Review of Everybody's Talking About Jamie at Milton Keynes Theatre

Everybody's Talking About Jamie first appeared back in 2017 as a stage musical with a score written by Dan Gillespie Sells and book and lyrics by Tom MacRae and co-writer/original director Jonathan Butterill. However, the beginning of this story, and the true story that it is, came to the public eye a little earlier with a 2011 British television documentary Jamie: Drag Queen at 16. This tells the story of Jamie Joseph Campbell (also known as Fifi la True) and his coming-of-age journey to the world of drag, and this musical inspiringly tells this tale.

Without hesitation and from the outset there is no question that Everybody's Talking About Jamie is an exceptional show. The key initial reason for this is that it has a stunning collection of songs, and what better requirement for a musical? It sets the benchmark high from the very beginning number and never drops in standard. Dan Gillespie Sells songs from start to finish are pure magic, be that a proud anthem (And You Don't Even Know It), a pure pop one (Work of Art) or a stunning, emotional powerhouse (He's My Boy), for a relatively new musical the collection is incredible. These are complimented with some brilliant lyrics by Tom MacRae and Jonathan Butterill and their genuinely funny and heartwarming book.

With a good show comes the requirement for an excellent cast to deliver it and this new UK Tour has an exceptional one. Jamie New himself is played with genuine love and drive by Ivano Turco. He does at times have such a softness of delivery that he can occasionally be difficult to hear and this does translate to some of the big numbers where he can be overshadowed by the music or fellow singers. However, it does sit well with the character as well and his early development comes through as he builds confidence. No question though, it is an amazing performance holding the show together throughout and commanding the stage.

If it is Turco's drive that gives the show momentum, it is Rebecca McKinnis who gives the show its heart, a tremendous beating heart of emotion. Her performance is incredible and in particular her two solos of If I Met Myself Again and He's My Boy. Anyone with a dry eye after the latter is made of strong stuff.

As Hugo AKA Loco Chanelle, Kevin Clifton is quite a revelation. Quite a departure from his cheeky clean-cut image from Strictly Comes Dancing, his swaggering sweary performance here comes as an initial shock. While you could quibble that he is far too young for the role, he still nails both the character and singing numbers, including a very good performance of the immensely fun The Legend of Loco Chanelle.

The entire cast is top-notch to be fair, with a minxy performance from Talia Palamathanan as "family member" Ray, and a touching performance from Talia Palamathanan as Jamie's closest schoolfriend Pritti. Jordan Ricketts plays the totally unlikeable Dean with total conviction making it a powerful character to its end. Finally of the cast, there is a great understudy turn by Georgina Hagen, on for the absent Sam Bailey, as Miss Hedge, this includes a great performance on the unbearably catchy number Work of Art.

Kate Prince's choreography is visually striking from up-to-date-in-your-face dance routines to sublime contemporary, every number has its own visual style offering great depth to the show. Designer Anna Fleischle has also created a sharp set with swift stylish set changes offering no delay to the show which director Matt Ryan keeps moving with flair.

Everybody's Talking About Jamie is simply a beautiful, captivating show, one of the very best of new musical offerings and deserves all the success it continues to have.

Joyous and uplifting, everybody should be talking about Jamie.
⭐⭐⭐⭐⭐

Performance reviewed: Monday 10th June 2024 at the Milton Keynes Theatre.

Everybody's Talking About Jamie runs at Milton Keynes Theatre until Saturday 15th June 2024.

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Matt Crockett

Review of Top Gs Like Me at Royal & Derngate (Derngate), Northampton

Long before this brand new play by local playwright Samson Hawkins opened at Royal & Derngate Northampton, Top Gs Like Me had garnered a vast amount of media attention, especially regarding the staging within the Derngate theatre on a remarkable conversion into a skatepark, a theatre version of real-life Radlands skatepark in Northampton. So, delving deep below the remarkable site within the theatre, does Hawkins' play of seething toxic masculinity, misogyny and questions around consent strike all the right marks for a perfect landing? Top Gs Like Me follows the life, as he feels it is, of Aiden. Lost in the modern world, his best mate is heading to Uni, his mum is permanently in bed, and Aiden himself is drifting into some nefarious activities. His world is really often little more than stacking shelves in the supermarket, his scooter at his side and his mobile phone and all that entails for a youth of today. Into this world comes the mysterious Hugo Bang, who leads him some...

Review of Horrible Histories - The Concert at Milton Keynes Theatre

The first Horrible Histories book, written by Terry Deary, first hit the shelves a remarkable 33 years ago and has since become a historic event in its own right, with the franchise growing and growing. There have now been 23 books, several TV series, a game show and a film. Also, of course, it is now a stage show, with both Terrible Tudors and Awful Egyptians on a current tour around the country. However, here, now briefly at Milton Keynes Theatre, as part of its own tour, is Horrible Histories - The Concert . So, given the franchise's past success, what is this concert version adding to the franchise? The quick answer is bundles of fun with lashings of subliminal education, as Horrible Histories is very much known for. The cast, created from a collection of mainstays of the original series or tours and a few extras, are as enthusiastic as possible for a production, very much initially aimed at an audience of children. Bold, big in character and overplaying everything, you canno...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

A Small Mind At The Theatre

Search This Blog