Skip to main content

Flash Festival 2017: Exposure by Imagine That Theatre Company at St Peter's Church, Northampton

The Play That Goes Wrong is undoubtedly one of my favourite plays (I have seen it three times so far as well), and Imagine That's Exposure is a clear homage to that very show (and indeed all its own influences through time). A group of five actors are about to perform a live television performance of The Picture of Dorian Grau, and they are absolutely planning on it going tremendously smoothly.

Lewis Hodson
Lee Hancock
It doesn't of course and for the best part, this little production does much of its buffoonery very well. There's more than a few issues and fluff, and at times it feels a little too wacky for its own good, however, this is slapstick and it is not meant to be clever.

The best part of this show, and one which The Play That Goes Wrong does perfectly as well, is the opening gambit of audience interaction. During the buildup to both shows, things are amiss, in one the set is falling apart and needs help (cue audience member), in this one two of the actors can't find one another and seek the assistance of the audience. This unscripted, reactionary piece featuring Lewis Hodson and Lee Hancock is genuinely and perhaps awkwardly the best part of the show due to an excellently reacting, mostly student audience. It makes you wonder if there might have been tumbleweed moments at the other two performances.

Lauren Scott
Hans Oldham
The rest of the show is hit and miss, when it works, like Lauren Scott being a tremendous bloke, it's great. When it doesn't, repeating the same joke, it annoys rather than thrills.

Exposure's biggest problem lies in being too loving of its influence. At times it is so close to The Play That Goes Wrong, is loses all of its own identity. Characters are largely similar, you have the audience reactionary one (Ben Barton), you have the lady and her relationship with another character, the Chris Bean identikit (Hans Oldham).

Ben Barton
I wanted to love Exposure simply because of its love of that other show, and to be honest I loved it more than I hated it. The opening sequence was magnificently entertaining and Lewis and Lee were a tremendous doubleact and perhaps the strength of that particular sequence that performance was detrimental to the rest of the show. It was however much more fun than glum and at the end of an hour that is absolutely fine.

Performance viewed: Thursday, 25th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease , a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday , hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act , does The Wizard of Oz create the Derngate magic once again? The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease , and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I go...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...