Skip to main content

Review of Scaramouche Jones by Justin Butcher at The Playhouse Theatre, Northampton (White Cobra Productions)

Leading up to my seeing Scaramouche Jones for the first time, I had been informed by many that this was a quite a special show. Well written, intense, and in the case of those that had seen it at a previous visit to Royal & Derngate in 2002, a quite incredible performance by the late great Pete Postlethwaite. Having now seen the play I can only imagine what power Mr Postlethwaite brought to the role. Thankfully for my Scaramouche Jones, Richard Jordan, my preconceptions came fresh with no startling memories of such a performance.

Written by Justin Butcher, Scaramouche Jones takes us through the last hour or so of the life of a clown in his one hundredth year on the planet. He recounts his life from being born in a Trinidad whore house to a gypsy prostitute with a penchant for holding a meat hook in her hand while servicing her clients. He recounts his epic journey over fifty years to the land of England, including time featuring a snake being charmed to the music of Scott Joplin and Gilbert and Sullivan. His journeys also bring him to a devastating role in a camp in the Second World War, a role that indeed manages to change his very future.

It is indeed a quite incredible play, basically a storytelling one but with subtle almost barely noticeable moments like the removal of the clown's nose or the lighting of a candle. Played out on a wonderfully dressed set which for the best part is left ignored for most of the proceedings. Occasionally using an upturned circus prop for a snakes basket, or grabbing another item of clothing from a rail. The set is generally however just an observer like us of proceedings as Mr Jones recounts his tale.

Richard Jordan as Scaramouche does everything right for me. It is of course an actors play and I don't doubt the likes of Mr Postlethwaite or his ilke would have given this performance more zest and emotion, but as a first encounter, Jordan is everything I could want. Soft and subtle when needed, bold and decisive during the tough challenging moments and finally clear and precise during the mime performances. It is a challenging one man show that Richard Jordan ha perfected in his own way.

Production and direction from Kate Billingham is also everything you want from a show like this, subtle and just going about its business in the background. This is a performance show like no other and doesn't need any clever distraction.

At times it might be a little vulgar for granny in its content and it is just the second time I have heard the dreaded C word on stage so far. However for all its vulgarity, it never feels offensive. It just seems appropriate. Running at an uninterrupted ninety minutes offers its own challenges on the audience, but not one of the sold out crowd moved during the show as I suspect just like me they were spellbound by it. I was even surprised at the end how quickly the time had passed.

So an exceptional play and easily one of the best, richly written I have seen. Tough and challenging but absolutely rewarding viewing. A perfect night at the theatre and totally justified of that packed out house. Send on the clowns indeed if they can bring emotion, joy and sorrow to us like this.

««««

Performance reviewed: Saturday 13th February, 2016 at the Playhouse Theatre, Northampton

Scaramouche Jones is on a brief national tour. For details visit: http://www.whitecobraproductions.co.uk/

For full details about the Playhouse Theatre visit their website at http://www.theplayhousetheatre.net/

Popular posts from this blog

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...

Review of Mog's Christmas at Royal & Derngate (Royal), Northampton

Back in 2022, the theatre group The Wardrobe Ensemble created a sweet and adventurous staging of Judith Kerr's classic children's character, Mog - The Forgetful Cat . For this Christmas season at Royal & Derngate, Mog returns with, suitably enough, Mog's Christmas . The show, just a crisp, action-packed hour, retells two past adventures alongside a Christmas vignette. Kerr's Mog first appeared in 1970, and it launched a remarkable run of books over 50 years featuring the puzzled feline, culminating in the final book released in 2020, following Kerr's death at 95 in 2019. Kerr is most famous for one of her other tales, The Tiger Who Came to Tea . However, in Mog's Christmas , the show presents three entertaining little stories featuring her other, slightly lesser-known feline character. Over the course of the hour, we see Mog successfully foil a burglar, survive a trip to the V.E.T., and then, in the brand-new stage story, a Christmas adventure where Mog gets...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...