Skip to main content

Review of Scaramouche Jones by Justin Butcher at The Playhouse Theatre, Northampton (White Cobra Productions)

Leading up to my seeing Scaramouche Jones for the first time, I had been informed by many that this was a quite a special show. Well written, intense, and in the case of those that had seen it at a previous visit to Royal & Derngate in 2002, a quite incredible performance by the late great Pete Postlethwaite. Having now seen the play I can only imagine what power Mr Postlethwaite brought to the role. Thankfully for my Scaramouche Jones, Richard Jordan, my preconceptions came fresh with no startling memories of such a performance.

Written by Justin Butcher, Scaramouche Jones takes us through the last hour or so of the life of a clown in his one hundredth year on the planet. He recounts his life from being born in a Trinidad whore house to a gypsy prostitute with a penchant for holding a meat hook in her hand while servicing her clients. He recounts his epic journey over fifty years to the land of England, including time featuring a snake being charmed to the music of Scott Joplin and Gilbert and Sullivan. His journeys also bring him to a devastating role in a camp in the Second World War, a role that indeed manages to change his very future.

It is indeed a quite incredible play, basically a storytelling one but with subtle almost barely noticeable moments like the removal of the clown's nose or the lighting of a candle. Played out on a wonderfully dressed set which for the best part is left ignored for most of the proceedings. Occasionally using an upturned circus prop for a snakes basket, or grabbing another item of clothing from a rail. The set is generally however just an observer like us of proceedings as Mr Jones recounts his tale.

Richard Jordan as Scaramouche does everything right for me. It is of course an actors play and I don't doubt the likes of Mr Postlethwaite or his ilke would have given this performance more zest and emotion, but as a first encounter, Jordan is everything I could want. Soft and subtle when needed, bold and decisive during the tough challenging moments and finally clear and precise during the mime performances. It is a challenging one man show that Richard Jordan ha perfected in his own way.

Production and direction from Kate Billingham is also everything you want from a show like this, subtle and just going about its business in the background. This is a performance show like no other and doesn't need any clever distraction.

At times it might be a little vulgar for granny in its content and it is just the second time I have heard the dreaded C word on stage so far. However for all its vulgarity, it never feels offensive. It just seems appropriate. Running at an uninterrupted ninety minutes offers its own challenges on the audience, but not one of the sold out crowd moved during the show as I suspect just like me they were spellbound by it. I was even surprised at the end how quickly the time had passed.

So an exceptional play and easily one of the best, richly written I have seen. Tough and challenging but absolutely rewarding viewing. A perfect night at the theatre and totally justified of that packed out house. Send on the clowns indeed if they can bring emotion, joy and sorrow to us like this.

««««

Performance reviewed: Saturday 13th February, 2016 at the Playhouse Theatre, Northampton

Scaramouche Jones is on a brief national tour. For details visit: http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/

Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of DNA by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

The final year performances of BA Actors this year upped sticks and headed away from their Northampton Royal territory and gathered to show their skills in London. The first of the three shows being performed was Dennis Kelly's DNA, a play which I saw performed on the Royal stage itself four years ago. I enjoyed it for its dark mysterious nature and was looking forward to seeing a different interpretation of the show. It tells the tale of a group of youngsters who do something really bad, and proceed to attempt to cover it up, resulting in the real bad, well, getting more bad. It's dark yes, but also, very funny at times. It opens with a looming movement piece of theatre, which I always love and this was no different for me, brooding and sinister. It's quite a long opening, which perhaps, in the end, becomes too long, but it's a fabulous piece of theatre for me. It set's the scene very well for Kelly's dark piece to unfold and in the hands of these, about ...