Skip to main content

Review of The Mind Mangler at Milton Keynes Theatre

Mischief Theatre has been creating havoc in theatres across the world now for ten years with shows like The Play That Goes Wrong and  Peter Pan Goes Wrong regularly doing the rounds. Their latest incarnation, reaching Milton Keynes Theatre this week on a UK tour, is The Mind Mangler, a two-man solo show (with some audience participation) offering more chaos, this time around mind-bending-mind-reading.

The Mind Mangler is played by Mischief Theatre co-founder Henry Lewis with a mixture of menace, danger, and cuddliness, a devastating combination. For anyone who has seen Lewis on stage before, you will be well aware of his tremendous stage presence, a booming voice full of the greatest of enunciation and perhaps, with The Mind Mangler he has one of his greatest creations to use these skills.

It is beyond the stage presence however that this character delves, into one of self-mocking in the extreme, the ability to try to smooth his suit out as his self-importance fails as his mind-reading ability does. Self-deprecation is often one of the funniest sources of jokes, and with Lewis, and the genius Mischief Theatre writers, there is some remarkably funny material here.

Alongside Lewis as "Audience Member" is another Mischief founder, Jonathan Sayer and he becomes the perfect foil and annoyance to The Mind Magler, over-eager to get involved and also key to the evolving storyline. Here Sayer plays a character much like he has elsewhere with Mischief, but sometimes familiarity is all an audience needs and they lap it up, and you can tell often that there are many Mischief fans in the crowd by their reactions (I confess here that I am one of them).

Presentation and delivery is key with this show and the speed of the piece is remarkable, rarely getting bogged down in any trick segment, or describing them as they really are, sketches, and the only time the pace drops in with the interaction with the audience where it becomes sometimes more chatty. However, because of the skill of Lewis and Sayer, the deftness with which they handle these audience moments never bores, in fact sometimes this mines some of the funniest aspects of the show.

Also, for anyone fearful of the mere prospect of audience participation, you need not be with the The Mind Mangler as this is so well handled to never deliberately embarrass or frighten audience members. The only time that you could consider it embarrassing to someone from the audience, is through the self-infliction of filling in a secret card offered during the filtering in of the audience. There is no compunction to do so, and if you do, you only have yourself to blame (or, admittedly your mother in the performance I saw).

While many could say The Mind Mangler is a one-trick pony of failed mind-reading, the depth of characterisation, story-telling and just simply great presentation and stage presence makes Lewis and Sayer a tragical evening of entertainment like no other and should be top of your theatre shopping list if this travels near to you on its tour to Liverpool and Bath.

With the power of my Small Mind, I compel you to see The Mind Mangler.
⭐⭐⭐⭐


Performance reviewed: Monday 3rd June 2024 at the Milton Keynes Theatre.

The Mind Mangler runs at Milton Keynes Theatre until Wednesday 5th June 2024 before continuing its tour.

For further details about Mischief Theatre see their website at mischiefcomedy.com

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Craig Sugden


Popular posts from this blog

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of The Sweet Science of Bruising by BA Acting University of Northampton at Royal and Derngate (Royal), Northampton

The second of two BA Acting performances at the Royal & Derngate saw a production of The Sweet Science of Bruising by Joy Wilkinson. The play tells the tale of the much earlier world of women's boxing than most would realise. Set back in the 1860s, Charlie Sharp, known in the boxing world as The Professor is what we know more now as a boxing promoter, but he likes to think he is a little more scientific as he takes four ladies from different worlds and makes them the "Lady Boxing Champion of the World". Richard Akindele is excellent as The Professor, both a character in the play driving the progression of the story, but also embodying as a narrator of the piece. He has the presence and gravitas for the role and stirs his crowd around his protĂ©gĂ©. The roles of the four boxers are played in no particular order by Sophie Lawlor as Violet Hunter, Sasha Wallett as Polly Stokes, Millie Metcalfe as Matty and Sadie Douglas as Anna. Each is tremendous, playing very different

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili