Skip to main content

Review of The Syndicate at Milton Keynes Theatre

Kay Mellor's The Syndicate has been a huge success on television having reached four series across the last ten years or so. Each following a different group of characters who find themselves the lucky winners of a lottery jackpot, it has managed to snare impressive cast members as well across the series. Due to the success, it isn't a surprise that this play, based purely on series one, has reached the stage. However, does television make good theatre, that is the question.

It seems, as a result of this production, it creates maybe what could best be described as average theatre, as across its short two-hour running time (which includes the interval) there are a few thrills and a good number of laughs, but few moments in the way of ground-breaking theatre. Directed (and starring) Kay Mellor's daughter Gaynor Faye, and a collection of relatively familiar faces from TV, the production is a standard offering. Directed with little flair, and a large number of scene changes, mostly in blackout, bar a couple of occasional entertainingly created ones. It all is just rather safe theatre.

The cast is a mixture of success from the excellent, such as Oliver Anthony as the rough and eager-for-trouble Jamie who hides a past and is ready for more trouble. Anthony makes the best impact in this mixed cast with his stage debut. The reliable William Ilkey brings the likeable Bob to the stage with a nice touch, while Samantha Giles plays Denise purely for laughs and most of the time this is fine, but does irritate at times.

Elsewhere, it is quite a mixture of performances, with Brooke Vincent simply a one-tone, and annoying chavvy Amy with little to like. Benedict Shaw provides, for such an important role as Stuart, little to get thrilled about, while Jerome Ngonadi plays the walk-on role of Newall with very little spark.

Rosa Coduri-Fulford's Leanne is played totally flat which is a huge disappointment for a character that clearly has one of the best backstories lurking, but in the end, as an audience, you end up not really caring. Completing the main cast is Gaynor Faye who plays lottery representative Kay full-on and pretty much for comedy and for what little the character has to do, it's fine, if underwhelming.

Ultimately, this production directed by Faye has an uninventive touch and fails to do enough to warrant a stage show and grasp the power of theatre and its techniques. It is very much just the TV series on stage and if that is what you want, head off to a theatre near you when it passes. However, you might really be best served by staying home and watching the series again and choosing the theatre for something with more grit and style.

Very much television on stage with not enough theatre drama to be found.
⭐⭐⭐


Performance reviewed: Tuesday 28th May 2024 at the Milton Keynes Theatre.

The Syndicate runs at Milton Keynes Theatre until Saturday 1st June 2024.

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Craig Sugden



Popular posts from this blog

Review of Elf the Musical (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

Christmas has come early this year thanks to the Northampton Musical Theatre Company and their annual performance at Royal & Derngate; this year, they bring Elf the Musical to the stage. First staged in 2010, this musical version of the 2003 Will Ferrell comedy features music by Matthew Sklar and Chad Beguelin and is based on the book by Bob Martin and Thomas Meehan, from David Berenbaum's original screenplay. Elf tells the tale of Buddy, a human raised by Santa's elves, who eventually learns that his origins are less North Pole and more the skyscraper streets of New York City. So, for Buddy, it’s time to travel to the Big Apple and finally meet his biological father. Matt Clarke's lead performance in Elf is strong. Clarke brings Buddy to life with all the childish manners and silly behaviour that make the character an endearing lead. He also has the vocal ability and movement to match, and he effortlessly entertains, especially the young kids, with his zany antics. Han...

Review of Matilda at Milton Keynes Theatre

Roald Dahl is perhaps one of the most famous children’s authors of any generation, and his work has inspired an exceptional number of film, television, and theatre adaptations. Fifteen years ago, this musical of Matilda , one of his most fondly remembered stories, took to the stage and has not looked back since. Adapted from the original book by Dennis Kelly, with lyrics and music by Tim Minchin, the show has been a fixture at the Cambridge Theatre in London since 2011, has performed on Broadway, and is now reaching Milton Keynes Theatre as part of its second UK and Ireland Tour. Inspired by the Roald Dahl book of the same name, this Royal Shakespeare Company’s multi-award-winning musical tells the story of an extraordinary little girl with a vivid imagination and the courage to change her own destiny. Matilda is of course the centre of attention in this production, and on this extensive tour, the role is shared by Felicity Brown, Petra Hutchings, Mollie Hutton, and Caroline Ravansari ...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...