Skip to main content

Preview of The Play That Goes Wrong at Milton Keynes Theatre

From a group that first performed in front of an audience more diminutive than the cast, and a show that later became known as The Play That Goes Wrong being performed above a pub nine years ago, the phenomenal theatre group Mischief Theatre has achieved remarkable things.

Co-written by Mischief company members Henry Lewis, Jonathan Sayer and Henry Shields, The Play That Goes Wrong, is landing this week at Milton Keynes Theatre as part of its fifth UK tour, which sees The Cornley Polytechnic Drama Society put on a 1920s murder mystery. However, the title says it all, and in the end, everything that can go wrong… does!

The Play That Goes Wrong was awarded the 2014 WhatsOnStage Award for Best New Comedy, the 2015 Olivier Award for Best New Comedy and a Tony Award for the Broadway transfer, the production is directed by Mark Bell. and this new UK tour is set to thrill audiences until August including this week length stay at Milton Keynes Theatre.

This touring cast includes new and returning performers: Kazeem Tosin Amore as Robert, Colin Burnicle as Chris, Damien James as Dennis, Beth Lilly as Annie, Edi De Melo as Max, Aisha Numah as Sandra, Gabriel Paul as Trevor and Steven Rostance as Jonathan and hopefully a dog. However, as is often the case, it is unlikely to star Tom Cruise.

The Play That Goes Wrong is on at Milton Keynes Theatre from Tuesday 25 to Saturday 30 July. Tickets are available from ATGTICKETS.COM/MiltonKeynes

Production photos: Robert Day

Popular posts from this blog

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...