Skip to main content

Review of RUSH - A Joyous Jamaican Journey at Birmingham Rep (The House)

Rush Theatre Company has as its mission to provide opportunities, influence and instigate change within the theatre community and the community at large and this production, RUSH - A Joyous Jamaican Journey, is very much their signature show. Telling the story of the Empire Windrush and its 1948 journey from Jamaica with the first of the "invited", it is an evocative and powerful show, full of energy and love.

It's true that at times, RUSH doesn't quite fit the theatre space as well as perhaps it might other performance spaces, with its rough around-the-edges production, and community styling, however with placing it in The Rep, in the very heart of Birmingham, it does get the recognition it needs more than any other space.

The show primarily consists of a long history tale starting with the original colonisation of the islands of the latter-known West Indies, to the "discovery" of the islands by a certain Christopher Columbus, and the events that devastatingly occur from this. The story moves through time and eventually onto the story of Windrush itself and the repercussions of those travellers' lives into the future.

What might sound like a potentially dry lecture on paper is made vibrant by this story being interspersed by music from and influenced by that Caribbean world. And this is where the strength of RUSH lies, the music productions and performances here are first class. Assembled for the show are some true stars, among these are the lead singers IKA and Letitia George, whose vocals bring top-notch productions of songs through the years.

Creating the music behind these vocalists is the superb band led by musical director (and lead guitar) Orvil Pinnock. The musicians are very much part of the show, be they having their moment in the solo spotlight, or all in for a Madness One Step Beyond walk around the stage, they are the backdrop, the set, as it were of the production. Truly brilliant.

Narrator Andrina Davis gives a likeable, personable performance in her telling of the history and while some of the wording of the piece can be a little heavy-handed at times, you cannot deny the power of the story and for the best part it avoids too much political comment which may put off people who are especially trying to avoid this at this moment in time.

Finally from the company, DJ and further backing vocals are provided by the incredibly sprightly and passionate Ken Dread complete with his impressive colour-changing shoes. Who knows where he gets his energy from, but I definitely need to try to find out.

RUSH - A Joyous Jamaican Journey is an excellent evening, providing a theatre space for a superb mix of cultures to enjoy as well as hear maybe much history they might not even know. The strength lies very much with the music at its heart, but the entire evening still provides something for everyone. An important story, passionately told.

A powerful story told against the backdrop of superbly performed music, makes a captivating evening.


Performance reviewed: Tuesday 25th June 2024 at The Birmingham Rep Theatre (The House)

RUSH - A Joyous Jamaican Journey runs at the Birmingham Rep Theatre until Saturday 29th June, 2024.

For further details about the Birmingham Rep and to book tickets see their website at https://www.birmingham-rep.co.uk/

Production Photos: Elijah Thompson Photography
(images from past productions depicting different performers)


Popular posts from this blog

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...