Skip to main content

Review of Bedknobs And Broomsticks at Royal & Derngate (Derngate), Northampton

There are some very distant memories of the film Bedknobs and Broomsticks lurking in my head, that this touring stage version of the full musical version ended up being extremely fresh and entertaining.

The story, which sadly is a victim of timing at the moment, features three children evacuated to the country from war-torn London. There they become placed in the care of the mysterious Miss Price, who just also has received a mysterious package as well. From here spirals, a fantastical tale full of fun and interesting and weird characters.

The production features the original music from the Sherman Brothers, with additional music and lyrics by Neil Bartram and a book by Brian Hill. The magnificent twelve strong orchestra creates the music under the direction of Laura Bangay.

The show itself is a more visual feast for the eyes than the most solid of shows dramatically. It is always fun and entertaining for all ages, but the first act often drags, with many scenes outstaying their welcome. Fortunately, the second act is much better and leaves the audience on a high at the end.

Performances are fabulous throughout, with the young performers Poppy Houghton as Carrie and Aidan Oti as Paul, confident and assured beyond their age. The much older Conor O’Hara plays their brother, 13-year-old Charlie Rawlins, but he has a youthful appearance and appeal, and classic cockney charm, to make him still very much the kid at heart. He also performs his songs with a crisp and clear voice.

Also excellent is Charles Brunton as would-be magician Emelius Browne, played with more than a hint of look and style of Bruce Forsyth, ironically in the original film, but not in this role. Here, Brunton plays the role made famous by the brilliant David Tomlinson, but stamping very much his own mark on the role. He is sprightly and characterful throughout.

Finally, of the leads is Dianne Pilkington as Eglantine Price and she is simply brilliant. Beautiful voice, and a magnificent stage presence and is assured in everything that this tremendously challenging role throws at her.

Staging is magnificent with a seemingly endless number of tricks up its sleeves from the flying bed, and onto the truly intriguing broomstick scene, which is going to leave you definitely wondering how that was done.

Directors Candice Edmunds and Jamie Harrison keep the whole show in check, with the handling of some very busy scenes and often many people and props on stage. Rarely is blocking an issue though, which with this show is quite an achievement.

The sound is extremely good in this production, one of the best for some time with lyrics clear in most of the songs. Lighting is vivid as well, with only a few spotting issues early in the show as it struggled to keep up with the movement of the cast.

Overall, this is a brilliant show, suitable for all the family, has some truly brilliantly staged scenes for a touring production, and is full of tricks and mystery.

A magical mystery adventure that delights the eyes.

Performance reviewed: Wednesday 2nd March 2022 at the Royal & Derngate (Derngate), Northampton.
Bedknobs and Broomsticks runs at Royal & Derngate until Saturday 5th March 2022.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Bedknobs and Broomsticks is MICHAEL HARRISON PRODUCTION

Production photos: Johan Persson


Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...