Skip to main content

Review of The Wellspring at Royal & Derngate (Royal), Northampton

The Wellspring is a truly unique theatre experience, an autobiographical journey through the life of pianist David Owen Norris and his son, playwright, Barney Norris and their relationship as father and son. It is a very personal experience for the two, but it draws the audience into their lives.

The Wellspring is beautiful and heartwarming, even, oddly, when Barney describes being beaten up and kicked in the head in Oxford. This is the pair's life experiences, the highs and the lows, perhaps as his father remarks at one point, more lows described by Barney.

Not that David’s story is bereft of low points, but he offers more joy from his life, sometimes extremely comically. Perhaps the best is his brilliant recalling of the Sydney Piano competition, partly broadcast live on the radio. It is a hugely funny story and allows David to show his immense piano skills for which he’s known, and through this piece, he peppers the show with some wonderfully performed music.

The father and son teamwork extremely well together on stage, playing off one another perfectly. They, and director Jude Christian, have clearly created the show with great care, as little nuances of reactions and understanding show throughout, often as one watches the other, little magical moments appear.

David, perhaps a surprise, is the more sprightly on stage, travelling a great deal throughout the show, busy while telling his tales. Barney is much more considered and less active, often delivering from a fixed point. It is a nice playoff of character and feels that despite being family, they are their own men.

What is a delight from this production is the home videos that are shown throughout, projected to one side of the stage. This, coupled with some clever video design from Megan Lucas, incorporating compasses designating our current place in the world in the tale, is a delightful bonus.

One criticism I would level at the production is the slightly curious decision to not lower the house lights at any point. I understand why these are on for the opening as Barney addresses the audience directly. However, leaving them fully on for the rest of the show was a distraction, and from my position in row J, left the excellent projection washed out a little. It also didn’t allow Jack Weir’s simple but excellent lighting to have quite the same impact.

For those local to the areas featured, particularly Northamptonshire, there are some lovely little references to the town that locals will pick up. It was great to hear a story recalling Woolworths for instance, and personally, the mention of Borough Hill and its radio masts. Masts which my father created replacement parts for as a toolmaker. It is lovely little moments that make this a very personal piece to the audience beyond that of David and Barney themselves.


As the show plans to tour, some of the content may not work in different areas, however, what will, is the charm and love in the show. It is simply staged, but lovingly performed and just feels a delight and a very special, different piece of theatre.

A heartwarming beautifully performed and created production.

Performance reviewed: Thursday 24th March 2022 at the Royal & Derngate (Royal), Northampton.
The Wellspring runs at Royal & Derngate until Saturday 26th March 2022.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

The Wellspring is A ROYAL & DERNGATE MADE IN NORTHAMPTON PRODUCTION

Production photos: Robert Day


Popular posts from this blog

Review of The Jolly Christmas Postman at Royal & Derngate (Royal), Northampton

The Northampton Royal and Derngate have a tradition of producing a family play in the Royal Theatre alongside a spectacular pantomime in the Derngate, offering a more subtle Christmas treat for a family audience. However, this calendar staple has been missing since 2019, when the fine Pippi Longstocking graced the Royal stage and an unmentionable virus reared its head. Based on this triumphant return this year in the guise of The Jolly Christmas Postman , it has been heartily missed. Adam Peck has truly lovingly adapted  The Jolly Christmas Postman  for the stage from the original story by Janet and Allan Ahlberg. From the beginning, this is a proper cracker of theatre entertainment that captivates an occasionally distractable audience of all ages. The story follows the adventures of a friendly postman beset by an influx of mail on Christmas Eve and his adventures with an assortment of Fairy-Tale characters. What is, in essence, a kid's show aimed primarily at young children ...

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella . So, does the magic dust fall once again successfully on the stage of the Derngate? The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present). Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...