Skip to main content

Review of Bedknobs And Broomsticks at Royal & Derngate (Derngate), Northampton

There are some very distant memories of the film Bedknobs and Broomsticks lurking in my head, that this touring stage version of the full musical version ended up being extremely fresh and entertaining.

The story, which sadly is a victim of timing at the moment, features three children evacuated to the country from war-torn London. There they become placed in the care of the mysterious Miss Price, who just also has received a mysterious package as well. From here spirals, a fantastical tale full of fun and interesting and weird characters.

The production features the original music from the Sherman Brothers, with additional music and lyrics by Neil Bartram and a book by Brian Hill. The magnificent twelve strong orchestra creates the music under the direction of Laura Bangay.

The show itself is a more visual feast for the eyes than the most solid of shows dramatically. It is always fun and entertaining for all ages, but the first act often drags, with many scenes outstaying their welcome. Fortunately, the second act is much better and leaves the audience on a high at the end.

Performances are fabulous throughout, with the young performers Poppy Houghton as Carrie and Aidan Oti as Paul, confident and assured beyond their age. The much older Conor O’Hara plays their brother, 13-year-old Charlie Rawlins, but he has a youthful appearance and appeal, and classic cockney charm, to make him still very much the kid at heart. He also performs his songs with a crisp and clear voice.

Also excellent is Charles Brunton as would-be magician Emelius Browne, played with more than a hint of look and style of Bruce Forsyth, ironically in the original film, but not in this role. Here, Brunton plays the role made famous by the brilliant David Tomlinson, but stamping very much his own mark on the role. He is sprightly and characterful throughout.

Finally, of the leads is Dianne Pilkington as Eglantine Price and she is simply brilliant. Beautiful voice, and a magnificent stage presence and is assured in everything that this tremendously challenging role throws at her.

Staging is magnificent with a seemingly endless number of tricks up its sleeves from the flying bed, and onto the truly intriguing broomstick scene, which is going to leave you definitely wondering how that was done.

Directors Candice Edmunds and Jamie Harrison keep the whole show in check, with the handling of some very busy scenes and often many people and props on stage. Rarely is blocking an issue though, which with this show is quite an achievement.

The sound is extremely good in this production, one of the best for some time with lyrics clear in most of the songs. Lighting is vivid as well, with only a few spotting issues early in the show as it struggled to keep up with the movement of the cast.

Overall, this is a brilliant show, suitable for all the family, has some truly brilliantly staged scenes for a touring production, and is full of tricks and mystery.

A magical mystery adventure that delights the eyes.

Performance reviewed: Wednesday 2nd March 2022 at the Royal & Derngate (Derngate), Northampton.
Bedknobs and Broomsticks runs at Royal & Derngate until Saturday 5th March 2022.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Bedknobs and Broomsticks is MICHAEL HARRISON PRODUCTION

Production photos: Johan Persson


Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own. This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, ...