Skip to main content

Review of Bedknobs And Broomsticks at Royal & Derngate (Derngate), Northampton

There are some very distant memories of the film Bedknobs and Broomsticks lurking in my head, that this touring stage version of the full musical version ended up being extremely fresh and entertaining.

The story, which sadly is a victim of timing at the moment, features three children evacuated to the country from war-torn London. There they become placed in the care of the mysterious Miss Price, who just also has received a mysterious package as well. From here spirals, a fantastical tale full of fun and interesting and weird characters.

The production features the original music from the Sherman Brothers, with additional music and lyrics by Neil Bartram and a book by Brian Hill. The magnificent twelve strong orchestra creates the music under the direction of Laura Bangay.

The show itself is a more visual feast for the eyes than the most solid of shows dramatically. It is always fun and entertaining for all ages, but the first act often drags, with many scenes outstaying their welcome. Fortunately, the second act is much better and leaves the audience on a high at the end.

Performances are fabulous throughout, with the young performers Poppy Houghton as Carrie and Aidan Oti as Paul, confident and assured beyond their age. The much older Conor O’Hara plays their brother, 13-year-old Charlie Rawlins, but he has a youthful appearance and appeal, and classic cockney charm, to make him still very much the kid at heart. He also performs his songs with a crisp and clear voice.

Also excellent is Charles Brunton as would-be magician Emelius Browne, played with more than a hint of look and style of Bruce Forsyth, ironically in the original film, but not in this role. Here, Brunton plays the role made famous by the brilliant David Tomlinson, but stamping very much his own mark on the role. He is sprightly and characterful throughout.

Finally, of the leads is Dianne Pilkington as Eglantine Price and she is simply brilliant. Beautiful voice, and a magnificent stage presence and is assured in everything that this tremendously challenging role throws at her.

Staging is magnificent with a seemingly endless number of tricks up its sleeves from the flying bed, and onto the truly intriguing broomstick scene, which is going to leave you definitely wondering how that was done.

Directors Candice Edmunds and Jamie Harrison keep the whole show in check, with the handling of some very busy scenes and often many people and props on stage. Rarely is blocking an issue though, which with this show is quite an achievement.

The sound is extremely good in this production, one of the best for some time with lyrics clear in most of the songs. Lighting is vivid as well, with only a few spotting issues early in the show as it struggled to keep up with the movement of the cast.

Overall, this is a brilliant show, suitable for all the family, has some truly brilliantly staged scenes for a touring production, and is full of tricks and mystery.

A magical mystery adventure that delights the eyes.

Performance reviewed: Wednesday 2nd March 2022 at the Royal & Derngate (Derngate), Northampton.
Bedknobs and Broomsticks runs at Royal & Derngate until Saturday 5th March 2022.

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Bedknobs and Broomsticks is MICHAEL HARRISON PRODUCTION

Production photos: Johan Persson


Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili