Skip to main content

Flash Festival 2017: Erased by Afterlight Theatre at Hazelrigg House, Northampton

My second show of the 2017 Flash Festival was Afterlight Theatre's near future based Erased. The year is 2020 and a Priory-esque institution is with the help of a "dot" removing unsavoury memories from its inmates.

Helena Fenton
Following a high energy physical routine, all bouncing action and repeated movements, we are introduced to the trio of patients, they are a young girl played by Helena Fenton, the dull, matter of fact one played by Joseph Callaghan, and the self-assured one by Luke Mortimore. Of these three patients, Lukes is by far the most interesting, cocky and verbally bold, with a badge of honour of attendance on his arm. He is so much more than the other characters that it can be tricky to relate or enjoy the others despite confident performances from the pair.

Luke Mortimore
Before this introduction, an opening corporate video has already introduced us to the set-up of this establishment and it allows a nicely comical creation to be born by Helena Fenton. She creates some good laughs, more especially from the student audience, with exaggerated glances to the camera in a nicely shot video. This character reoccurs in the same form for a TV show piece, and perhaps as it turns out, better suited for this role. Therefore it did at this point feel a little lazy that perhaps another character was not created for the opening advert piece, Helena is for me among the strongest in this year group with the ability to create strong characters, that I did feel a little cheated that more wasn't made of this chance.

Joseph Callaghan
There was also a moment during the TV show scene where Helena fluffed her lines and rather than recovering promptly as perhaps you might expect, the show sort of stopped with her comment that "it's OK, we're not getting marked". The response was a round of applause from the knowing student crowd (I believe there were just three of us non-students at that performance), and having followed these groups for four years, I got it and wasn't too perturbed by the situation. However there were paying members of the audience there, so technically, professionality as all times would probably be the best. It really was a great moment though.

Erased however is an interesting concept that while never poorly performed doesn't make as much of the idea as you feel it could. There is a nice balance between drama and comedy, and the TV show is the highlight with Callaghan and Mortimore great value as the female contestants. However for all its humour, and it is unquestionably funny at times, it is for the best part quite cheap and obvious material rather than clever. Likewise, the drama is generally uninteresting and often fails to stimulate like you feel it should.

Sadly not one of the best Flash shows for me, but seriously a long way from the worst and certainly not one I want a dot to erase if only to keep the memory of that bewigged character that Helena brings to life in my memory.

Performance viewed: Monday 22nd May 2017

The Flash Festival 2017 runs between Monday 22nd and Saturday 27th May 2017 at three venues across the town. Tickets can be found at https://www.eventbrite.co.uk/e/flash-theatre-festival-2017-tickets-34315017140, with details at https://www.facebook.com/FlashFest2017

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own. This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, ...