Skip to main content

Review of Katherine Ryan: Katebum at Royal & Derngate (Derngate), Northampton

Just over a week after my first experience of stand-up in the Derngate, I was back and fearful that another avenue of theatre was opening up before me like a great chasm in my wallet. Katherine Ryan just like Ed Byrne was familiar to me only though TV panel shows, so once again unshackled from the constraints of TV it would be interesting to see what was up.

It was as it turned out going to be a while before I was to see what was up, the other side of the interval in fact. As I was this night to experience my first ever support act. Mr Stephen Bailey at the very least prepared me well for Ryan's act, as we had some of the more gay offensive jokes you could ever wish to hear, enough to curl the tongs of some curling tongs no doubt. I wasn't bothered in the slightest as I don't get offended by material, I generally just get annoyed if its offensive through laziness. Bailey however is clever, funny and impressively relaxed with his audience. It must take great skill and indeed bravery to get into quite as much repartee with the audience as Bailey did with the front two rows. It was rude and constantly witty and quite successfully set the bar very high for the main event.

With all the barriers broken down, Katherine Ryan didn't feel quite as offensive as she might have done without Mr Bailey and even now I feel this is very beneficial to the act. Katherine Ryan's comedy is acerbic and often very cruel, a pretty much self confessed Joan Rivers style, but perhaps worse. Her ruthless tearing apart of the likes of Cheryl Tweedy/{insert current surname} was wicked in the extreme, but constantly very funny and from much of the audiences reactions, very appreciated. As was I think the Peter Andre material, although I felt much of the cruelest material in that was aimed at a certain Katie Price, which is also fine.

The third of the main celebrity targets was Bill Cosby and this provided much of the darkest material of the night. It takes skill and intelligence to take subjects like this and place them into a comedy act, and Miss Ryan is not left wanting in this regard.

The Kathbum of the title is her family nickname and comes into prominence towards the end where for a second you might think a bit of personal material might be less biting. However not, the tone remains for the show and that makes the show more and more funny. The conclusion is interestingly familiar to that of Ed Bynne with the personal aspect (is this a modern pattern or a coincidence?), however it leaves us with a warm feeling despite all the bitter twisted (and exceptionally funny) cruelty before it.

Kathbum is an evening of high entertainment from a confident and clear performer, which as long as you are happy to be offended in every way, you should find wonderful entertainment from. I gave Ed Byrne ««««½, but I feel Kathbum was better, so this is not leaving me many places to go, unlike Katherine Ryan who is touring to many locations until June. Seek her out.

«««««


Performance reviewed: Saturday 27th February, 2016 at the Royal & Derngate (Derngate), Northampton.

Katherine Ryan: Kathbum was performed at the Royal & Derngate (Derngate) on Saturday 27th February, 2016 only but is on a tour until June. Website for details: http://www.katherineryan.co.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Pride & Prejudice* (*sort of) at Royal & Derngate (Derngate), Northampton

It is a truth universally acknowledged... No Stop! That is too obvious an opening line to a review of any Pride & Prejudice . Let us begin anew... Of all the classic regency novels from the 19th century, perhaps, one of the most famous is that of P ride & Prejudice by Jane Austen. The novel of manners telling the story of the Elizabeth Bennet her development and her family is maybe more famous now for the many adaptations the novel itself has had, including a certain wet-shirted Colin Firth edition from the nineties. Due to this, it is ripe for many a reworking and with a guaranteed audience waiting for it. Pride and Prejudice* (*sort of) is one of the more bold of those adaptations. However, for all its boldness, does this new version work, or in truth, is it one step too far? The answer is a clear yes, as this dynamic and brilliant reworking by writer and director Isobel McArthur has proven since first taking to the stage back in 2018 and now into this second UK tour, reachin...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...