Skip to main content

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella. So, does the magic dust fall once again successfully on the stage of the Derngate?

The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present).

Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile and playfulness, but in the role, she is saddled down a little too much with an overuse of her Strictly world.

Andy Day is every bit as lively as you would expect as Andini due to his CBeebies background, and he rises well above that children's entertainment world in the role.

The Ugly Sisters, brilliantly named Aldianna and Lidleena, played by Gordon Cooper and Matt Daines, are as hideous as you would expect from the roles. Both play off one another in perfectly rehearsed repartee, and many of their costumes (from Michael J Batchelor and Jonathon Arthurs) have to be seen to be believed.

Marcavia McCarthy plays the title character with charm if a bit underwhelming at times. However, writer Hendy gives the role a nice twist, which makes it somewhat different. Here, Cinders is a lot more confident than the downtrodden character she has been portrayed as before, and Hendy works this and other areas into some clever plays against modern feminism and political correctness, which gives some superbly humorous moments as well.

McCarthy does gain more stage presence when she is alongside the superb Marcellus Whyte as Prince Charming during some lovely duets. Whyte lives up to the charm in his character's name and has superb vocals, which are no better showcased than in his performance of Feeling Good.

Dave Bibby is a fun, childish and endlessly enthusiastic Buttons, entertaining the audience, especially the kids. Still, it has to be said that he is at his best when he doesn't have a musical number to perform. The rest of the ensemble provides the courtiers and villagers with typical panto gusto, but special mention to Samuel Stokes' very entertaining villager. Final mention to the delightful and highly skilled Blue Team of performers on stage for the performance, especially the "overconfident" eight-year-old.

Cinderella looks magnificent, with costumes from Helga Wood and excellent set design from Michelle Marden and Stuart Relph. The production design is a visual feast, enhancing the overall experience. Musical director Gary Jerry and his small but talented band provide excellent music and playful interactions.

Cinderella is really excellent entertainment, and I think, at times, I enjoyed it much more than many around me. Both Hendy and Evolution just have that magic touch as far as I am concerned with pantomimes. While this isn't quite as strong as previous years due to a few things not gelling perfectly, it is still a genuinely great bit of seasonal entertainment, and I feel sure to entertain you and the family this December.

A hugely entertaining panto, perfect for all the family this Christmas.

Performance reviewed: Sunday 8th December 2024 (matinee) at the Royal & Derngate (Derngate), Northampton.

Cinderella is on stage at Royal & Derngate until Tuesday, 31st December, 2024.

For further details about the Royal & Derngate and to book tickets, see their website at http://www.royalandderngate.co.uk

Photos: Pamela Raith


Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...