Skip to main content

Review of Jesus Christ Superstar at Royal & Derngate (Derngate), Northampton

Forgive me father for I am about to sin.

That momentous rock opera called Jesus Christ Superstar and written by Lord Lloyd Webber and Sir Tim Rice is perhaps not all its cracked up to be. Well, in my ever so humble opinion anyway. The money it has made and success it has had, obviously dictates otherwise, so I bow to this.

It has its merits, the title song "Jesus Christ Superstar" is a magnificent piece and that coupled with the powerful ending makes the final fifteen minutes wonderful. Much of the rest is what I would go as far as saying is just noise, and this is not because I hate rock music. Much of the time the music overpowers any singing going on and when this is not happening it just feels like a lot of howling. A prime example of the ear is in the beholder perhaps, but this music is not for me. Having said all these disparaging comments, I have to say "Hosanna" is a superb song and my favourite of the show. The one track I took with me from the Derngate as my earworm

The other problem I have is honestly knowing whether this all lies in the music or the performers of the show. That is therefore where I fall down and fail as a reviewer of this, with no comparisons (other than a trip to YouTube soon no doubt). The only thing I would maybe blame on the main cast, is that the ensemble pieces are much better performed than the solo ones. Cavin Cornwall is the exception to this rule however, as Caiaphas he has the deepest voice that you could possibly imagine. I feared for a while I would fall into it. He is quite superb.

Also superb are the production levels. This is one truly visual feast on the eye, even if your dear reviewer didn't always like the sound of it. One of the biggest touring sets I have so far seen from designer Paul Farnsworth and excellent choreography from Carole Todd. At all times the show is lovely to look at.

However this is a musical and for my ear it fails in that, be it the performers (more likely), or the show itself (less likely, it's made a couple of quid I believe). If you are a fan and fully know what to expect, I suspect that you will not leave disappointed. The matinee crowd the day I saw it felt equally confused as many of the "pauses for applause" were left hanging in total silence, and yet at the end many stood for applause. However like I say, those last fifteen minutes are superb, so perhaps they were on a high from that.

«««


Performance reviewed: Wednesday 18th March, 2015 at the Royal & Derngate (Derngate), Northampton.

Jesus Christ Superstar is on at the Royal & Derngate until Saturday 21st March, 2015, details here: 
http://www.royalandderngate.co.uk/whatson/2015-2016/Derngate/jcsuperstar/?view=Standard

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...