Skip to main content

Review of Jesus Christ Superstar at Royal & Derngate (Derngate), Northampton

Forgive me father for I am about to sin.

That momentous rock opera called Jesus Christ Superstar and written by Lord Lloyd Webber and Sir Tim Rice is perhaps not all its cracked up to be. Well, in my ever so humble opinion anyway. The money it has made and success it has had, obviously dictates otherwise, so I bow to this.

It has its merits, the title song "Jesus Christ Superstar" is a magnificent piece and that coupled with the powerful ending makes the final fifteen minutes wonderful. Much of the rest is what I would go as far as saying is just noise, and this is not because I hate rock music. Much of the time the music overpowers any singing going on and when this is not happening it just feels like a lot of howling. A prime example of the ear is in the beholder perhaps, but this music is not for me. Having said all these disparaging comments, I have to say "Hosanna" is a superb song and my favourite of the show. The one track I took with me from the Derngate as my earworm

The other problem I have is honestly knowing whether this all lies in the music or the performers of the show. That is therefore where I fall down and fail as a reviewer of this, with no comparisons (other than a trip to YouTube soon no doubt). The only thing I would maybe blame on the main cast, is that the ensemble pieces are much better performed than the solo ones. Cavin Cornwall is the exception to this rule however, as Caiaphas he has the deepest voice that you could possibly imagine. I feared for a while I would fall into it. He is quite superb.

Also superb are the production levels. This is one truly visual feast on the eye, even if your dear reviewer didn't always like the sound of it. One of the biggest touring sets I have so far seen from designer Paul Farnsworth and excellent choreography from Carole Todd. At all times the show is lovely to look at.

However this is a musical and for my ear it fails in that, be it the performers (more likely), or the show itself (less likely, it's made a couple of quid I believe). If you are a fan and fully know what to expect, I suspect that you will not leave disappointed. The matinee crowd the day I saw it felt equally confused as many of the "pauses for applause" were left hanging in total silence, and yet at the end many stood for applause. However like I say, those last fifteen minutes are superb, so perhaps they were on a high from that.

«««


Performance reviewed: Wednesday 18th March, 2015 at the Royal & Derngate (Derngate), Northampton.

Jesus Christ Superstar is on at the Royal & Derngate until Saturday 21st March, 2015, details here: 
http://www.royalandderngate.co.uk/whatson/2015-2016/Derngate/jcsuperstar/?view=Standard

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...