Skip to main content

Review of Jesus Christ Superstar at Royal & Derngate (Derngate), Northampton

Forgive me father for I am about to sin.

That momentous rock opera called Jesus Christ Superstar and written by Lord Lloyd Webber and Sir Tim Rice is perhaps not all its cracked up to be. Well, in my ever so humble opinion anyway. The money it has made and success it has had, obviously dictates otherwise, so I bow to this.

It has its merits, the title song "Jesus Christ Superstar" is a magnificent piece and that coupled with the powerful ending makes the final fifteen minutes wonderful. Much of the rest is what I would go as far as saying is just noise, and this is not because I hate rock music. Much of the time the music overpowers any singing going on and when this is not happening it just feels like a lot of howling. A prime example of the ear is in the beholder perhaps, but this music is not for me. Having said all these disparaging comments, I have to say "Hosanna" is a superb song and my favourite of the show. The one track I took with me from the Derngate as my earworm

The other problem I have is honestly knowing whether this all lies in the music or the performers of the show. That is therefore where I fall down and fail as a reviewer of this, with no comparisons (other than a trip to YouTube soon no doubt). The only thing I would maybe blame on the main cast, is that the ensemble pieces are much better performed than the solo ones. Cavin Cornwall is the exception to this rule however, as Caiaphas he has the deepest voice that you could possibly imagine. I feared for a while I would fall into it. He is quite superb.

Also superb are the production levels. This is one truly visual feast on the eye, even if your dear reviewer didn't always like the sound of it. One of the biggest touring sets I have so far seen from designer Paul Farnsworth and excellent choreography from Carole Todd. At all times the show is lovely to look at.

However this is a musical and for my ear it fails in that, be it the performers (more likely), or the show itself (less likely, it's made a couple of quid I believe). If you are a fan and fully know what to expect, I suspect that you will not leave disappointed. The matinee crowd the day I saw it felt equally confused as many of the "pauses for applause" were left hanging in total silence, and yet at the end many stood for applause. However like I say, those last fifteen minutes are superb, so perhaps they were on a high from that.

«««


Performance reviewed: Wednesday 18th March, 2015 at the Royal & Derngate (Derngate), Northampton.

Jesus Christ Superstar is on at the Royal & Derngate until Saturday 21st March, 2015, details here: 
http://www.royalandderngate.co.uk/whatson/2015-2016/Derngate/jcsuperstar/?view=Standard

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

Review of To Kill A Mockingbird at Milton Keynes Theatre

Harper Lee’s 1960 novel To Kill a Mockingbird has been a staple on countless best-of lists since its publication and remains a book of immense power and relevance, despite being set nearly 100 years ago, in the early 1930s. Whether you have read the book or seen the groundbreaking film with Gregory Peck, most are familiar with the story. Here, in an extensive UK and Ireland tour, and arriving now at Milton Keynes Theatre, Aaron Sorkin’s adaptation takes to the stage with all the power and relevance of the original. Sorkin, famous for his ground-breaking TV series The West Wing , and also perhaps more relevant here, the legal film A Few Good Men , takes Lee’s classic and adapts the story to primarily be based around the court case of a certain Tom Robinson, charged with the assault and rape of local girl Mayella Ewell. Leading his defence is Atticus Finch, the kindly man who sees good in everyone. Lee’s book has Finch's daughter as the narrator; Sorkin cleverly develops this by add...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...