Skip to main content

Review of Days Of Significance - University Of Northampton BA Actors at Royal & Derngate (Royal), Northampton

Following the emotional trauma of Blue Stockings, for my second play from the University of Northampton's third years, it would have been nice to have a gentle cool down. Days Of Significance telling the story of love lives and their own fears for a future on the front line in Iraq was not to provide it. Never in my experience so far have I been welcomed to a play with such aggressive and upfront material as this from Roy Williams. A barrage of F words, a minor mortar of a prosthetic penis hanging limply from an actors trousers and then an artillery shell of C words to make sure the enemy/audience is totally wiped out. I am quite frankly not surprised that an elderly couple did leave the show relatively early in the first half as despite our understanding that this was a war themed play, we were little prepared for the "Battle Of Bridge Street" opening, to give it a local theme.

Fortunately myself, while not likely to partake in verbals to this extreme, rarely, maybe never has found himself offended. I only think personally that constant use of swearing in work is quite frankly lazy. Sadly in this work, much of it is totally lazy. The problem on top of the barrage of expletives is that it gives little for the audience to like about the characters. This play is absolutely brimming with just really horrible people. Even in a challenging play, you need people that you like to get an edge into the play. At the end of the two hours, I think quite honestly the only one I slightly liked was Lenny, the only old character in the play. The rest I never wanted to ever see again.

However having totally destroyed this totally horrible play, I must get onto the performers. While I am sure they loved breathing life into these people, I remain and always will feel sorry that they had to do it. Performances however are top notch with very few letting the side down. Many of the actors were playing opposing gender roles to stir things up and in these I particularly enjoyed Matilda Hunt and Sophie Guiver's performances. Hunt suitably repulsive (a compliment) and the aforementioned sufferer of limp male appendage, while Guiver once again the tough gritty portrayal that she does so well.

Stuart Warren pops up again after his repellent character of Blue Stockings, and while he is not exactly likeable, it is a tremendously different character, It is a wonderful opportunity to see this contrast in performances so quickly and he certainly does not fail in bringing life into a new character.

I really enjoyed watching Penelope May as Hannah, again while this was a character constantly trying to be detestable, she very nearly made her portrayal someone to like. Most especially towards the end when the performance was getting towards the tenderness that I would so have liked one character in this play to exhibit. She was also in two of the best scenes of the play with that brief heartwarming dance with Jamie (Connor McAvoy) and later that awkward challenging one with Lenny (a quite brilliant Jake Rivers).

The final individual mention must go to the ever reliable Aoife Smyth as Trish. Once again I hated the character, however I absolutely loved everything about the performances. Stark and brash to the extreme, it was everything needed of the horrid character and Miss Smyth remains one of my ones to watch.

So the University actors did not let the side down and while I fully understand why this play would be selected as a tremendously challenging piece for them to perform. I remain quite clear in my opinion that picking it was one step too far to endear these plays to an audience outside that of family, students and friends. One which these shows deserve. I hope quite honestly that the couple that left were family, as I would be horrified that a couple of casual viewers could be put off from attending these wonderful shows again. So the most horrible play I have seen the Uni actors perform, but still brimming with top notch performances.


Performance reviewed: Friday 17th March, 2016 at the Royal & Derngate (Royal), Northampton.
Days Of Significance was one of three show  performed at the Royal by the University Of Northampton BA (Hons) Actors between Wednesday 16th to Saturday 19th March, 2016.
Details of each are below.

Blue Stockings: http://www.royalandderngate.co.uk/whatson/2016-2017/Royal/uonBS
Days Of Significance: http://www.royalandderngate.co.uk/whatson/2016-2017/Royal/uonDOS
Welcome To Thebes: http://www.royalandderngate.co.uk/Productions/290220/282506/UONwtt

Details of Royal & Derngate can be found by visiting their website at http://www.royalandderngate.co.uk/

Comments

Popular posts from this blog

Review of Woman In Mind by Masque Theatre at The Playhouse Theatre, Northampton

I like Alan Ayckbourn, I may only have seen a few of his vast array of plays previously, but all have been a delight, often crazy yes, but constantly funny, and especially in the second act spiralling often into just on the very edge of believable nonsense. With Woman In Mind, acknowledged by many as one of his finest works, my own personal jury is very much out on whether I liked it or not.
What was very good, mostly, however, were the performances, most especially the two that we are introduced to at the very beginning. The prostrate Susan (Nicola Osborne), with sinisterly lurking rake alongside her, and the bag struggling doctor, Bill (John Myhill).
Nicola Osborne has the unenviable task in this play of never leaving the stage, a feat in itself. Add to this the constant weaving of the character's world (more on this later), and you have a role featuring some significant challenge, one that Osborne ably surmounts. I once described Osborne as a "safe pair of hands" in …

Press launch of Sting's The Last Ship at Errol Flynn Filmhouse, Northampton

On Friday 16th February 2018, I attended the official press launch of The Last Ship. In attendance were the writer of the show, Sting, and cast members for the 2018 UK tour Richard Fleeshman, Charlie Hardwick and Joe McGann, with musical support from Rob Mathes.

During the event, opened entertainingly by producer Karl Sydow, Sting and the cast members performed seven of the songs from the show: The Last Ship (Sting), Dead Man's Boots (Sting and Fleeshman), Sail Away (Hardwick), The Night the Pugilist Learned to Dance (Fleeshman), What Say You Meg? (Fleeshman) and What Have You Got? (Sting and cast).

Each of these songs showed us a great background to the evocative tale that The Last Ship tells, of a community under attack as its crucial shipbuilding industry begins to fail. The performers and Sting himself delivered the songs with huge passion, despite, as Sting himself commented, the earnestness of the hour, with the event beginning at 10 am.

The Last Ship was initially inspired …

Review of Accused, performed by University Of Northampton BA Actors at St Peter's Church, Northampton

Going into seeing Accused, the first devised show by this years third year BA Actors graduates, I have to confess I shamefully knew nothing of its influence, Oscar Wilde's The Ballad of Reading Gaol. However, it wasn't a great leap for me to identify that the piece gorgeously sung by the whole cast at the end of this really imaginative piece, was indeed part of the Ballad itself.

The Ballad it turns out, written by Wilde during exile following release from Reading tells of the execution of a man called Wooldridge, a man hung for cutting the throat of his wife. In Accused, we have another prisoner, destined to hang, but cleverly for what remains to its end, an unknown crime. It's bad, pretty bad, clear from the reaction of both prisoner and guards alike, and the Accused's life is generally in danger a great deal, long before the Executioner (played extremely nicely by Georgi McKie) comes to do her bidding.

Playing the Accused, and really rather brilliantly, is Alexande…