Skip to main content

Review of Bugsy Malone (Bonnie Company) at The Royal & Derngate (Royal), Northampton

The enduring favourite with youth theatre groups gets the Royal & Derngate Youth Theatre/Young Company treatment under the directorship of the Youth Theatre Manager, Ashley Elbourne, and between them, they do as much as they can with the show. With this, my second viewing of Bugsy Malone, it is becoming more apparent to me that the show itself is a little flimsy in some areas. It has a fabulous, single wacky premise (Splurge Guns and custard pie deaths), that doesn't have the strength for a whole show, especially when you discover that Paul Williams book isn't quite strong enough to keep the interest, and certainly not as strong as some of his music.

It helps though that the cast is clearly all having fun, much more than in a previous production youth production I saw a couple of years ago. Owen Howard as the lead continues to grow as a performer on the stage in his turn here as the lead. He has a confident stage presence and more especially, a charm which makes Mr Malone here work on all levels. His partnership with Emily Abraham as Blousey Brown is captivating and sweet, as Abraham herself continues to grow as a performer. I said last year in my Fame review that she was already one to watch, and I am glad to see that she continues that upward curve here and she has one of the very best voices in the production. Also with brilliant vocals, Robyn Wilson makes a stirring Tallulah and is especially brilliant in the performance of My Name Is Tallulah. She is another who has shone before and part of the thrill of following the Youth Theatre is seeing them expand, with some of these performers I have had the pleasure of seeing them for five years now. Perhaps the scene-stealing performance though must go to William Phillips' Fat Sam, bringing so much more comedy out of the role than I have seen before. It's a gloriously wacky performance, and thrills with every appearance. Fabulous stuff!

There are some lovely touches incorporated from the director and team that make the slightly less exciting moments into more of a thrill, including creating a nice atmosphere during the overture at the very beginning with the characters introductions. The song Down & Out is given a vibrant feel and full of movement with it's staging. Also, one of the greatest bits of the fun comes from the nicely ambitious car chase sequence, staged really well and excellently handled by the cast, and really funny as well to boot.

The evening wasn't free from a few technical issues going on, the sound was a little unclear early on (but definitely did improve), and some bits of the set were managing to misbehave. In particular, one potentially awkward incident during Fat Sam's Grand Slam was really professionally handled by the young cast. Live theatre always creates these incidents, they cannot be avoided, it's how it is dealt with that is key, and here they were excellent, and very much working together.

There are some bold moves going on which generally work, scenes are well brought together and the Grand Slam scene is brilliant and very visually appealing. I have to say that I was disappointed by the staging of So You Wanna Be A Boxer, it seemed unnecessarily crowded and many of the requirements for performance went beyond some of the skills of the individuals, making it often a distraction. I am undecided on the introduction of the dance during two of the solos, while nicely performed, for me, it went on too long and as a result, with the limited choreography of it, became repetitive. The scenes involving audience participation though were brilliant, bringing a nice unexpected depth to the much better second half as well.

There is no question that I enjoyed Bugsy Malone, and certainly more than a previous incarnation, however, it is a limited show in some areas, and with the slightly flimsy material of Fame last year, I feel next year the Youth Theatre need to go bold again and get back to the astronomic days of Oliver! and the simply incredible Sweeney Todd. The talent is still there in the group, all it needs is a much more meaty production to show it.

As it is, Bugsy Malone is everything you would expect, big and silly and the cast and team get everything possible out of the material.

Performance reviewed: Tuesday 10th July 2018 (Bonnie Company) at Royal & Derngate (Royal), Northampton.

Bugsy Malone runs at the Royal & Derngate until Sunday 15th July 2018.

For further details visit the Royal & Derngate website at

Photos: Graeme Braidwood

Popular posts from this blog

Review of Disney's High School Musical by NMTC Youth Society at the Cripps Hall Theatre, Northampton

As a regular theatre-goer, and indeed reviewer, I have learnt over the years that not all theatre is really for everybody. It's pretty obvious a statement really, but with reviewers, unlike regular theatregoers, you end up by default attending shows you might not dream of going to see as a normal customer. Maybe High School Musical is one pretty close to the top of the list I would only see on "official reviewing duty", as it's not really for a 40-year odd person. However, beyond that, the Northampton Musical Theatre Company Youth Society has come up with a really pretty impressive production of Disney's classic teen musical.

This is a very dramatic departure from the inaugural production of the Youth Theatre in 2018, Les Misérables (much more my thing), however, perhaps unsurprisingly it is better suited to the performers here. Their enthusiasm is even more evident to that previous production. Here, unlike the horrors of revolution-torn France, they can have fu…

Review of The Full Monty at Royal & Derngate (Derngate), Northampton

The 1997 film The Full Monty is one of the best regarded of relatively recent British films, due to it being both a warm and emotionally strong tale, solid comedy and a wealth of acting talent, and it's no surprise that its very theme has spawned an immensely successful touring stage version. It literally overflows with the opportunity to be performed in front of a, probably mostly female, audience, well, the final scene does, in any case. However, what of the rest, and how about for a male audience member? So to speak. Well, it was time to find out.

The first thing that is apparent from The Full Monty stage show, is how faithful this is to the film. Much of the show is what you have seen if you have seen the film, but translated cleverly to the stage, it feels just that little more real and gritty as well. It opens with a nicely staged scene of darkness and flashes of a torch as Gaz (Gary Lucy), his son Nathan (Fraser Kelly) and Dave (Kai Owen) break into their former factory wo…

Review of The Bodyguard at Milton Keynes Theatre, Milton Keynes

The 1992 film The Bodyguard starring Kevin Costner and the acting debut for singing megastar Whitney Houston, was a slightly average romantic thriller, which is really mostly remembered for its musical turns from Houston, so, it is perhaps surprising that it took a whole twenty years to make it's transition to the stage as a musical version. Premiering in London in December 2012, ten months after Houston's tragic death, the show has had great success around the world, and with this, it's second UK tour, has a recognisable face in the star role, of Alexandra Burke, former X-Factor winner (curiously not mentioned in her programme biog).
The Bodyguard follows the story of former Secret Service agent turned bodyguard Frank Farmer (Benoît Maréchal) who is hired to protect multi-award-winning music star Rachel Marron, following her receiving threats from a stalker.
It's clear from the bold opening performance that Alexandra Burke as Marron is not looking to imitate Houston in…