Review of The Mind Mangler at Milton Keynes Theatre

Mischief Theatre has been creating havoc in theatres across the world now for ten years with shows like The Play That Goes Wrong and Peter Pan Goes Wrong regularly doing the rounds. Their latest incarnation, reaching Milton Keynes Theatre this week on a UK tour, is The Mind Mangler, a two-man solo show (with some audience participation) offering more chaos, this time around mind-bending-mind-reading.

The Mind Mangler is played by Mischief Theatre co-founder Henry Lewis with a mixture of menace, danger, and cuddliness, a devastating combination. For anyone who has seen Lewis on stage before, you will be well aware of his tremendous stage presence, a booming voice full of the greatest of enunciation and perhaps, with The Mind Mangler he has one of his greatest creations to use these skills.

It is beyond the stage presence however that this character delves, into one of self-mocking in the extreme, the ability to try to smooth his suit out as his self-importance fails as his mind-reading ability does. Self-deprecation is often one of the funniest sources of jokes, and with Lewis, and the genius Mischief Theatre writers, there is some remarkably funny material here.

Alongside Lewis as "Audience Member" is another Mischief founder, Jonathan Sayer and he becomes the perfect foil and annoyance to The Mind Magler, over-eager to get involved and also key to the evolving storyline. Here Sayer plays a character much like he has elsewhere with Mischief, but sometimes familiarity is all an audience needs and they lap it up, and you can tell often that there are many Mischief fans in the crowd by their reactions (I confess here that I am one of them).

Presentation and delivery is key with this show and the speed of the piece is remarkable, rarely getting bogged down in any trick segment, or describing them as they really are, sketches, and the only time the pace drops in with the interaction with the audience where it becomes sometimes more chatty. However, because of the skill of Lewis and Sayer, the deftness with which they handle these audience moments never bores, in fact sometimes this mines some of the funniest aspects of the show.

Also, for anyone fearful of the mere prospect of audience participation, you need not be with the The Mind Mangler as this is so well handled to never deliberately embarrass or frighten audience members. The only time that you could consider it embarrassing to someone from the audience, is through the self-infliction of filling in a secret card offered during the filtering in of the audience. There is no compunction to do so, and if you do, you only have yourself to blame (or, admittedly your mother in the performance I saw).

While many could say The Mind Mangler is a one-trick pony of failed mind-reading, the depth of characterisation, story-telling and just simply great presentation and stage presence makes Lewis and Sayer a tragical evening of entertainment like no other and should be top of your theatre shopping list if this travels near to you on its tour to Liverpool and Bath.

With the power of my Small Mind, I compel you to see The Mind Mangler.
⭐⭐⭐⭐⭐

Performance reviewed: Monday 3rd June 2024 at the Milton Keynes Theatre.

The Mind Mangler runs at Milton Keynes Theatre until Wednesday 5th June 2024 before continuing its tour.

For further details about Mischief Theatre see their website at mischiefcomedy.com

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Craig Sugden

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of The Play That Goes Wrong at Royal & Derngate (Derngate), Northampton

It is scary to contemplate that it is almost four years since I first saw Mischief Theatre's The Play That Goes Wrong . It is no secret that on that night I enjoyed it quite a bit (and ended up on stage, but that is another story). I returned the next evening to watch it again and then stalked it down to London later that same year, which over three years later it continues its remarkable West End success story. Since my last encounter with this original, I have seen Chris Bean's ramshackle Cornley Polytechnic Drama Society create chaos on stage and television with Peter Pan Goes Wrong , mess-up Dickens' A Christmas Carol and even gatecrash BBC Radio at Christmas. This fourth encounter with the original The Play That Goes Wrong though, offers the opportunity to see it in the hands of a different cast for the first time. How can pretenders of the original creators shape up in this anarchic disaster of a play? Actually, as it turns out remarkably well. It is true that ...

A Small Mind At The Theatre

Search This Blog