Skip to main content

Review of Days Of Significance - University Of Northampton BA Actors at Royal & Derngate (Royal), Northampton

Following the emotional trauma of Blue Stockings, for my second play from the University of Northampton's third years, it would have been nice to have a gentle cool down. Days Of Significance telling the story of love lives and their own fears for a future on the front line in Iraq was not to provide it. Never in my experience so far have I been welcomed to a play with such aggressive and upfront material as this from Roy Williams. A barrage of F words, a minor mortar of a prosthetic penis hanging limply from an actors trousers and then an artillery shell of C words to make sure the enemy/audience is totally wiped out. I am quite frankly not surprised that an elderly couple did leave the show relatively early in the first half as despite our understanding that this was a war themed play, we were little prepared for the "Battle Of Bridge Street" opening, to give it a local theme.

Fortunately myself, while not likely to partake in verbals to this extreme, rarely, maybe never has found himself offended. I only think personally that constant use of swearing in work is quite frankly lazy. Sadly in this work, much of it is totally lazy. The problem on top of the barrage of expletives is that it gives little for the audience to like about the characters. This play is absolutely brimming with just really horrible people. Even in a challenging play, you need people that you like to get an edge into the play. At the end of the two hours, I think quite honestly the only one I slightly liked was Lenny, the only old character in the play. The rest I never wanted to ever see again.

However having totally destroyed this totally horrible play, I must get onto the performers. While I am sure they loved breathing life into these people, I remain and always will feel sorry that they had to do it. Performances however are top notch with very few letting the side down. Many of the actors were playing opposing gender roles to stir things up and in these I particularly enjoyed Matilda Hunt and Sophie Guiver's performances. Hunt suitably repulsive (a compliment) and the aforementioned sufferer of limp male appendage, while Guiver once again the tough gritty portrayal that she does so well.

Stuart Warren pops up again after his repellent character of Blue Stockings, and while he is not exactly likeable, it is a tremendously different character, It is a wonderful opportunity to see this contrast in performances so quickly and he certainly does not fail in bringing life into a new character.

I really enjoyed watching Penelope May as Hannah, again while this was a character constantly trying to be detestable, she very nearly made her portrayal someone to like. Most especially towards the end when the performance was getting towards the tenderness that I would so have liked one character in this play to exhibit. She was also in two of the best scenes of the play with that brief heartwarming dance with Jamie (Connor McAvoy) and later that awkward challenging one with Lenny (a quite brilliant Jake Rivers).

The final individual mention must go to the ever reliable Aoife Smyth as Trish. Once again I hated the character, however I absolutely loved everything about the performances. Stark and brash to the extreme, it was everything needed of the horrid character and Miss Smyth remains one of my ones to watch.

So the University actors did not let the side down and while I fully understand why this play would be selected as a tremendously challenging piece for them to perform. I remain quite clear in my opinion that picking it was one step too far to endear these plays to an audience outside that of family, students and friends. One which these shows deserve. I hope quite honestly that the couple that left were family, as I would be horrified that a couple of casual viewers could be put off from attending these wonderful shows again. So the most horrible play I have seen the Uni actors perform, but still brimming with top notch performances.


Performance reviewed: Friday 17th March, 2016 at the Royal & Derngate (Royal), Northampton.
Days Of Significance was one of three show  performed at the Royal by the University Of Northampton BA (Hons) Actors between Wednesday 16th to Saturday 19th March, 2016.
Details of each are below.
Blue Stockings: http://www.royalandderngate.co.uk/whatson/2016-2017/Royal/uonBS
Days Of Significance: http://www.royalandderngate.co.uk/whatson/2016-2017/Royal/uonDOS
Welcome To Thebes: http://www.royalandderngate.co.uk/Productions/290220/282506/UONwtt

Details of Royal & Derngate can be found by visiting their website at http://www.royalandderngate.co.uk/
Labels:

Popular posts from this blog

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...
Read more

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...
Read more

Review of The (Almost) Complete History Of Britain by The Pantaloons at The Castle Theatre, Wellingborough

It became very apparent quite quickly during History Of Britain that to get full value from the experience, it would be worth regressing to childhood. Targeted at all, but with quite a lean towards the younger members of the audience, I switched off thirty years of life and found it much easier to chortle at The Pantaloons. Dressed in paint speckled dungarees, the four performers are present in the theatre long before the show is ready to begin. Running through the foyer and mingling with the audience in the stalls selling their programmes, this is already a pretty entertainingly silly night before it begins. Our four performers Edward Ferrow, Kelly Griffiths, Neil Jennings and Alex Rivers have infectiously exuberant personalities and no matter how bad the jokes they throw at us get, you often can't help but have a little chuckle. The writers responsible are Mark Hayward and Stephen Purcell, who also direct. They drag us through the history of Britain missing out vast amounts of...
Read more