Skip to main content

Review of The Play That Goes Wrong at Milton Keynes Theatre

First established in 2008, Mischief Theatre continues to build and build its strength in theatre (and beyond) and packs audiences around the world with both this original full-length play, The Play That Goes Wrong, and the group's numerous other projects. However, from first being performed above a pub in 2013 to now, how much impact does this chaotic show bring to theatres now?

There has been a murder at Havensham Grange, however, the dead body seems unerringly lively, so is this just one part of the clues for the story ahead, or just the ongoing incompetence of the Cornley Polytechnic Drama Society with their productions? Only time, collapsing sets, fluffed lines and the dogged (dodgy?) detective work of Inspector Carter will tell.

A brief reviewer's note and declaration, I am an immense fan of Mischief Theatre, and this production of The Play That Goes Wrong was my fifth time seeing the show. Previously seen in Northampton and London, this was my first time seeing the play at Milton Keynes Theatre, and much like when I saw the show on the Derngate stage, the set of The Play That Goes Wrong doesn’t sit with quite the ease on this larger stage as where I first saw the production, in traditional vintage theatres.

Looking beyond this though, The Play That Goes Wrong continues to show the skill and comedy that Mischief brings to the stage. The more you see the show, the humour gets diluted, and for me, the predictability of knowing what is coming next takes that first initial impact from you. However, to any new audience members, the events of the show as they spiral and spiral more out of control will still thrill, as much as they increasingly frustrate the director of the show Chris Bean played by Colin Burnicle, who plays the play character of Inspector Carter in the play within the play. Hope you get that!

Burnicle heads the cast and continues the long influence of being on edge of breaking down in the role of Bean. His tirade at the audience member who unhelpfully chipped in some unwanted information was fabulous and you feel his pain as the play collapses slowly but predictably into anarchy.

The cast is great throughout with special mentions for Beth Lilly as Annie Twilloil who charms throughout as the put-upon stage manager who gets her chance to shine later in the show. Gabriel Paul is super cool as lighting and sound operator Trevor.

Kazeem Tosin Amore is suave and sophisticated as Robert Grove and has huge dexterity to deal with the rigours of the positions the play puts upon him. Finally, of mention is Steven Rostance as Jonathan who is brilliantly funny as the dead character of Charles Haversham.

The extra cast member of the set itself (designed ingeniously by Nigel Hook) sparkles throughout with its destructive force and own built-in comic timing.

The Play That Goes Wrong written by Henry Lewis, Jonathan Sayer and Henry Shields continues to entertain and thrill audiences all over the world and in this fourth UK tour, it does just that again. If you have yet to experience the perils of the Cornley Polytechnic Drama Society, you best get a ticket to see it now.

As brilliantly staged and comic as always, the riotous Mischief gang march on.

Performance reviewed: Monday 25th July 2022 at the Milton Keynes Theatre, Milton Keynes.

The Play That Goes Wrong runs at Milton Keynes Theatre until Saturday 30th July 2022.

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Robert Day


Popular posts from this blog

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...