Skip to main content

Flash Festival 2018: Lay Me Bare by Athena Theatre at Hazelrigg House, Northampton

Following the sexual abuse led Screw You, my second Flash of the week was Athena Theatre's domestic abuse-themed Lay Me Bare. They were clearly not going to break us in gently this year at Flash. However, if there is one thing that Flash does brilliantly, it's tough subjects. The students in the group are clearly passionate about the themes they choose, and nearly always, this translates into a quality, if often tough, watch.

Lay Me Bare depicts the very different characters of Monica Brown (Xara Chisano), Fola Balogun (Maddy Ogedengbe) and Elsie Smith (Farrah Dark), all who though share one despair in their lives, they are victims of domestic violence from their partners. We first meet them all, nursing black eyes, and in a stark opening sequence, they all attempt to hide the visual appearance of this with make-up.

It's a powerful opening, and what follows is a tough exploration of these three peoples lives, one a partner to a guy who uses the prison door like a revolving one, another who wishes to conceive, and a hairdresser whose partner is a hopeless drunk.

Each of the characters is rounded individuals, unlike their partners, who are faceless entities in this piece, perpetrators, but rarely fleshed out. I personally am unsure whether it is a weakness of the piece to not allow us to learn more about these, other than the constant fact that they are the bad guys. It leaves the piece one-sided at times because of this.

What it does allow to happen though, are three brilliant performances from the actors. All become real and desperately sad in their plight. Chisano creates a quiet brooding character, all emotion held within as Monica, the terror portrayed within facial expressions over verbal dialogue.

For me, I found Dark's portrayal of Elsie the lighter of the three, the plight is the same, however, perhaps because of the time setting for this character, the sixties, it for me had an easier approach to the telling, away from the normal shackles of more recent life. Even when bad things were happening, you can't help but think that they weren't as bad in the old days. A ridiculous statement, sure, but one that anyone over a certain age is often very responsible for. Bad things have always been bad things, no matter when they happened.

Finally, we had the anguish of Ogedengbe's Fola Balogun, fuelled with some tremendous realism. The sequence with the doctor becomes a one-sided scene of despair, all from Fola, and apathy from the other in conversation. She is offered nothing from the doctor for help.

Because of the nature of this play, there is little light relief, there is hope in one of the character's future at the end but little else, but other than Dark's lively Stacey, this is, as the material suggests, pretty bleak.

One definite criticism from me though was the use of purely recorded material during two telephone conversations, where neither actor did anything more than a passive expression throughout. It would have been great to have seen at least part of this performed live, or at the very least, some visual impact from the performers. For me, a very curious decision.

I was also curious as to whether these characters were actually based on real peoples stories, due to especially the decision to set one of them in the sixties, with clear birth and death years. Investigating online though, left me just finding a woman's refuge in Australia named Elsie. So perhaps, these were just created lives.

Lay Me Bare was, however, a well-conceived piece of theatre, powerful, telling and very well performed, but obviously not intended to be something to be enjoyed.

Performance viewed: Monday 23rd April 2018

The Flash Festival 2018 ran between Monday 23rd and Friday 27th April 2018 at three venues across the town.


Photo: Looking Glass Theatre

Popular posts from this blog

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...