Skip to main content

Review of The Jolly Christmas Postman at Royal & Derngate (Royal), Northampton

The Northampton Royal and Derngate have a tradition of producing a family play in the Royal Theatre alongside a spectacular pantomime in the Derngate, offering a more subtle Christmas treat for a family audience. However, this calendar staple has been missing since 2019, when the fine Pippi Longstocking graced the Royal stage and an unmentionable virus reared its head. Based on this triumphant return this year in the guise of The Jolly Christmas Postman, it has been heartily missed.

Adam Peck has truly lovingly adapted The Jolly Christmas Postman for the stage from the original story by Janet and Allan Ahlberg. From the beginning, this is a proper cracker of theatre entertainment that captivates an occasionally distractable audience of all ages. The story follows the adventures of a friendly postman beset by an influx of mail on Christmas Eve and his adventures with an assortment of Fairy-Tale characters.

What is, in essence, a kid's show aimed primarily at young children and their families manages to turn into a truly magical piece of theatre. If you love theatre and the world it can create, you will find much to cherish in The Jolly Christmas Postman. Director Jesse Jones, alongside an incredible job in the creative team, pulls out all the theatre stops in our journey from the Three Bears home onto Toytown and the Gingerbread Boy in an incredibly well-realised scene. Finally, when we reach the big SC's secret hideout, the big reveal is an additional magic moment.

The cast is perfectly suited to the show, including the delightful Samuel Morgan-Grahame, who remains the kindly postman throughout and is very much Jolly by nature. His playful enthusiasm for the role and endearing performance charm the audience, young and old.

The rest of the cast of six brings to life an assortment of characters, including Jess Lobo's chav take on the reformed Goldilocks and Ellen Chivers as the very much broken, hospital-bound Humpty Dumpty. Elsewhere, we have Joseph Kempster's fabulous Gingerbread Boy, a creepy, mischievous Rumpelstiltskin, and Aaron Douglas as the dastardly Mr Wolf, who may or might not have become a reformed Wolf. Finally completing the cast is Dan McGarry, playing the big SC himself in a delightful finale.

A delightful, colourful set from Abby Clarke enhances The Jolly Christmas Postman. Dominated by envelopes and vibrant colours, it is a vivid treat, and its elaborate construction and design continue to thrill throughout the show via the houses of the characters the postman visits. Also, in the show, there is a peppering of catchy, often folky songs from Darren Clark, further enhancing the production and entertaining the audience.

The Jolly Christmas Postman is a delightful hour of theatre that surpasses the "kids" show moniker to make this an utterly magical piece of theatre to thrill those of all ages. Young or old, make sure this Christmas, you spend a fun and enchanting hour in the company of The Jolly Postman.

A magical hour of theatre able to charm an audience, both young and old.

Performance reviewed: Wednesday 11th December 2024 at the Royal & Derngate (Royal), Northampton.

The Jolly Christmas Postman is on stage at Royal & Derngate until Tuesday, 31st December 2024.

For further details about the Royal & Derngate and to book tickets, see their website at http://www.royalandderngate.co.uk

Photos: Robert Day


Popular posts from this blog

Review of Top Gs Like Me at Royal & Derngate (Derngate), Northampton

Long before this brand new play by local playwright Samson Hawkins opened at Royal & Derngate Northampton, Top Gs Like Me had garnered a vast amount of media attention, especially regarding the staging within the Derngate theatre on a remarkable conversion into a skatepark, a theatre version of real-life Radlands skatepark in Northampton. So, delving deep below the remarkable site within the theatre, does Hawkins' play of seething toxic masculinity, misogyny and questions around consent strike all the right marks for a perfect landing? Top Gs Like Me follows the life, as he feels it is, of Aiden. Lost in the modern world, his best mate is heading to Uni, his mum is permanently in bed, and Aiden himself is drifting into some nefarious activities. His world is really often little more than stacking shelves in the supermarket, his scooter at his side and his mobile phone and all that entails for a youth of today. Into this world comes the mysterious Hugo Bang, who leads him some...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...