Skip to main content

Flash Festival 2017: Exposure by Imagine That Theatre Company at St Peter's Church, Northampton

The Play That Goes Wrong is undoubtedly one of my favourite plays (I have seen it three times so far as well), and Imagine That's Exposure is a clear homage to that very show (and indeed all its own influences through time). A group of five actors are about to perform a live television performance of The Picture of Dorian Grau, and they are absolutely planning on it going tremendously smoothly.

Lewis Hodson
Lee Hancock
It doesn't of course and for the best part, this little production does much of its buffoonery very well. There's more than a few issues and fluff, and at times it feels a little too wacky for its own good, however, this is slapstick and it is not meant to be clever.

The best part of this show, and one which The Play That Goes Wrong does perfectly as well, is the opening gambit of audience interaction. During the buildup to both shows, things are amiss, in one the set is falling apart and needs help (cue audience member), in this one two of the actors can't find one another and seek the assistance of the audience. This unscripted, reactionary piece featuring Lewis Hodson and Lee Hancock is genuinely and perhaps awkwardly the best part of the show due to an excellently reacting, mostly student audience. It makes you wonder if there might have been tumbleweed moments at the other two performances.

Lauren Scott
Hans Oldham
The rest of the show is hit and miss, when it works, like Lauren Scott being a tremendous bloke, it's great. When it doesn't, repeating the same joke, it annoys rather than thrills.

Exposure's biggest problem lies in being too loving of its influence. At times it is so close to The Play That Goes Wrong, is loses all of its own identity. Characters are largely similar, you have the audience reactionary one (Ben Barton), you have the lady and her relationship with another character, the Chris Bean identikit (Hans Oldham).

Ben Barton
I wanted to love Exposure simply because of its love of that other show, and to be honest I loved it more than I hated it. The opening sequence was magnificently entertaining and Lewis and Lee were a tremendous doubleact and perhaps the strength of that particular sequence that performance was detrimental to the rest of the show. It was however much more fun than glum and at the end of an hour that is absolutely fine.

Performance viewed: Thursday, 25th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of Blue/Orange at Royal & Derngate (Royal), Northampton

The challenging and socially relevant Blue/Orange by Joe Penhall was published in 2000 and back then, this caustic exploration of mental health, and more specifically black mental health issues, was a tremendously relevant play. When it debuted on stage in London, the cast of just three was played by Bill Nighy, Andrew Lincoln and Chiwetel Ejiofor. Director James Dacre doesn't have those names to play with so much in his cast, however here, he has worked with the writer himself to rework the play for a more modern audience. Does it still shock, and is the relevance still there today? Sadly, perhaps, the answer is yes, as doctors Bruce Flaherty and Robert Smith come to verbal blows over the health of patient Christopher, at times, you feel 21 years shed little light on how mental health is approached. Many references in the script, still sit unquestionably in the year 2000, however, with this reworking, one thing has changed dramatically. In the original version of the play, the two

Review of Shrek (NMTC) at Royal & Derngate (Derngate), Northampton

Three and a half years ago, in a land far far away, in a world very different to the one we are now in, I saw the touring professional production of Shrek The Musical , it was a mixed bag of quality, tilted extremely heavily in favour of one particular character (not the one you might expect) and not firing on all cylinders much of the time. One and a half years after my last visit to the Derngate theatre, I return to see the homegrown Northampton Musical Theatre Company's own take on the very same show. Would they be able to breathe more life into the show than the professionals did in that distant land? It is a bit of a yes and no really. Pretty much all of this is done to the best possible standard, and at times, with being an amateur show you could easily forget, they all have normal day jobs. The show oozes professional quality at times. The set looks magnificent, the costumes (from Molly Limpet's Theatrical Emporium) are superb, and as ever with NMTC, the backstage team c

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)