Skip to main content

Review of Mog - The Forgetful Cat at Royal & Derngate (Royal), Northampton

I have seen The Wardrobe Ensemble twice in the past, and on both occasions, they performed adult shows you wouldn’t take the kids to. However, with their new show they take on an adaptation of Judith Kerr’s Mog - The Forgetful Cat, and as a result, they present a brilliant, uplifting, hugely entertaining hour of theatre.

Kerr’s Mog first appeared in 1970 and it started a remarkable run of books published over 50 years to feature the puzzled feline, culminating in the final book released in 2020 following Kerr’s death, at 95, in 2019. Kerr is perhaps most famous for one of her other many tales The Tiger Who Came to Tea. However, here, seeing Mog on stage brings a great deal of entertaining little stories to the stage.

Mog - The Forgetful Cat from The Wardrobe Ensemble here takes influence from several Mog books, including Mog and the Vee Ee Tee and Mog’s Bad Thing, featuring an unforgivable act following an encounter with a flippy-flappy thing (you will need to see it to discover what this is), and it works beautifully.

The show opens early as everyone is making their way to their seats with a little audience interaction with Tom England as a pet shop owner and his assistant, Joey Hickman. They chat with the audience, asking about pets they thought might be in his shop. So, before the show has begun, the shop owned sparrowhawks, dragons and unicorns among others. England, in his role here, acts as the initial narrator and introduces us to Mog’s owners, the Thomas family and then the very remarkable cat Mog.

The cast plays a multitude of characters throughout the show except for Hanora Kamen who remains Mog through the duration, and she is brilliant. Perfectly enrapturing the movement and mannerisms of every domestic cat we have ever known. When I originally heard of this show, I did, I must admit that Mog would be a puppet, as I have seen some brilliant shows in the past creating characters like this in this form, so, to hear this wasn’t the case, offered an initial disappointment. However, any disappointment quickly went, as both Kamen’s performance and that of the other cast as several animals are top-notch and garnered much genuine response from the audience, of all ages. It never, ever, feels silly, which would always be a concern.

There isn’t any reason to single out the best of performances as they are, as any true ensemble should be, a brilliant team. The effortless scenes and interaction are superb, showing immense concentration and obvious skill. It was great to see the group's characteristic movement of sets back, I remember the doors still now of Education, Education, Education so well, and much of the Thomas family house exhibited the same thing. In fact, the set from Laura McEwen is a huge gem of creation looking every bit the style of the artwork from the books themselves, and it works and adapts so well for all the tales told. A delight!

As befits a kids’ show, I was also accompanied by ten-year-old Scarlett (and her mother) for this show, and I garnered a few soundbites of review from her as well. “I really enjoyed it, it was really funny,” she said, and she added her favourite bit was “when she [Mog] turned into a weird butterfly” and I have to agree that was a brilliant scene. Also excellent was a driving scene featuring Kerry Lovell taking Mog to the V.E.T. Musical director and composer, Joey Hickman, who comically enhanced it by providing the in-car radio.

Scattered throughout the show are a few excellent musical numbers, which enhance the already thrilling show, and they are, as expected, extremely simple, but take their influence from Kerr’s work as well. The best, and most catchy, is Bother that Cat, which builds and builds and acts as a nice little way of getting the audience singing along as well.

Mog - The Forgetful Cat is superb entertainment for children of all ages, and it is magnificently captured in a boredom avoiding one hour, single act, of theatre. Highly recommended if you have a child to take, and highly recommended if you don’t.

A purr-fect hour of entertainment for children of every age.

Performance reviewed: Wednesday 8th June 2022 at the Royal & Derngate (Derngate), Northampton.

Mog - The Forgetful Cat runs at Royal & Derngate until Sunday 19th June 2022.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Production photos: Manuel Harlan


Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...