Skip to main content

Review of The Classic Rock Show: Top 20 Greatest Guitar Riffs Ever Part 2 at Royal & Derngate (Derngate), Northampton

By very good fortune I found myself back at Royal & Derngate (with three companions) for The Classic Rock Show and this years theme, the Top 20 Greatest Guitar Riffs Ever Part 2. Never having seen this band before, I have to say that I was pleasantly surprised by the evening as a whole although I certainly had some personal reservations.

Formed from eight members it gives the opportunity to have a great deal of variety from the performances, with only two of the group not getting their opportunity at the microphone for a solo. Lead vocals however are provided magnificently by Alex Dee and Ricardo Afonso. Personal highlights from them for me was for Dee during a superbly powerful rendition of Wings' Live And Let Die. While Afonso's take on Queen's The Show Must Go On, was an immensely strong point. I also loved their creation of Meatloaf's Bat Out Of Hell, with Dee bringing the softer moments and leaving Afonso to cover those big and bold periods.

Of the other solo moments from the band, on guitar Howie G gets his opportunity with a husky version of Pink Floyd's Money. Emily Jollands gives a wonderfully expressive performance in her full solo of Fleetwood Mac's Rhiannon, a superb tune excellently performed. Keys and also musical director Steve Parry gets his go during the Steely Dan number despite just briefly losing sound from his microphone. This was one of a couple little technical moments sadly during the early part of the show. For the first twenty minutes or so, we sadly were deprived of the screen projection at the back. However once fixed it treated us to a number of great little videos including the original Toto video of Rosanna highlighting a quite scary visual image from the eighties. It did however provide the most perfect timing and lip syncing opportunity. Also great fun was the video played during ELO's Mr Blue Sky, complete with a psychedelic Jeff Lynne.

The only slight criticisms of the show I might make is that at times the personality and presence on stage of the performers drifted into slightly soulless moments. One minute we could be in spectacularly dynamic periods with moments of octane dancing and guitar duels and then the performers snapped into a sort of automated way, just going through the motions. Having said that I would highlight the huge busy personality on stage of the one woman show Emily Jollands. Constantly jiving and swaying and during Van Halen's Jump she was quite something else.

Personally I also found the guitar riff theme a bind at times, with this theme sometimes taking some of the songs into just far too great a length. There is certainly no denying the immense skill of the performers and as this was showcased as a guitar riff show, it certainly did not disappoint in that. However I think riffs are not for me, so I therefore look forward to seeing them perform a different themed show in the future.

So a spectacular night of high quality music performances and at a good two and a half hours, an excellent value show. For fans of music of the rock genre, of many eras, The Classic Rock Show comes highly recommended. If however you are wary of guitar riffing, perhaps hold off until their next show.

««««
Performance reviewed: Wednesday 10th February, 2016 at the Royal & Derngate (Derngate), Northampton. 

The Classic Rock Show performed at the Royal & Derngate (Derngate) on Wednesday 10th February, 2016 only and are currently touring throughout February 2016. Full details can be found on their website here: http://www.theclassicrockshow.com/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

Review of Kinky Boots (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

The musical Kinky Boots is perhaps the perfect show for the homegrown theatre group Northampton Musical Theatre Company to perform with the very core of the story bred within this very county. The tale of of Charlie Price and his encounter and unlikely partnership with a certain Lola is based on a true story of factory W. G. Brooks Ltd and the owner Steve Pateman. Back in 1999 his story of men and their wearing of shoes for women featured on a BBC documentary and this in turn inspired the 2005 film, Kinky Boots . Finally, in 2012, this musical adaptation of the story hit the stage, with a book by Harvey Fierstein and songs written by Cyndi Lauper. Longtime readers of my blog with good memories may remember that five years ago I reviewed the opening of the UK professional tour of Kinky Boots , also at the Royal & Derngate. While I enjoyed the show, I didn't give it the most favourable review. Five years on, and a second viewing, have I warmed to the charms of Charlie and Lola...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...