Skip to main content

Review of Opening Shaxpeare's Box at St Peter and St Paul Church, Northampton

When I reviewed the Masque Theatre's Shaxpeare's Box earlier this year there was one glaring omission from the review and that was the rather wonderful and at times very comical music that Richard and Elizabeth York had composed for it. Suitably atmospheric and playful when required, it added much to the whole successful package of the production.

The reason it was overlooked was mainly because I knew the chance would come when reviewing Opening Shaxpeare's Box to wax lyrical about it. Although as it happened that original music for the play only appeared during the show via the previous recorded segments played from the computer, it was however great once again to hear it.

Opening Shaxpeare's Box was Richard and Elizabeth York tribute to not only the music of the period of Shakespeare's lifetime but also played upon the instruments available at the time. So we had during the show original design harps including the bold and noisy bray harp. We had the fabulous almost modern electronic sounding at times hurdy gurdy. We also had the most impressive use of that dysfunctional and generally useless instrument the recorder, in three bold designs no less. The recorder indeed has never sounded so good as that tenor version on display

A mixture of music was performed including a few anon and a couple by the Morrissey of the time, John Dowland. All of it was generally unfamiliar, apart from the brief snippet of Greensleeves. However it was all excellent to hear, a more pure uncomplicated music than was to come later. Simple sounds just forming simple tunes is one of the best ways to describe it. Yes music is bolder and cleverer now, and maybe better for it depending on your opinion. However this was a wonderful opportunity to hear something so clean of complicated cords.

So yes a excellent evening of music and well worth braving the tempest that was the journey to the St Peter and St Paul on the Monday evening. Well received by the appreciative audience performed with love by Richard and Elizabeth taking us back on that evening to a time where we could imagine that the first Elizabeth was sitting upon the throne.


Performance reviewed: Monday 8th February, 2016 at St Peter and St Paul Church, Northampton.

Opening Shaxpeare's Box was performed at the St Peter and St Paul Church, Northampton on Monday 8th February, 2016 only. For further details of the performers see Richard York's website at http://www.taleteller.co.uk/

Details of the Masque Theatre can be found at http://www.masquetheatre.co.uk/



Popular posts from this blog

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of It's A Wonderful Life by Masque Theatre at the Holy Sepulchre, Northampton

Remarkably I only saw the classic film It's A Wonderful Life last Christmas, this was thanks to spotting it lurking on my subscription of Netflix. A glorious heartwarming film perfect for Christmas? That must be why I was a blubbering mess at the end of it then. There was hope that in public, The Masque Theatre's performance of the radio version of the story didn't leave me in the same situation. As it happened it did a little as that final scene in the Bailey household played out again, but it didn't matter as there were members of the cast in the same broken state as many of us audience members. Left to right: Jo Molyneux, John Myhill, Lisa Wright, Michael Street, Lisa Shepherd and Jof Davies This was the first radio play that I had seen performed and on the evidence of this, I sure would like to see some more. While not having the drama of standard plays in their creation of moment and places, they do have a rather striking drive towards character creation. The ...

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas ...