Skip to main content

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella. So, does the magic dust fall once again successfully on the stage of the Derngate?

The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present).

Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile and playfulness, but in the role, she is saddled down a little too much with an overuse of her Strictly world.

Andy Day is every bit as lively as you would expect as Andini due to his CBeebies background, and he rises well above that children's entertainment world in the role.

The Ugly Sisters, brilliantly named Aldianna and Lidleena, played by Gordon Cooper and Matt Daines, are as hideous as you would expect from the roles. Both play off one another in perfectly rehearsed repartee, and many of their costumes (from Michael J Batchelor and Jonathon Arthurs) have to be seen to be believed.

Marcavia McCarthy plays the title character with charm if a bit underwhelming at times. However, writer Hendy gives the role a nice twist, which makes it somewhat different. Here, Cinders is a lot more confident than the downtrodden character she has been portrayed as before, and Hendy works this and other areas into some clever plays against modern feminism and political correctness, which gives some superbly humorous moments as well.

McCarthy does gain more stage presence when she is alongside the superb Marcellus Whyte as Prince Charming during some lovely duets. Whyte lives up to the charm in his character's name and has superb vocals, which are no better showcased than in his performance of Feeling Good.

Dave Bibby is a fun, childish and endlessly enthusiastic Buttons, entertaining the audience, especially the kids. Still, it has to be said that he is at his best when he doesn't have a musical number to perform. The rest of the ensemble provides the courtiers and villagers with typical panto gusto, but special mention to Samuel Stokes' very entertaining villager. Final mention to the delightful and highly skilled Blue Team of performers on stage for the performance, especially the "overconfident" eight-year-old.

Cinderella looks magnificent, with costumes from Helga Wood and excellent set design from Michelle Marden and Stuart Relph. The production design is a visual feast, enhancing the overall experience. Musical director Gary Jerry and his small but talented band provide excellent music and playful interactions.

Cinderella is really excellent entertainment, and I think, at times, I enjoyed it much more than many around me. Both Hendy and Evolution just have that magic touch as far as I am concerned with pantomimes. While this isn't quite as strong as previous years due to a few things not gelling perfectly, it is still a genuinely great bit of seasonal entertainment, and I feel sure to entertain you and the family this December.

A hugely entertaining panto, perfect for all the family this Christmas.

Performance reviewed: Sunday 8th December 2024 (matinee) at the Royal & Derngate (Derngate), Northampton.

Cinderella is on stage at Royal & Derngate until Tuesday, 31st December, 2024.

For further details about the Royal & Derngate and to book tickets, see their website at http://www.royalandderngate.co.uk

Photos: Pamela Raith


Popular posts from this blog

Review of & Juliet at Milton Keynes Theatre

First performed in 2019, & Juliet has become quite a global success, and now, as part of a UK Tour, it has arrived at Milton Keynes Theatre for a two-week run. Featuring a book by David West Read, it tells the what-if story of the survival of Juliet at the end of Shakespeare's Romeo & Juliet . Primarily a jukebox musical, it more specifically features the works of Swedish songwriter Max Martin (and friends, as the credits describe). The question is, does & Juliet provide more than the standard of many a jukebox musical before it, and does it honour the tragic tale from which it has sprung? Our story opens with William Shakespeare presenting his latest work, Romeo & Juliet , for the first time. However, when his wife, Anne Hathaway, learns how he intends the tale to end, she is away with his quill and planning on her reworking of the story. At the core of this touring production's success is Geraldine Sacdalan's powerhouse performance as Juliet. Her Juliet ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...