintroducing me to Rhineharts religion of the die.

Performance viewed: Thursday, 25th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of Of Mice And Men at Royal & Derngate (Royal), Northampton

Other than, randomly, Charlie and the Chocolate Factory and The War of the Worlds , John Steinbeck's classic Of Mice and Men is perhaps one of the most familiar of stories to me. I have seen it several times before, and while at school, we studied it, and dissected it like the work of Mr Shakespeare, but with Steinbeck, I got out the other side still liking it. This brand new version from Selladoor Productions, which opened in Canterbury last week, brings a by-the-book presentation of the trials of George and his slow, but incredibly strong friend, Lennie, to the stage. Perhaps, this is its first issue blocking a huge success from this production, in that it rarely does anything brave or different. It's clearly been expertly cast visually, with the hulking form of Matthew Wynn as Lennie, and the diminutive (in comparison) Richard Keightley and Kamran Darabi-Ford as George and Curley respectively. Darabi-Ford especially perfect in his tremendously awkward scenes wit...

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...