Skip to main content

Review of The School for Scandal at Royal & Derngate (Royal), Northampton

Written almost 250 years ago, Richard Brinsley Sheridan's play The School for Scandal, has, I freely admit, passed me by, and I had very little knowledge going into the theatre to see this new Tilted Wig production, directed by Seán Aydon, of what it was even about. Sadly, it has to be said, there was a great deal at the interval I didn't know either.

Looking back at the performance a day later, I feel that I have finally got a handle on why as a play this is very difficult to get into, and unlike my initial thought of the somewhat old language it exhibits (a slightly more modern Shakespeare vibe), I feel now that the direction of the performers is a little to blame. The School for Scandal you see is set in a world of larger-than-life characters and for much of the first act, these are played by the performers as larger than even that, with exaggerated delivery of lines, high emphasis on certain words, and delivered a decibel or two too high to be easy on the ear. As a result, for those who do not know the story (hands-up again here on that), the story can get swept away in all of this, leaving some audience members lost.

My realisation came I feel with the fact that the second act is so much easier to follow, so much more enjoyable to listen to and, just well, a much more fun experience as you are finally able to get a grip on the story hidden in Sheridan's play.

It is a great shame as an excellent cast has been assembled, excellent at playing multiple parts in most instances and full of energy and ability. Leading the ensemble is Joseph Marcell as Sir Peter Teazle, not exactly fresh from it, but a former cast member of The Fresh Prince of Bel-Air, who has more recently made a name for himself as a stage performer on our shores. His performance is one of the strongest and doesn't suffer from a great deal of the overplaying coaxed out of the other actors.


The rest of the cast each have a pair of characters to handle and nearly all have one excellent role and another played a little too frenetically. Maybe Guy Dennys as Rowley and the slippery Snake fairs the best as both of his characters lean to the less dramatic in their creation and prove both entertaining in their own way.

Elsewhere, Garmon Rhys provides an excellent Charles Surface, but with Backbite, the initial humour from the character is lost very rapidly with the sort of one-trick pony he is, over-the-top exuberance. This can be levelled at all the presentations of the "big" characters, over-played, over-the-top and relying too much on caricature to make them interesting within the story.

This leaves all of the actors best in their "normal" characters. Lydea Perkins is a delight as Lady Teazle, here only to make Sir Peter's life a misery until he decides no longer to have one, and Alex Phelps is an excellent Joseph, brother of Charles, constantly trying to dig himself out of trouble. I did I admit enjoy both of Tony Timberlake's characters both played at the right level with no need for this blasted exuberant style.

What The School of Scandal does have though is the looks, from Sarah Beaton's dramatically perfect cutback set onto the crispest of coloured costumes and all lit perfectly, and scene-driven, by Peter Small, there is nothing not to like the look of that is for sure.

Unfortunately, from a mixture of directorial decisions muddying the story and a surprising lack of pace in this long play,The School of Scandal never quite gels like you would hope leaving a muddied first half recovered slightly by a more solid second. It is fun but ultimately unfulfilling.

Full of colour and larger-than-life characters but often a confusing story to follow.


Performance reviewed: Tuesday 21st May 2024 at the Royal & Derngate (Royal), Northampton.

The School for Scandal is on stage at Royal & Derngate until Saturday 25th May 2024 before continuing its tour.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Photos: Robling Photography


Popular posts from this blog

Review of Everybody's Talking About Jamie at Milton Keynes Theatre

Everybody's Talking About Jamie first appeared back in 2017 as a stage musical with a score written by Dan Gillespie Sells and book and lyrics by Tom MacRae and co-writer/original director Jonathan Butterill. However, the beginning of this story, and the true story that it is, came to the public eye a little earlier with a 2011 British television documentary Jamie: Drag Queen at 16 . This tells the story of Jamie Joseph Campbell (also known as Fifi la True) and his coming-of-age journey to the world of drag, and this musical inspiringly tells this tale. Without hesitation and from the outset there is no question that Everybody's Talking About Jamie is an exceptional show. The key initial reason for this is that it has a stunning collection of songs, and what better requirement for a musical? It sets the benchmark high from the very beginning number and never drops in standard. Dan Gillespie Sells songs from start to finish are pure magic, be that a proud anthem ( And You Don&

Review of Gargantua - National Theatre Connections performed by Looking Glass Theatre at St Peters Church, Northampton

Over the last couple of years the National Theatre Connections plays have become quite a favourite of mine. They are short snappy forty to fifty minute plays by often well known writers and are designed purely to be performed by youth theatres. This year locally there are to be 21 youth theatre performances of the twelve plays for 2016. The location venue for this batch will Royal & Derngate at the end of April and just into May and I myself shall do my very best to see as many as possible. However on Saturday I had the pleasure of seeing the very first preview of Gargantua by Carl Grose by the Looking Glass Theatre in their wonderful performance venue of St Peters Church. Last year I happened to see another piece by Grose entitled Stay Brave, Brian Gravy, which was a tremendously challenging piece for the even younger performers. This was to be quite a bit different. The performance itself was very much in its early days with an acknowledged number of issues (not least some mi

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas