Skip to main content

Review of Nell Gwynn by BA Acting University of Northampton at Royal and Derngate (Royal), Northampton

This BA Acting performance of Nell Gwynn heralded my first opportunity for a few years to see the actors from the University of Northampton plying their trade in the Royal Theatre, following something to do with covid and my own unavailability. It seemed quite apt in many ways that it was to be Jessica Swale's Nell Gwynn, presented in the most perfect theatre for such a play, and some boisterous antics, pre-show of audience members (actors) including referencing the "plague". It felt very much 17th Century going on 2020 all over again.

Seeing this work of Swale on stage in the Royal, again under the presentation of the University actors also reminded me of the glorious Blue Stockings by the same writer presented by the BA Actors some years ago, and while many of the hallmarks of that show are here, it didn't quite match that magnificent moment.

Nell Gwynn, if you hadn't already worked it out, tells the tale of the 17th Century fruit seller (and other "trades) of the same name as she ascends to the stage helped by prominent actor Charles Hart and eventually catches the eye of a certain King Charles II. Issues of course arise and relationships are strained as Swale's play continues to its happy/sad climax.

Gwynn is played with immense charm by the wonderful Charlotte Biseker, brimming with confidence and a twinkle in her eye and performance that you can imagine would have been the real Nell catching the wandering eye of that wayward king. George Pavey is that king and a typically rambunctious turn is levelled at the role, as is often the case in productions featuring kings of old. It is perfect of course as this is very much how we would imagine our monarchs back in history, larger than life.

Rose George plays Nell's sister Rose as the perfect opposite with tenderness and much more serious, determined to look after her sister from the dangers events keep placing her in. Lord Arlington, minister to the king, can be one of those dangers as he protects his monarch. In that role, Harry Unwin quietly creates a deep character from surprisingly little in Swale's script. Ines Dias gives some great entertainment as the endlessly stressed John Dryden, constantly pursuing an end, middle and beginning to his play.

As he was in his comic turn in the Flash Festival, Tobias Bradly is a riot of energy in three roles including the irritated Edward Kynaston, cast aside from his female roles, by of all people, a woman. His comic ability is second to none, but after seeing him twice, I would have been delighted to have seen a more serious turn from him. However, alas, not with Nell Gwynn.

A little more serious is Alex Hayes' director at the theatre Thomas Killigrew, his frustration at things out of his control is well portrayed and he is a delight also in the musical numbers (more on those later). Finally, Kate Dillingham brings two very different characters to the stage with actor Ned and the endlessly grumpy Old Ma Gwynn.

While Nell Gwynn is filled with many strong characters and comic moments, it can drag a little at times. However fortunately there are some surprising moments of song written by Greg Coulson that break the sometimes wordy nature of the play. These are realised with great skill by the cast, with both excellent vocals and some rather splendid modern dance. Someone I feel has been watching Six quite closely.

Nell Gwynn was a very enjoyable production, populated by some excellent performances to prevent it from being too stale. While it might not quite reach the heights of Swale's Blue Stockings, it still provided an entertaining two-and-a-half hours of modernised restoration theatre.

Some excellent performances and superb music numbers improve this slightly overlong play.

Performance reviewed: Thursday 16th May 2024 at the Royal & Derngate (Royal), Northampton.

Nell Gwynn was on stage at Royal & Derngate from Thursday 16th May to Saturday 18th May 2024.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Popular posts from this blog

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...