Skip to main content

Review of The New Adventures of Peter Pan at Castle Theatre, Wellingborough

As if by magic, the pantomime season is once again upon us, and first out of the Christmas hamper of "He's Behind You" antics is The New Adventures of Peter Pan, now playing at The Castle Theatre, Wellingborough. So, do the pantomime gods shine down on this new show, or is it about to get panned? Let us find out.

Brought to the stage by producer and director Martin Cleverley, The New Adventures of Peter Pan provides little new to the age-old tale of J. M. Barrie's Peter Pan but ploughs through much of the expected pantomime staples. So, expect to see a dame, in the guise of Mrs Smee, those as mentioned earlier "He's Behind You" antics, a nice sing-along, and some awkward or successful audience participation, depending on the show you see. Oh, and of course, The Twelve Days of Christmas and a jolly party at the end, as always. When you have seen one pantomime, you have seen the format forever.

However, The New Adventures of Peter Pan is nicely entertaining, if just a little below the standard of last year's The Castle offering of Cinderella. One cast member back from last year's show is Jack Trinder, this time in the title role. However, sadly, he is woefully underused following his excellent performance last year, and it is really disappointing. What he has to do once again is performed with aplomb and with a twinkle in the eye as ever.

Also, back from last year and much more stage time than Trinder is Gary L. Johnson, back playing the dame, here as Mrs Smee. He is a confident performer and is at ease with the audience and events that may or may not be meant to be happening. He also has an excellent connection with his audience victim of the night, Rupert/Lee/Roger (you had to be there).

Daniel Taylor, as Captain Hook, brings a larger-than-life presence to the stage. While he may have shown some nerves or uncertainty during the opening show, it's clear that he has the potential to grow in confidence and dedication as the run progresses and he gets his teeth further into the role.

The show features a fantastic trio of support actors, all of whom have three characters of their own. First, we have Elizabeth Bright as Mrs. Darling, Henri, and, most effectively, Mia the Mermaid. As Mia, Bright leads a mostly successful mermaid-themed take on Barbie, which is sure to thrill the audiences during the run. However, they may have to cut back on the dry ice, or there will be a national shortage.

Second, we have the delightful and enthusiastic Laura-Jayne Woods as Jonsey, Mercedes, and the especially overacting Starkey the Pirate. Finally, of the trio, there is the superb Aiden Dunlop, who steals many a scene as Stinky the Pirate, Brian, and Myrtle. Fabulous!

Elsewhere, Holly Topping is a lovely, endearing Wendy, and during this performance, Team Yellow put on confident performances with Ameera Taylor as Michael and Ethan White-Robinson as John.

On opening night, a few technical issues slowed the show down at times, as well as the usual script fumbles, which may be deliberately there; it is difficult to know with a pantomime. What did feel real was a few moments of uncertainty, which should iron out smoothly as the show continues through its run. However, the lucky thing with a panto is that stumbles rarely matter.

The New Adventures of Peter Pan is great fun, if less successful than last year. It will benefit from better audiences during the run rather than the slightly flat one it received on opening night. Any families looking for a great value, family-friendly panto this holiday season will do no worse than a trip to The Castle this year.

Plenty of entertainment for all the family to get hooked on.
⭐⭐


Performance reviewed: Saturday, 30th November 2024, at Castle Theatre, Wellingborough.

The New Adventures of Peter Pan runs at Castle Theatre until Tuesday, 30th November 2023.

Further details about Castle Theatre can be found at www.parkwoodtheatres.co.uk/castle-theatre




Popular posts from this blog

Review of Top Gs Like Me at Royal & Derngate (Derngate), Northampton

Long before this brand new play by local playwright Samson Hawkins opened at Royal & Derngate Northampton, Top Gs Like Me had garnered a vast amount of media attention, especially regarding the staging within the Derngate theatre on a remarkable conversion into a skatepark, a theatre version of real-life Radlands skatepark in Northampton. So, delving deep below the remarkable site within the theatre, does Hawkins' play of seething toxic masculinity, misogyny and questions around consent strike all the right marks for a perfect landing? Top Gs Like Me follows the life, as he feels it is, of Aiden. Lost in the modern world, his best mate is heading to Uni, his mum is permanently in bed, and Aiden himself is drifting into some nefarious activities. His world is really often little more than stacking shelves in the supermarket, his scooter at his side and his mobile phone and all that entails for a youth of today. Into this world comes the mysterious Hugo Bang, who leads him some...

Review of Horrible Histories - The Concert at Milton Keynes Theatre

The first Horrible Histories book, written by Terry Deary, first hit the shelves a remarkable 33 years ago and has since become a historic event in its own right, with the franchise growing and growing. There have now been 23 books, several TV series, a game show and a film. Also, of course, it is now a stage show, with both Terrible Tudors and Awful Egyptians on a current tour around the country. However, here, now briefly at Milton Keynes Theatre, as part of its own tour, is Horrible Histories - The Concert . So, given the franchise's past success, what is this concert version adding to the franchise? The quick answer is bundles of fun with lashings of subliminal education, as Horrible Histories is very much known for. The cast, created from a collection of mainstays of the original series or tours and a few extras, are as enthusiastic as possible for a production, very much initially aimed at an audience of children. Bold, big in character and overplaying everything, you canno...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...