Skip to main content

Review of The Addams Family at Royal & Derngate (Derngate), Northampton

It is twenty years since The Addams Family last graced the cinema screens and over fifty since the TV series finished, yet it was as if it was inbred into the entire audience as seconds into this musical they were all either clapping or finger clicking to the famous "click click" of the theme tune. The matinee audience was as contrasting as you could imagine, with the typical retired members and vast numbers of children of all ages in several school groups, however, whatever age all were entranced as this captivating musical took to the stage.
The first thing that is very apparent from this touring production of the 2010 Broadway musical is how gorgeous it looks. A stunning and innovative set from Diego Pitarch and beautifully dressed, this is no cheap budget touring production.

After the overture, the musical credentials are set high early with the lively When You're An Addams performed brilliantly by the whole company, and it is a benchmark for a glorious collection and, as expected from the best musicals, a contrasting collection of all styles. There is the lovely gentle What If?, the epic One Normal Night and perhaps my own favourite, the lively showtime Full Disclosure.
Cameron Blakely (Gomez) and
Samantha Womack (Morticia)

The cast is really brilliant throughout with in particular a quite amazing Cameron Blakely as Gomez, he like the rest of the cast has a superb singing voice, however, he imbues so much wicked character into the role as well.

The known names of this show do not let the side down either, Samantha Womack is a deeply and darkly alluring Morticia, creating a huge amount of comedy from the deadpan character and her grimacing smiles. She shares also a stylish tango routine with Blakely, showing some neatly hidden moves. Les Dennis is also a treat as Fester, part narrator and part comic Uncle, he as expected nails the comedy, however, he also is surprising and unexpectedly good in the singing routines. His performance of The Moon And Me is really truly a sweet moment.

Carrie Hope Fletcher is always a star and her cheeky and super confident Wednesday is a true delight. Full of real mischief and character, and of course a totally stunning singing voice. Dickon Gough steals every scene he appears in as the silent growling Lurch, and has a neat trick for the audience up his sleeve at the end. The ensemble from this production is also tremendously strong creating Alistair David's brilliant choreography with tremendous style and skill.
Carrie Hope Fletcher (Wednesday)
and Cameron Blakely (Gomez)

Marshall Brickman and Rick Elice's book, coupled with Andrew Lippa music and lyrics absolutely nail the dark and mischievous character of the show, treading a fine and clever balance between fun for the younger members and slipping some occasional very adult jokes into the piece without stepping too far. Therefore totally leaving this a show absolutely for the whole family.

The Addams Family is a quite brilliant production, full of visual flair, stunning tunes brilliantly performed by the cast and a lovely reminder of the classic show/film, but also accessible enough for anyone unfamiliar with the original. Get yourself to this promptly as it's too good to be missed and you never know whether you have much time as we all know Death is Just Around the Corner.

««««½


Performance reviewed: Wednesday 10th May 2017 (matinee) at the Royal & Derngate (Derngate), Northampton.

The Addams Family runs at the Royal & Derngate until Saturday 13th May 2017 
and continues it's throughout 2017. Details of dates and locations can be found at http://www.theaddamsfamily.co.uk/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

PHOTOS: MATT MARTIN
The cast of The Addams Family

Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili