Skip to main content

Review of The Syndicate at Milton Keynes Theatre

Kay Mellor's The Syndicate has been a huge success on television having reached four series across the last ten years or so. Each following a different group of characters who find themselves the lucky winners of a lottery jackpot, it has managed to snare impressive cast members as well across the series. Due to the success, it isn't a surprise that this play, based purely on series one, has reached the stage. However, does television make good theatre, that is the question.

It seems, as a result of this production, it creates maybe what could best be described as average theatre, as across its short two-hour running time (which includes the interval) there are a few thrills and a good number of laughs, but few moments in the way of ground-breaking theatre. Directed (and starring) Kay Mellor's daughter Gaynor Faye, and a collection of relatively familiar faces from TV, the production is a standard offering. Directed with little flair, and a large number of scene changes, mostly in blackout, bar a couple of occasional entertainingly created ones. It all is just rather safe theatre.

The cast is a mixture of success from the excellent, such as Oliver Anthony as the rough and eager-for-trouble Jamie who hides a past and is ready for more trouble. Anthony makes the best impact in this mixed cast with his stage debut. The reliable William Ilkey brings the likeable Bob to the stage with a nice touch, while Samantha Giles plays Denise purely for laughs and most of the time this is fine, but does irritate at times.

Elsewhere, it is quite a mixture of performances, with Brooke Vincent simply a one-tone, and annoying chavvy Amy with little to like. Benedict Shaw provides, for such an important role as Stuart, little to get thrilled about, while Jerome Ngonadi plays the walk-on role of Newall with very little spark.

Rosa Coduri-Fulford's Leanne is played totally flat which is a huge disappointment for a character that clearly has one of the best backstories lurking, but in the end, as an audience, you end up not really caring. Completing the main cast is Gaynor Faye who plays lottery representative Kay full-on and pretty much for comedy and for what little the character has to do, it's fine, if underwhelming.

Ultimately, this production directed by Faye has an uninventive touch and fails to do enough to warrant a stage show and grasp the power of theatre and its techniques. It is very much just the TV series on stage and if that is what you want, head off to a theatre near you when it passes. However, you might really be best served by staying home and watching the series again and choosing the theatre for something with more grit and style.

Very much television on stage with not enough theatre drama to be found.


Performance reviewed: Tuesday 28th May 2024 at the Milton Keynes Theatre.

The Syndicate runs at Milton Keynes Theatre until Saturday 1st June 2024.

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Craig Sugden



Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili