Skip to main content

Review of Nell Gwynn by BA Acting University of Northampton at Royal and Derngate (Royal), Northampton

This BA Acting performance of Nell Gwynn heralded my first opportunity for a few years to see the actors from the University of Northampton plying their trade in the Royal Theatre, following something to do with covid and my own unavailability. It seemed quite apt in many ways that it was to be Jessica Swale's Nell Gwynn, presented in the most perfect theatre for such a play, and some boisterous antics, pre-show of audience members (actors) including referencing the "plague". It felt very much 17th Century going on 2020 all over again.

Seeing this work of Swale on stage in the Royal, again under the presentation of the University actors also reminded me of the glorious Blue Stockings by the same writer presented by the BA Actors some years ago, and while many of the hallmarks of that show are here, it didn't quite match that magnificent moment.

Nell Gwynn, if you hadn't already worked it out, tells the tale of the 17th Century fruit seller (and other "trades) of the same name as she ascends to the stage helped by prominent actor Charles Hart and eventually catches the eye of a certain King Charles II. Issues of course arise and relationships are strained as Swale's play continues to its happy/sad climax.

Gwynn is played with immense charm by the wonderful Charlotte Biseker, brimming with confidence and a twinkle in her eye and performance that you can imagine would have been the real Nell catching the wandering eye of that wayward king. George Pavey is that king and a typically rambunctious turn is levelled at the role, as is often the case in productions featuring kings of old. It is perfect of course as this is very much how we would imagine our monarchs back in history, larger than life.

Rose George plays Nell's sister Rose as the perfect opposite with tenderness and much more serious, determined to look after her sister from the dangers events keep placing her in. Lord Arlington, minister to the king, can be one of those dangers as he protects his monarch. In that role, Harry Unwin quietly creates a deep character from surprisingly little in Swale's script. Ines Dias gives some great entertainment as the endlessly stressed John Dryden, constantly pursuing an end, middle and beginning to his play.

As he was in his comic turn in the Flash Festival, Tobias Bradly is a riot of energy in three roles including the irritated Edward Kynaston, cast aside from his female roles, by of all people, a woman. His comic ability is second to none, but after seeing him twice, I would have been delighted to have seen a more serious turn from him. However, alas, not with Nell Gwynn.

A little more serious is Alex Hayes' director at the theatre Thomas Killigrew, his frustration at things out of his control is well portrayed and he is a delight also in the musical numbers (more on those later). Finally, Kate Dillingham brings two very different characters to the stage with actor Ned and the endlessly grumpy Old Ma Gwynn.

While Nell Gwynn is filled with many strong characters and comic moments, it can drag a little at times. However fortunately there are some surprising moments of song written by Greg Coulson that break the sometimes wordy nature of the play. These are realised with great skill by the cast, with both excellent vocals and some rather splendid modern dance. Someone I feel has been watching Six quite closely.

Nell Gwynn was a very enjoyable production, populated by some excellent performances to prevent it from being too stale. While it might not quite reach the heights of Swale's Blue Stockings, it still provided an entertaining two-and-a-half hours of modernised restoration theatre.

Some excellent performances and superb music numbers improve this slightly overlong play.

Performance reviewed: Thursday 16th May 2024 at the Royal & Derngate (Royal), Northampton.

Nell Gwynn was on stage at Royal & Derngate from Thursday 16th May to Saturday 18th May 2024.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...