Skip to main content

Review of The Twelfth Player at Sixfields Stadium, Northampton

As a lifelong non-fan of football, The Twelfth Player, a walking tour of a football stadium (Northampton Town's Sixfields) is a hard sell. However, this collaboration of the quartet of Fermynwoods Contemporary, Royal & Derngate, Northampton Town Football and Seven Sisters Group easily appeals to non-fans with its lighthearted nature and clever use of technology.

Stefania Pinato as Odette Rossi
At the start of the tour, you are issued with an iPod and a pair of comfortable Sennheiser headphones and handed a short card of instructions. For anyone wary of their ability to follow instructions, or if you are a man and never read them, do not fear, they should be read, are simple and clear and easy to follow. You then await your allotted time and then in groups of up to four you are taken by your "captain" to the kick-off spot. On my tour, I was accompanied by one other and a maximum of four is clearly a sensible number, however as this is very much a solo type experience finding yourself on your own would not be a problem, and could actually be considered a bonus as it is easy and clear to follow the route.

On your display is the real world locations and lining them up with that real world you trace the path and experience the story of The Twelfth Player, the football fan. During your tour, which runs roughly about forty minutes, you see characters including the famous mascot, Clarence, appear on the screen and appear in real-life. It's clever and intuitive and perfectly timed. The groups leave five minutes apart and part of the interest of the tour is seeing other people either experiencing what you have already seen or giving distance glimpses of what is to come. The main occurrence of this is within the playing area itself and live performer Stefania Pinato's role, whom you witness on three occasions on your route through the seating and around the edge of the pitch. As a dancer, Pinato bridges a clever and nice distinction between dance and the beautiful game, dancing and dribbling the ball across the pitch. All of the live performers are dancers from Fermywoods and play either footballer Odette Rossi or mascot Clarence with a neat stylistic approach, making the performances eyecatching.
David Charles as Dad

The film cast tells the tale of wannabe players, kit cleaners and burger makers and a life lived through football. It is accessible and offers interest to non-football fans, and most likely to keen fans as well. For any fans that might not get much from the story, they gain from the chance to explore locations rarely seen including showers and the away team's changing rooms.

If there is one criticism of the tour, it would be that perhaps for clarity the screens used are a little small, a slightly enhanced size would have provided a much clearer image for the sequences.

However, The Twelfth Player is a wonderfully clever show, utilising technology and inventive design in a show which is also tremendous value for many. Unquestionably worth experiencing be you a football fan, theatre fan or somewhere inbetween.

★★★★


Performance reviewed: Wednesday 24th May 2017 (2.35pm) at Sixfields Stadium, Northampton.
The Twelfth Player returns to Sixfields Stadium on Thursday 22nd June and runs into July. Details at: https://www.royalandderngate.co.uk/whats-on/the-twelfth-player/
For further details about the Royal & Derngate visit http://www.royalandderngate.co.uk/

PHOTOS: Andrew Eathorne
Stefania Pinato as Odette Rossi



Popular posts from this blog

Review of A View from the Bridge at Royal & Derngate (Royal), Northampton

Although writer Arthur Miller died 15 years ago, and last published a play almost 30, he remains a force to be reckoned with, and you are probably still never far from production of one of his works, albeit one of probably just four from his back catalogue of 33 plays. If you pressed someone to choose his best, they would probably more often than not say The Crucible , because A: they studied it, or B: they have actually seen it. As for best though, maybe not. Perhaps that lies with the simpler format of A View from a Bridge , the gritty tale of immigration in the fifties. So, does this new version, a co-production between Royal & Derngate and York Theatre Royal, do it justice? In 1950s New York, hardworking longshoreman Eddie Carbone lives a simple life with his wife and niece deep in an immigrant community. When two of her Sicilian cousins arrives, slowly Eddie's life begins to change forever. In a theatre world where life is rarely simple anymore and directors of...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas ...