Preview of The Play That Goes Wrong at Milton Keynes Theatre

From a group that first performed in front of an audience more diminutive than the cast, and a show that later became known as The Play That Goes Wrong being performed above a pub nine years ago, the phenomenal theatre group Mischief Theatre has achieved remarkable things.

Co-written by Mischief company members Henry Lewis, Jonathan Sayer and Henry Shields, The Play That Goes Wrong, is landing this week at Milton Keynes Theatre as part of its fifth UK tour, which sees The Cornley Polytechnic Drama Society put on a 1920s murder mystery. However, the title says it all, and in the end, everything that can go wrong… does!

The Play That Goes Wrong was awarded the 2014 WhatsOnStage Award for Best New Comedy, the 2015 Olivier Award for Best New Comedy and a Tony Award for the Broadway transfer, the production is directed by Mark Bell. and this new UK tour is set to thrill audiences until August including this week length stay at Milton Keynes Theatre.

This touring cast includes new and returning performers: Kazeem Tosin Amore as Robert, Colin Burnicle as Chris, Damien James as Dennis, Beth Lilly as Annie, Edi De Melo as Max, Aisha Numah as Sandra, Gabriel Paul as Trevor and Steven Rostance as Jonathan and hopefully a dog. However, as is often the case, it is unlikely to star Tom Cruise.

The Play That Goes Wrong is on at Milton Keynes Theatre from Tuesday 25 to Saturday 30 July. Tickets are available from ATGTICKETS.COM/MiltonKeynes

Production photos: Robert Day

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own. This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, ...

A Small Mind At The Theatre

Search This Blog