Skip to main content

Review of Katherine Ryan: Katebum at Royal & Derngate (Derngate), Northampton

Just over a week after my first experience of stand-up in the Derngate, I was back and fearful that another avenue of theatre was opening up before me like a great chasm in my wallet. Katherine Ryan just like Ed Byrne was familiar to me only though TV panel shows, so once again unshackled from the constraints of TV it would be interesting to see what was up.

It was as it turned out going to be a while before I was to see what was up, the other side of the interval in fact. As I was this night to experience my first ever support act. Mr Stephen Bailey at the very least prepared me well for Ryan's act, as we had some of the more gay offensive jokes you could ever wish to hear, enough to curl the tongs of some curling tongs no doubt. I wasn't bothered in the slightest as I don't get offended by material, I generally just get annoyed if its offensive through laziness. Bailey however is clever, funny and impressively relaxed with his audience. It must take great skill and indeed bravery to get into quite as much repartee with the audience as Bailey did with the front two rows. It was rude and constantly witty and quite successfully set the bar very high for the main event.

With all the barriers broken down, Katherine Ryan didn't feel quite as offensive as she might have done without Mr Bailey and even now I feel this is very beneficial to the act. Katherine Ryan's comedy is acerbic and often very cruel, a pretty much self confessed Joan Rivers style, but perhaps worse. Her ruthless tearing apart of the likes of Cheryl Tweedy/{insert current surname} was wicked in the extreme, but constantly very funny and from much of the audiences reactions, very appreciated. As was I think the Peter Andre material, although I felt much of the cruelest material in that was aimed at a certain Katie Price, which is also fine.

The third of the main celebrity targets was Bill Cosby and this provided much of the darkest material of the night. It takes skill and intelligence to take subjects like this and place them into a comedy act, and Miss Ryan is not left wanting in this regard.

The Kathbum of the title is her family nickname and comes into prominence towards the end where for a second you might think a bit of personal material might be less biting. However not, the tone remains for the show and that makes the show more and more funny. The conclusion is interestingly familiar to that of Ed Bynne with the personal aspect (is this a modern pattern or a coincidence?), however it leaves us with a warm feeling despite all the bitter twisted (and exceptionally funny) cruelty before it.

Kathbum is an evening of high entertainment from a confident and clear performer, which as long as you are happy to be offended in every way, you should find wonderful entertainment from. I gave Ed Byrne ««««½, but I feel Kathbum was better, so this is not leaving me many places to go, unlike Katherine Ryan who is touring to many locations until June. Seek her out.

«««««


Performance reviewed: Saturday 27th February, 2016 at the Royal & Derngate (Derngate), Northampton.

Katherine Ryan: Kathbum was performed at the Royal & Derngate (Derngate) on Saturday 27th February, 2016 only but is on a tour until June. Website for details: http://www.katherineryan.co.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...